Feb. 28th, 2013

shadowkat: (Aeryn Sun- Tired)
1. And the book meme from hell continues. (I was going to say heck, but seriously why? Why is hell considered a bad word? That never made any sense to me. I'm guessing there's a really good reason but am too lazy to google it.)

Day 17 – Favorite quote from your favorite book

Okay who comes up with these things? What if you don't have a favorite book? I can barely remember half the stuff I've read, I certainly don't remember quotes. I know I have favorite quotes...okay here's two from a favorite book I read last year, which knocked my socks off.

“We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can't stop pissing on fire hydrants...I am an animal like any other. Hazel is different. she walks lightly, old man. She walks lightly upon the earth. She knows the truth: We're as likely to hurt the universe as we are to help it, and we're not likely to do either.

People will say it's sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it's not sad. It's triumphant. It's heroic. Isn't that the real heroism?

The real heroes anyway aren't the people doing things; the real heroes are the people NOTICING things, paying attention.”

― John Green, The Fault in Our Stars

“Sometimes, you read a book and it fills you with this weird evangelical zeal, and you become convinced that the shattered world will never be put back together unless and until all living humans read the book. And then there are book which you can't tell people about, books so special and rare and yours that advertising your affection feels like a betrayal.”
― John Green The Fault in Our Stars

the rest of the days )

2.Day 20 - Favorite kiss

Kisses are wickedly hard to do on camera. Mainly because they can't be too real, but they have to be just real enough. Also...there's that little problem of having two actors who probably don't want to be kissing each other and particularly at this point in time being told to do it - in front of a bunch of lights, cameras, etc. I've heard fight scenes are easier and more fun - for two reasons, the heavy lifting is done by the stunt doubles and
well put yourself in their place, would you rather punch your annoying co-worker or kiss them? Plus And if you want to see for yourself how insane this can be? Go here:http://www.youtube.com/watch?v=pQVEI-cYDzE (Although I should warn you - it will in some respects destroy the Smashed Spuffy scene for you. You start to feel really sorry for the actors...they had to do each part of that end sequence more than five times. Can you imagine? Particularly with a co-worker? And I thought my day was exhausting.)

That said...there are several really good kissing scenes. My favorite, and it is hard to pick one, I don't know if I can...so picking two:

1. Buffy and Spike kissing at the Bronze in Tabulah Rasa )

2. Aeryn Sun and John Crichton - the kiss when they think John has returned to Earth )

rest of the days )

Smash

Feb. 28th, 2013 09:17 pm
shadowkat: (flowers)
Smash has turned into a brilliant meta-narrative on itself. Can't believe they are doing this storyline. Last year they fired Theresa Rebeck, the female creator/head writer, who had created a somewhat soapy tv series about women on Broadway struggling to juggle personal lives with professional lives, but the male characters were oddly the most compelling. This year, with a new male writer, and all male executive producers/lyrcists - the story is about the women being pushed aside by the men. The male assistant from last year, Ellis, conspires with Eileen's ex to steal the Broadway show from her. The show she wanted to prove herself by. Ellis never shows up. We just find out via a phone conversation that Cherry stole the show from her with his help. Then according the previews...the dramturge, Lenny Kravitz, is stealing the show from the female writer Julia, and manipulating her into turning the show into one about the male gaze. That Marilyn had no voice, she was what the men around her saw, their product, their sex symbol. It's a bold move and a brassy, and oh-so-true meta-narrative on both Hollywood and Broadway - and in particular on itself and what happened to Theresa Rebeck last year.

If you're not watching SMASH because of last year? You should start. It's become rather interesting. Plus, Jennifer Hudson is knocking it out of the park.

Profile

shadowkat: (Default)
shadowkat

Style Credit

Expand Cut Tags

No cut tags
Page generated Jun. 6th, 2025 06:40 am
Powered by Dreamwidth Studios