shadowkat: (Default)
shadowkat ([personal profile] shadowkat) wrote2025-06-20 12:54 pm
Entry tags:

Buffy Rewatch - Season 3, Toxic Love and the Toxic Male

I've been re-watching Buffy, which I hadn't watched since roughly 2012? And I've picked up on various things that I didn't previously. Also, I'm astonished at how well it holds up for a series that aired between 1997-2003.

I've finished S2, and am into S3, which is a lot better than I remembered.
It doesn't have as many dud episodes, or skippable ones like S1 and 2 did.
S1 - the stand-a-lones were better, and S2 - the arc episodes were better. S3 - manages to hit the perfect balance between the two or it appears to, only six episodes in, but no duds yet. It also manages to do the same thing S2 did - which is bring in entertaining and creepy villains in Trick and the Mayor. I think they finally gathered together a good writing team - that gelled. With the additions of Jane Espenson and Doug Petrie to the mix.

Takeaways?

Beauty and the Beasts weirdly echoes Beneathe Me in S7. In both episodes, we have Buffy discover that the wicked vampire she was having an affair with, has returned somewhat crazy but with a soul. (Just differently.) And in both episodes there's a side story about a couple that is similar to Buffy's relationship to that vampire, but worse.

In Beasts - Buffy's toxic relationship with Angel/Angelus is paralleled with Debbie's toxic relationship with Peter/Monster Pete. Pete is Dr. Jekyl and Mr. Hyde, until the potion that made him Alpha Male or the Toxic Male, is no longer needed and he succumbs to it. Pete is the mask, the monster is real. And he ends up killing Debbie, and destroying himself in the process.
Angelus almost destroyed Buffy and the world, until Buffy sent him to hell - but it was Angel she sent. Who is the mask? Angelus clearly is always lurking beneath the surface. And Buffy's relationship with Angel is unfortunately toxic - in that she can't be open about it, it takes her away from her friends and family, and puts others in danger - also if she sleeps with him, he may change and become evil again. It's a nice metaphor for domestic violence. It can't work. So many romantic relationships just can't work - once you get past the endorphin's of love and physical chemistry...
real life sets in.

In Beneath Me - Buffy's toxic relationship with Spike (pre-soul) - is examined with Nancy and her ex-boyfriend, who has been stalking her and won't leave her alone. Spike stalked Buffy, helped her, and then she began to rely on him, and let him in. That ended badly. And he got a soul. Now, he's not really stalking her anymore. He's hiding in the basement, lost. (Not stalking is a vampire thing in the Buffyverse - since Angel also stalked Buffy. It's not just Spike.) But the writers are showing the difficulty with obsessive romantic love - not letting the person go, of giving them space. It's not all that different than Debbie/Pete in Beasts, except in Beneath Me, we get a happier ending, Nancy isn't killed, just her boyfriend. And just like Beasts, Spike kills the monster, as Angel did in Beasts. The difference is Buffy is a bit more wary of helping Spike and more careful of her heart than she'd been previously.

I like how the show evolves and looks at similar issues but from different angles, and doesn't romanticize romantic love. The Happy Ending in Buffy is often Buffy being able to survive along with her friends, and the world.
It's not a romance. But has romantic elements.


Xander, can you be a bigger jerk? Apparently so. I hadn't realized how committed the writers were to exploring the incel theme with Xander until this rewatch. People mentioned it over the years, but I just wasn't that focused on Xander or handwaved it? Also, I didn't like Cordelia previously, now, I kind of do. If you really dislike Cordelia - it's hard to see how abusive Xander truly is.

There's a heavy theme in Buffy about toxic masculainity that has been written about numerous times. What's comforting to me about Buffy - is that Buffy conquers this. And Buffy saves a lot of boys from themselves in the story. And the series does a good job of showing the complexity and that the characters all have their own demons.

In S3 - Xander reams Buffy for leaving town (he'd expected Buffy to kill Angel and see him, instead she left town). Xander holds off with Cordy, until she shows him affection. He treats her as if she's an idiot, and continues to criticize and put her down in order to build himself up. Their relationship is highly toxic. Then he cheats on her with Willow - because he finally notices that Willow is a woman and sexy. While with Cordy - he flirts heavily with Faith, and would pursue Faith, but Faith wants nothing to do with him. He reminds me of so many boys that I've interacted with in school, college, and far beyond college - who think their penis is the most important thing on the planet. Seriously, he should have taken up track or running or a sport. That boy clearly didn't have enough to do.

For Xander - it's all about Xander. He's not concerned at all that Cordelia and Buffy were almost killed - or competing for Prom, all he can think about is making out with Willow - the latest conquest.

Very unlikable character. I've not seen one episode in which I don't want to smack him upside the head. I'm kind of looking forward to the episodes in which Faith, Angel, Spike and Cordelia do just that.


* Cordelia is actually interesting? I'm surprised. But she is. And realistic. She's self-absorbed like well most people. And very much what Buffy might have been without the slayage - which the show always kind of got across.
She doesn't really have friends, but I'm not sure anyone truly does? Which is also interesting.

* Faith - I like better than I remembered. They are smart to not overuse the character, and go with less is more. I feel for Faith - Faith seems to care more about Buffy than Buffy cares about Faith. And genuinely wants to be friends with Buffy - but Buffy is distracted by Angel. It's an interesting writer choice that Cordy and Buffy fight off the people during slayerfest, while Faith goes to the prom by herself.

I can see why Faith eventually turns against Buffy and envies Buffy, part of this is on Buffy, Giles and the others. They cut Faith out in various ways. And are far too obsessed with their own romantic entanglements to see her or anyone else for that matter.

Romantic love (which I think is highly overrated) can often isolate, and alienate others - pushing people out of one's life. Romantic love that survives and becomes something greater such as friendship and companionship - brings people into one's life, as opposed to shutting them out. I think that is the test of a good relationship - does it bring in people or shut them out?

**

Not doing much today, outside of recovering from an illness. Back to work on Monday. It's sunny and windy outside, and in the low 80s. I may work on my book a bit, and maybe a little on my painting.

[personal profile] mefisto 2025-06-21 04:23 pm (UTC)(link)
It always surprises me how much some viewers love Cordelia and Xander, but everyone has their own opinion. Even when it's a wrong opinion. :)

I got bored of Angel in S3 and in retrospect I think the season might have been better without him. But he never got on my nerves the way Xander did.

[personal profile] mefisto 2025-06-22 03:34 pm (UTC)(link)
I think the problem is that there's a fine line between criticizing and bashing. Xander as a character has aged poorly, mostly because of changes in social attitudes in the past 25 years. But even accounting for that I wouldn't describe him as the worst character ever, and yet you're right that he gets described that way. There's even a YouTube video with roughly that title.

I haven't re-watched in quite a while and I really should. I've been trying to catch up on shows I've missed, but I'm starting to run short. I do enjoy your comments as you re-watch; that length of time between viewings can really change one's perspective.

[personal profile] mefisto 2025-06-22 10:15 pm (UTC)(link)
I don't watch sitcoms any more. I find that the humor just doesn't age well. And I've never been a fan of "reality" TV. Mostly I watch shows and movies that are more or less drama. I liked Andor, for example, and The Last of Us. Right now I'm giving Outlander a try and liking it better than I expected.

I'd like to think the Buffy writers were trying to subvert the trope with Xander, but I doubt it. He does have layers -- he's certainly not a villain or one-note -- he just irritates me with the stuff that I'd now describe, perhaps not entirely fairly and definitely anachronistically, as incel.

[personal profile] mefisto 2025-06-22 11:33 pm (UTC)(link)
Oh they definitely criticized the toxic masculinity stuff (Go Fish is another good example). I'm just not sure they saw Xander as toxic as opposed to "just a teenage boy". Admittedly, the line there can be pretty vague...

Outlander has 2 types of problematic scenes: lots of blood (she's a nurse/doctor); and sexual assault. Blood has never bothered me much, but I've had to fast forward through one rape scene. It also does a number of good things: Jaime is the one who faints in one scene, for example, when the trope would have the woman do so. The period stuff like costumes and attitudes is pretty good, better than other shows I've seen.

The Last of Us is pretty much the opposite of comforting. Outlander has enough romantasy that it might or might not be, depending on how you mentally balance that with the violence.

[personal profile] mefisto 2025-06-23 12:29 am (UTC)(link)
In fairness (?) to the author, the time and place of Outlander, whether Highland Scotland or Piedmont North Carolina, would indeed have had plenty of rape. Now, of course, she didn't have to choose those locations. But if we're honest, rape as we now define it would have been pretty common almost anywhere before the last 30 years or so.

[personal profile] mefisto 2025-06-23 03:37 pm (UTC)(link)
Both the Highlands and backcountry US in the 1700s were areas without a government. Tribal areas, essentially, with a local Big Man in charge. Lots of robbery/theft, virulent hatred of others (the English, with some justification; the Native Americans, with very little), and a shocking amount of personal violence, much of it fueled by staggering amounts of liquor. We can't ever know how much rape there was back then because it never has been an easily provable crime. We can, however, estimate murders (dead bodies are fairly obvious) and those were much higher than today on a per capita basis. It was dangerous to be in either place.

That said, the sexual violence in Outlander does seem extreme and it's in sharp contrast to the otherwise romantic nostalgia for the rural settings. I can't tell if the violence is intended to undercut the Arcadian setting or if it's there to titillate.

[personal profile] mefisto 2025-06-23 04:13 pm (UTC)(link)
I'm inclined to see it as titillating, so I totally get preferring to back away.