(no subject)
Apr. 12th, 2017 08:57 pm The Twitter Thread in Defense of HEA in the Romance Genre via Courtney Milan. What happened was a guy decided to treat the comment "Is there any trope more strongly enforced and policed than the HEA trope in the romance genre?" He got crucified, and removed the tweet. Hee Hee.
But it haunted me. I think because I've read a lot of books across various genres, and I'd recently published a book in which a critic stated it wasn't believable because it ended happily. (It sort of did and sort of didn't depending on your point of view. I felt I left it more or less open-ended. But I didn't end it tragically or grimly like most noir writers do, because that appears to an enforced view in noir. I subverted the requirement or trope or whatever you want to call it.)
Anywho...the HEA (Happily Ever After) seen in the romance genre isn't reserved to that genre, and if you've read a broad range of "romances" you'll note that not all romances necessarily end happily. I happen to know of one novella in which the heroine died at the end. And another, in which they are dead, and died rather tragically in the sequel. Also, hello, Tolstoy's Anna Karenia is a romance novel, granted a literary one, but it is somewhat grim. So too are some of Hardy's novels, and the Bronte Sisters. The Victorians didn't like to write "Happily Ever After" for some reason or other. And in a lot of "so-called" literary fiction, the trend seems to be grim endings. I personally seem of the "grim" endings difficult to digest or believe.
Some romance novels are deft critiques of abusive relationships, and the grim ending has the two people still together.
It's a broad genre with lots of subgenres, and has gotten a lot of crap over the years...mainly because it's largely a genre written by women for women. 90% of the writers are women. Whether the romance is LGBTQ or Straight, the writers tend to be mostly women. Women actually can be turned on by m/m romances. I tried to explain that to an Aunt once who assumed only straight men liked same-sex romances about the opposite sex. I said, eh, no, actually, this is true of both straight men and women. Although they don't tend to like romance same-sex stories about their own gender, just the opposite gender. Which I personally find fascinating.
I've also read enough across genres to know they all have their sticking points. The Sci-Fi Genre seems to be obsessed with world-building. Fantasy is obsessed with mythology. Mystery -- somebody has to die. It's rare to have one where no one dies. I wrote one where no one dies -- or there wasn't a murder, mainly because I burned out on murder mysteries in the 1990s and wondered if you could do something different. Noir -- it ends badly.
There's an assumption that you can't learn anything from books for pleasure -- this is not true. You can learn something from everything you read or do, if you are open to it. I've learned that much.
You may not always like the lesson...
The novel that I'm currently reading "A Lady's Code of Misconduct by Meredith Duran" has a rather interesting bit about the ticket to leave act in Victorian England, and the penal system. It's also quite timely -- addressing in a romance novel a topical and controversial issue about jailing people accused of petty crimes with murderers. The same issue was addressed by Victor Hugo in Les Miserables and Charles Dickens. I'd say we don't do that today, but in a way we do with the drug laws. Throwing a man or boy in jail for twenty years for possession of crack cocaine, is a bit harsh, particularly when a college kid caught with a packet of cocaine is slapped on the wrist, or caught dealing LSD.
(I saw this happen in real life, so I am not exaggerating.) Same with marijuana, it's a bit excessive to thrown someone in jail for dealing or smoking weed -- in comparison to someone dealing heroine.
I remember defending three different drug cases in law school -- one was possession of crack cocaine, which had a sentence of 15-20 years, one was for killing people in association with the heroine trade -- 20 years to life, and one was felony bank robbery, which he did to support a cocaine habit, 10-15 years, probation. Think about that. This novel discusses the inequalities of the penal code and how funding and supporting putting more people away or incarceration funds private interests who are using the prisoners as free labor, and/or using prisons as a business investment. Which is also what is happening today in the US. Duran wraps all this socio-political discourse in the pretty guise of a romance novel and it is a historical romance novel with all the trimmings.
The woman definitely has something to say, and has found a way to weave a narrative that could potentially make her readers think outside their comfort zones.
Right now, I'm flirting with Americanha - about two lovers who immigrate from Nigeria, one to the US and one to London, and their differing experiences with immigration and race, it's written by a Nigerian immigrant. But I'm forcing myself to hold off on buying it until I finish some of the books in my queue. I have a tendency to see a book on Amazon, while I'm knee deep in another one and impulse buy it, but not get around to reading it. Resulting in over 300 books in my Kindle that I have not read. I finally read Slaughter-House Five this year. It was sitting in the Kindle for three years before I got around to it. Bought it on sale for 1.99 from Amazon. Also flirting with Dark Matter - a romance about two lovers separated by dimensions, it's a sci-fi novel. And The Circle about a young woman in a Google like tech company that she discovers is up to something nefarious, actually it seems to be about more than that...the movie trailer has made me curious.
But it haunted me. I think because I've read a lot of books across various genres, and I'd recently published a book in which a critic stated it wasn't believable because it ended happily. (It sort of did and sort of didn't depending on your point of view. I felt I left it more or less open-ended. But I didn't end it tragically or grimly like most noir writers do, because that appears to an enforced view in noir. I subverted the requirement or trope or whatever you want to call it.)
Anywho...the HEA (Happily Ever After) seen in the romance genre isn't reserved to that genre, and if you've read a broad range of "romances" you'll note that not all romances necessarily end happily. I happen to know of one novella in which the heroine died at the end. And another, in which they are dead, and died rather tragically in the sequel. Also, hello, Tolstoy's Anna Karenia is a romance novel, granted a literary one, but it is somewhat grim. So too are some of Hardy's novels, and the Bronte Sisters. The Victorians didn't like to write "Happily Ever After" for some reason or other. And in a lot of "so-called" literary fiction, the trend seems to be grim endings. I personally seem of the "grim" endings difficult to digest or believe.
Some romance novels are deft critiques of abusive relationships, and the grim ending has the two people still together.
It's a broad genre with lots of subgenres, and has gotten a lot of crap over the years...mainly because it's largely a genre written by women for women. 90% of the writers are women. Whether the romance is LGBTQ or Straight, the writers tend to be mostly women. Women actually can be turned on by m/m romances. I tried to explain that to an Aunt once who assumed only straight men liked same-sex romances about the opposite sex. I said, eh, no, actually, this is true of both straight men and women. Although they don't tend to like romance same-sex stories about their own gender, just the opposite gender. Which I personally find fascinating.
I've also read enough across genres to know they all have their sticking points. The Sci-Fi Genre seems to be obsessed with world-building. Fantasy is obsessed with mythology. Mystery -- somebody has to die. It's rare to have one where no one dies. I wrote one where no one dies -- or there wasn't a murder, mainly because I burned out on murder mysteries in the 1990s and wondered if you could do something different. Noir -- it ends badly.
There's an assumption that you can't learn anything from books for pleasure -- this is not true. You can learn something from everything you read or do, if you are open to it. I've learned that much.
You may not always like the lesson...
The novel that I'm currently reading "A Lady's Code of Misconduct by Meredith Duran" has a rather interesting bit about the ticket to leave act in Victorian England, and the penal system. It's also quite timely -- addressing in a romance novel a topical and controversial issue about jailing people accused of petty crimes with murderers. The same issue was addressed by Victor Hugo in Les Miserables and Charles Dickens. I'd say we don't do that today, but in a way we do with the drug laws. Throwing a man or boy in jail for twenty years for possession of crack cocaine, is a bit harsh, particularly when a college kid caught with a packet of cocaine is slapped on the wrist, or caught dealing LSD.
(I saw this happen in real life, so I am not exaggerating.) Same with marijuana, it's a bit excessive to thrown someone in jail for dealing or smoking weed -- in comparison to someone dealing heroine.
I remember defending three different drug cases in law school -- one was possession of crack cocaine, which had a sentence of 15-20 years, one was for killing people in association with the heroine trade -- 20 years to life, and one was felony bank robbery, which he did to support a cocaine habit, 10-15 years, probation. Think about that. This novel discusses the inequalities of the penal code and how funding and supporting putting more people away or incarceration funds private interests who are using the prisoners as free labor, and/or using prisons as a business investment. Which is also what is happening today in the US. Duran wraps all this socio-political discourse in the pretty guise of a romance novel and it is a historical romance novel with all the trimmings.
The woman definitely has something to say, and has found a way to weave a narrative that could potentially make her readers think outside their comfort zones.
Right now, I'm flirting with Americanha - about two lovers who immigrate from Nigeria, one to the US and one to London, and their differing experiences with immigration and race, it's written by a Nigerian immigrant. But I'm forcing myself to hold off on buying it until I finish some of the books in my queue. I have a tendency to see a book on Amazon, while I'm knee deep in another one and impulse buy it, but not get around to reading it. Resulting in over 300 books in my Kindle that I have not read. I finally read Slaughter-House Five this year. It was sitting in the Kindle for three years before I got around to it. Bought it on sale for 1.99 from Amazon. Also flirting with Dark Matter - a romance about two lovers separated by dimensions, it's a sci-fi novel. And The Circle about a young woman in a Google like tech company that she discovers is up to something nefarious, actually it seems to be about more than that...the movie trailer has made me curious.