http://probablecylon.livejournal.com/ ([identity profile] probablecylon.livejournal.com) wrote in [personal profile] shadowkat 2010-05-01 05:04 am (UTC)

The 'Super' man itself was invented by a physically weak scholar whose father died early & left him in a family of women. The Overman invented by Nietzsche was an elaborate fantasy figure -- a mental virtuoso, a psychologically invulnerable male, insusceptible to tenderness or empathy or pity, which Nietzsche thought of as decadent. The figure of the Super-man became a feature of high colonialism -- and for the creators of the comic books who borrowed the name & figure in Superman, and super-men, pretty blatantly one embodying the superior physical and intellectual prowess of the anglo-saxon type against all the twisted & corrupt foreigners.

It wasn't until the '60s, in the wake of the Beats and the Beatniks -- themselves celebrators of machismo sexuality -- that the underdog antihero made it into the comic book pages. I remember the first explicitly feminist comic I ever read, the issue of the Avengers in which a heroine named the Valkyrie persuaded the Scarlet Witch, the Wasp, Medusa, and some others into becoming a super-team opposed to the male chauvinist Avengers . . . of course the silly women had been conned by the evil Enchantress.

The problem is that being super involves Superiority -- Buffy has a superiority complex, and has an inferiority complex about it, as Holden told her in CWDP. However bad the various super-men may feel about their failures or their faults, actually being the presumed Alpha is not in itself a transgression (and here Alpha peeps around the corridor of the Dollhouse . . . ) The genre of the Superior Human itself can be bent or troped to function differently -- but its basic DNA is completely alien to any sort of real equalitarian or feminist vision.


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