(no subject)
May. 24th, 2014 09:35 pmThis quote from Playbuilding As Qualitative Research was...a sort of AHA moment for me last night, or moved me enough to haunt me long after I read it. So much so, I feel compelled to share it now, 24 hours later. Okay, almost 24 hours later.
[ Reminds me of fan interaction with material. Each new fan takes something different from it. Writes a new fanfic, which changes the material slightly. Or movie adaptations. Or any derivative work. We take the original story and create variations of it, each commenting on the next, interlocking like puzzle pieces, and we learn from each variation.]
The art of story-telling, is in the ability to be open to an exchange of stories or a discussion. Otherwise the story sort of exists in a vacume, dead on arrival. It's like having a child, but never allowing the child to grow up, to change, to evolve.
As a writer, I've always found playing in theater or in the collaborative atmosphere of theater to be instructive and helpful. Didn't realize how much I'd missed it.
One of the most difficult aspects of the collective process to achieve is to tell one's stories while being open to the diverse stories of others....We are all pilgrims on our own journeys, and we can vicariously learn by listening to other pilgrims<. Yes, our stories have merit, but they cannot remain stagnant. In Playbuilding, we revisit them not merely to affirm them but to question them as well. A lecture or performance that preaches preset ideas can be deadly, creating in one's audience resistance rather than a state of listening. If Playbuilding [or any storytelling form for that matter] is to be dialectic, then many stories while change when they encounter the stories of others.....Consequently, the data generated does not give primacy to the accuracy of the past but enters a temporal rift in which former stories intermingle with a present process to include the stories of others that will be reshaped into a future event that will also be reshaped with new participants.
[ Reminds me of fan interaction with material. Each new fan takes something different from it. Writes a new fanfic, which changes the material slightly. Or movie adaptations. Or any derivative work. We take the original story and create variations of it, each commenting on the next, interlocking like puzzle pieces, and we learn from each variation.]
There will be times when one goes through a self-indulgent phase. This is natural and to be expected. We are intricately tied up in the stories we tell ourselves. The danger is to remain there. The juxtaposition of our stories with others enables us to detect our personal framing that obscures parts of our own stories from us. [This is why editors and beta readers are valuable commodities. We need someone to look at our story and see the areas that require clarification or expansion. Or a new interpretation. We need to step outside ourselves and our stories sometimes to see them more clearly. While it is possible to write, read, or watch in a vaccume, with no interaction with others - it is also stagnant. The film Saving Mr. Banks in some respects underlines this - where PL Travers (in the film) learns something new about her own story through Walt Disney.]
We tell them and give them away for others to reconceptualize with care and respect Both our process and the research performance itself will reflect a struggle for meaning rather than a meaning discovered.
The art of story-telling, is in the ability to be open to an exchange of stories or a discussion. Otherwise the story sort of exists in a vacume, dead on arrival. It's like having a child, but never allowing the child to grow up, to change, to evolve.
As a writer, I've always found playing in theater or in the collaborative atmosphere of theater to be instructive and helpful. Didn't realize how much I'd missed it.