Stranger Things S2
Nov. 24th, 2017 01:15 pmJust finished watching Stranger Things S2. A couple of interesting things about this series - 1) all the episodes were available to stream immediately in October. It's set up for binge-watching, 2) there is only nine episodes, which means tight plotting, and no filler episodes.
There's a lot of American television series that fit that framework now, due to the fact that over 50% of people between the ages of 18-45 aren't watching broadcast or cable, but streaming. My brother is streaming through Apple TV, and most of my co-workers have streaming. A few have cable but many don't.
The other interesting thing about the series, which sort of comments on the above, is the Duffer Brothers deliberately set it in the 1980s, circa 1984, when I was a junior in high school. The reason? Not what you may think, it isn't nostalgia. It's far simpler than that -- technology. They wanted to tell a story without cell phones, smartphones, video games, etc encroaching on it. Which, in way, comments on a current culture far better than doing the opposite. The kids are more in each other's personal space, they spend more time outdoors, they are more adventurous, and far more interactive in the series. It's ironic, because without the smartphones it's harder for them to stay connected with each other or their parents or anyone, yet in some ways they are more connected.
I find it interesting that the reviews I've read of this series focus on the innocuous bits like the 80s music (which seriously you can experience now), television shows (ditto), whether KFC or Kentucky Fried Chicken was used, or other random things such as Polariod cameras -- which aren't that different. But ignore the big one, which is like a big glowing neon sign -- technology. The 1980s from a 2017 perspective is the dark ages. We had no internet. People used radios and boom boxes and walkie talkies. They had to mail taped/cassett recordings. Polaroid cameras are still in use today, but VHS video cameras aren't. And static on tv sets, which were small boxes that had antennas.
The computer language is Basic, ASCII and HTML and Java don't exist. Also the computers are huge and hard to work with.
You can't instantly communicate with someone in another city, county, state, or country. It makes the horror more contained, and the story more claustrophobic. The characters are relying on a phone system that can easily be tapped into. One in which they can't tell until they lift up the receiver who is on the other line.
In a way this adds to the story -- because it pulls the audience back to a time in which they didn't have access to information or media in the way they do now. Creating a more intimate atmosphere, and far more contained. As far as Hawkings, Indiana knows...they are the only ones affected by these events. It's self-contained, a problem they have to work out by themselves, no one is riding to their rescue. And the writers pull it off by setting the story back in time, as opposed to doing a post-apocalyptic world.
Other than that, the series is a fairly straight-forward horror yarn, a bunch of people come together to defeat a monster that is terrorizing their town. The focus though is on kids coming together, and is somewhat multi-generational in tone. It does subvert a few tropes here and there, but nothing major.
It's main strength is the kids and their interaction with each other. The introduction of Max and her evil step-brother, helps pull in a relatable human villain. If a somewhat predictable/cliche one. I did like the fact that MadMax is female. The girls in this series are rather kick-ass, and not damsels. If anything they save the male characters.
There's a subplot about Eleven hunting her family, which in some respects I enjoyed more than the evil government lab plot-line. But it also felt rather derivative in places. It is, however, something the series can go back to, assuming there's a third season. And Eleven's bonding with her sister Collee...worked for me. Collee, who unlike Eleven, didn't have people to save and was unable to do so...went another route, towards vengeance. It shows -- Eleven and the audience, what a monster she could become if she chose to. She doesn't.
Overall, I loved it. And now have to figure out what is next. Nine episodes is a good number, short and sweet. Also makes for tight plotting. This season brought in more characters, and had more female characters than the previous season.
There's a lot of American television series that fit that framework now, due to the fact that over 50% of people between the ages of 18-45 aren't watching broadcast or cable, but streaming. My brother is streaming through Apple TV, and most of my co-workers have streaming. A few have cable but many don't.
The other interesting thing about the series, which sort of comments on the above, is the Duffer Brothers deliberately set it in the 1980s, circa 1984, when I was a junior in high school. The reason? Not what you may think, it isn't nostalgia. It's far simpler than that -- technology. They wanted to tell a story without cell phones, smartphones, video games, etc encroaching on it. Which, in way, comments on a current culture far better than doing the opposite. The kids are more in each other's personal space, they spend more time outdoors, they are more adventurous, and far more interactive in the series. It's ironic, because without the smartphones it's harder for them to stay connected with each other or their parents or anyone, yet in some ways they are more connected.
I find it interesting that the reviews I've read of this series focus on the innocuous bits like the 80s music (which seriously you can experience now), television shows (ditto), whether KFC or Kentucky Fried Chicken was used, or other random things such as Polariod cameras -- which aren't that different. But ignore the big one, which is like a big glowing neon sign -- technology. The 1980s from a 2017 perspective is the dark ages. We had no internet. People used radios and boom boxes and walkie talkies. They had to mail taped/cassett recordings. Polaroid cameras are still in use today, but VHS video cameras aren't. And static on tv sets, which were small boxes that had antennas.
The computer language is Basic, ASCII and HTML and Java don't exist. Also the computers are huge and hard to work with.
You can't instantly communicate with someone in another city, county, state, or country. It makes the horror more contained, and the story more claustrophobic. The characters are relying on a phone system that can easily be tapped into. One in which they can't tell until they lift up the receiver who is on the other line.
In a way this adds to the story -- because it pulls the audience back to a time in which they didn't have access to information or media in the way they do now. Creating a more intimate atmosphere, and far more contained. As far as Hawkings, Indiana knows...they are the only ones affected by these events. It's self-contained, a problem they have to work out by themselves, no one is riding to their rescue. And the writers pull it off by setting the story back in time, as opposed to doing a post-apocalyptic world.
Other than that, the series is a fairly straight-forward horror yarn, a bunch of people come together to defeat a monster that is terrorizing their town. The focus though is on kids coming together, and is somewhat multi-generational in tone. It does subvert a few tropes here and there, but nothing major.
It's main strength is the kids and their interaction with each other. The introduction of Max and her evil step-brother, helps pull in a relatable human villain. If a somewhat predictable/cliche one. I did like the fact that MadMax is female. The girls in this series are rather kick-ass, and not damsels. If anything they save the male characters.
There's a subplot about Eleven hunting her family, which in some respects I enjoyed more than the evil government lab plot-line. But it also felt rather derivative in places. It is, however, something the series can go back to, assuming there's a third season. And Eleven's bonding with her sister Collee...worked for me. Collee, who unlike Eleven, didn't have people to save and was unable to do so...went another route, towards vengeance. It shows -- Eleven and the audience, what a monster she could become if she chose to. She doesn't.
Overall, I loved it. And now have to figure out what is next. Nine episodes is a good number, short and sweet. Also makes for tight plotting. This season brought in more characters, and had more female characters than the previous season.