Slept horribly last night - ended up finishing The Botantist's Assistant, which features a neurodivergent middle aged female detective trying to solve the murder of her boss, a research fellow at a university. It's okay, but I probably should stop picking up books rec'd from Smart Bitches. (Yes, I got it from my brother - but only because I asked for it - via a rec from Smart Bitches.)
Got about five hours of sleep, which isn't too bad, considering I didn't fall asleep until 3:30 (2:30 until Daylight Savings Time struck at 2 am). Someone posted on FB - "Does anyone like Daylight Savings Time" - and I thought, yes, unfortunately, or it wouldn't exist - they are all the people who don't have to get up before 8 am each day to go to work, and usually get home after 5:30 pm, and don't care about morning light. I am obviously not among them. I get up at 6 am and am usually home between 4:30 and 5pm. Daylight Savings Time as a result plays havoc with my sleep patterns and just around the time I was getting it right. (An example of how helping some often hurts others, or how getting what you want may be at the expense of someone else's health.) I'm at my best sometime in May, when sunrise is at 6 am and sunset at 7 pm.
Today's Unitarian Church Service was on Guilty Pleasures, it was about enjoying what you love without letting society dictate it, but at the same time - listening to your conscience and not going against your own values because society dictates you should love this particular thing. It was interesting - because the Minister is Transmale Pacific Asian devoted Harry Potter Fan, who was struggling with the desire to see Harry Potter and the Cursed Child. (I really feel for the LGBTA+ who fell in love with Harry Potter as kids, only to discover the author is a transphobic bully, who uses the money from Harry Potter to fund her anti-trans or Terf causes, and influence legislation against them.) He compared the so-called societal guilty pleasures of ice cream, country music/pop music, and romance novels to their desire to see the play Cursed Child (which has excellent stage craft). The difference between them - is a value issue.
( Read more... )
The world isn't simple, is it?
Television
Been watching British Costume Dramas. Currently the newest (or at least I think it is the newest) adaptation of the Count of Monte Cristo on PBS, with Sam Clafin and Jeremy Irons. I'm enjoying it. I can't remember the story at all, and I don't think I ever watched all of it or seen it. I keep meaning to read the book - which is insanely thick with teeny tiny print. (It's why I read so much on the Kindle - the paperbacks have teeny tiny print - which require reading glasses, and some have faded print.)
It's a good adaptation - Clafin manages to get across both the innocent sailor, and the hardened wrathful ex-prisoner filled with vengeance. [PBS Passport]
Also started the last season (or the revival of Downton Abbey on Netflix which is followed up by the Grand Finale), and Grantchester on Netflix (a mystery series about a minister in a small British town outside of Cambridge during the 1950s, starring James Norton.
And I think I might start Maigret (PBS Passport), and a rewatch of Veronica Mars (which I can't remember at all - I can't even remember my recent rewatch of it in 2025 which got rudely interrupted halfway through season 1 by Hulu removing seasons 1-3. Netflix picked them up last week.)
And of course, I'm still watching and loving The Pitt which is the perfect medical procedural drama. It keeps all the action in the ER, and focuses on Doctor Robi's sixteen hour shift. So, say a character leaves the ER or has to run an errand or go upstairs to surgery, or go to a deposition? We don't follow them, we stay in the ER with the chaos going on there. We only leave the ER - at the very beginning of each season - following Robi on his bike to work, or at the very end of each season when the doctors from that shift leave to share a drink. That's it. I find this approach to be a breath of fresh air? It removes some of the unnecessary melodrama relationship drama bits from the procedural. And makes it far more realistic. It's in a lot of ways a no-nonsense straight up medical procedural, with relationship drama along the edges.
***
Mother: You're home?
Me: Well, where would I be? It's overcast and gloomy, and there's nothing to do with anybody. I'm fine here.
It's kind of sunny. But no real blue sky to note.
Got about five hours of sleep, which isn't too bad, considering I didn't fall asleep until 3:30 (2:30 until Daylight Savings Time struck at 2 am). Someone posted on FB - "Does anyone like Daylight Savings Time" - and I thought, yes, unfortunately, or it wouldn't exist - they are all the people who don't have to get up before 8 am each day to go to work, and usually get home after 5:30 pm, and don't care about morning light. I am obviously not among them. I get up at 6 am and am usually home between 4:30 and 5pm. Daylight Savings Time as a result plays havoc with my sleep patterns and just around the time I was getting it right. (An example of how helping some often hurts others, or how getting what you want may be at the expense of someone else's health.) I'm at my best sometime in May, when sunrise is at 6 am and sunset at 7 pm.
Today's Unitarian Church Service was on Guilty Pleasures, it was about enjoying what you love without letting society dictate it, but at the same time - listening to your conscience and not going against your own values because society dictates you should love this particular thing. It was interesting - because the Minister is Transmale Pacific Asian devoted Harry Potter Fan, who was struggling with the desire to see Harry Potter and the Cursed Child. (I really feel for the LGBTA+ who fell in love with Harry Potter as kids, only to discover the author is a transphobic bully, who uses the money from Harry Potter to fund her anti-trans or Terf causes, and influence legislation against them.) He compared the so-called societal guilty pleasures of ice cream, country music/pop music, and romance novels to their desire to see the play Cursed Child (which has excellent stage craft). The difference between them - is a value issue.
( Read more... )
The world isn't simple, is it?
Television
Been watching British Costume Dramas. Currently the newest (or at least I think it is the newest) adaptation of the Count of Monte Cristo on PBS, with Sam Clafin and Jeremy Irons. I'm enjoying it. I can't remember the story at all, and I don't think I ever watched all of it or seen it. I keep meaning to read the book - which is insanely thick with teeny tiny print. (It's why I read so much on the Kindle - the paperbacks have teeny tiny print - which require reading glasses, and some have faded print.)
It's a good adaptation - Clafin manages to get across both the innocent sailor, and the hardened wrathful ex-prisoner filled with vengeance. [PBS Passport]
Also started the last season (or the revival of Downton Abbey on Netflix which is followed up by the Grand Finale), and Grantchester on Netflix (a mystery series about a minister in a small British town outside of Cambridge during the 1950s, starring James Norton.
And I think I might start Maigret (PBS Passport), and a rewatch of Veronica Mars (which I can't remember at all - I can't even remember my recent rewatch of it in 2025 which got rudely interrupted halfway through season 1 by Hulu removing seasons 1-3. Netflix picked them up last week.)
And of course, I'm still watching and loving The Pitt which is the perfect medical procedural drama. It keeps all the action in the ER, and focuses on Doctor Robi's sixteen hour shift. So, say a character leaves the ER or has to run an errand or go upstairs to surgery, or go to a deposition? We don't follow them, we stay in the ER with the chaos going on there. We only leave the ER - at the very beginning of each season - following Robi on his bike to work, or at the very end of each season when the doctors from that shift leave to share a drink. That's it. I find this approach to be a breath of fresh air? It removes some of the unnecessary melodrama relationship drama bits from the procedural. And makes it far more realistic. It's in a lot of ways a no-nonsense straight up medical procedural, with relationship drama along the edges.
***
Mother: You're home?
Me: Well, where would I be? It's overcast and gloomy, and there's nothing to do with anybody. I'm fine here.
It's kind of sunny. But no real blue sky to note.