![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
shadowkatHalf-watching the inspidly stupid and incredibly disappointing Gossip Girl, and came up with ways to know how the tv show you are watching is...a SOAP OPERA! The following are all without exception common staples of the soap opera genre...although a few have appeared in shows that aren't soaps from time to time.
1. Every romantic relationship that you become invested in is DOOMED! None of the romantic relationships end well or happily ever after, there is no such thing..unless of course the characters are lucky enough to leave town or are older than 50. And even then, probably not guaranteed.
2. People come back from the dead, usually the villains and the leads, and often without logic. (Creating NEW cool villains seems to be difficult in these things - so they just keep regenerating old villains, and I mean literally regenerate.). With the exception of: Good, pure, nice supporting characters that you adore to pieces and who die tragically to further a lead character's arc (their death turns them evil or good as the case may be)...often stay regrettably dead (because the writers can't figure out what to do with them.)
3. Good characters will turn evil often due to an evil curse, magic, addicition or just indigestion. There doesn't have to be a logical reason - as long as it is shocking. But not to worry, they'll turn good again - and often for the same reasons they turned evil: curse, magic, without logic - and no one will hold them responsible for the crap they did while evil - because hello? That was NOT really them. A nice alternative? The EVIL Twin - where we think the evil twin is the good character turned evil, but in reality it's just their twin separated at birth! OR a look-a-like.
4. There's usually a moralistic message about some big political trend topic of the moment - a whole series of episodes is focused on this message or theme - from abortion to cancer to homosexuality to addiction (addiction is a hot topic). And the show gets all sorts of awards for talking about them. We also have theme episodes: musicals, silent episodes, dream sequences, all based on the emotional conflicts of the characters.
5. Bad characters turn good often due to falling hopelessly in love with one of the really good characters, getting sick of always losing, suddenly getting a cool back story that makes them incredibly complex, or a near death experience or the near death experience of a loved one. Notably, their change in character makes more sense than the good character turned evil.
6. There's sexual violence. The good heroic female character either gets raped or someone attempts to rape her. Then the rapist or would be rapist is redeemed and often will become her one true love or love interest. Sometimes the rapist or would-be rapist is already her boyfriend or spouse, but years later they redeem him and the couple reunite, not to worry though, it won't last - see number #1.
7. A child mystically appears out of nowhere, in their teens, that is connected to the lead character - who didn't know such a child existed. This child is either a sister, brother, or their own kid.
8. If there's a kid in the story - they will disappear for a bit and come back much older, with barely any explanation.
9. There's usually a pregnancy storyline where the heroine has no idea who the Daddy is. It's can be because of a black-out drunken night at a party (this is the usual candidate), being drugged, and many other possibilities (the wildest was by turkey baster).
10. You cannot predict the story because the plot depends on the emotional arcs of the characters and often changes depending on actor availability, casting, and budget - as well as network approval and fan reaction. Spoiler boards are rampant. If a spoiler board, particularly more than one, exists...and the boards get fooled? Soap Opera.
If all 10 of these items appear in your favorite series? You are watching a soap opera.;-0
Buffy the Vampire Slayer - TV Series was in many ways a self-mocking parody/satire of the soap opera genre. It made fun of each of the points listed above and did not take itself or the genre too seriously.
1. Every romantic relationship that you become invested in is DOOMED! None of the romantic relationships end well or happily ever after, there is no such thing..unless of course the characters are lucky enough to leave town or are older than 50. And even then, probably not guaranteed.
2. People come back from the dead, usually the villains and the leads, and often without logic. (Creating NEW cool villains seems to be difficult in these things - so they just keep regenerating old villains, and I mean literally regenerate.). With the exception of: Good, pure, nice supporting characters that you adore to pieces and who die tragically to further a lead character's arc (their death turns them evil or good as the case may be)...often stay regrettably dead (because the writers can't figure out what to do with them.)
3. Good characters will turn evil often due to an evil curse, magic, addicition or just indigestion. There doesn't have to be a logical reason - as long as it is shocking. But not to worry, they'll turn good again - and often for the same reasons they turned evil: curse, magic, without logic - and no one will hold them responsible for the crap they did while evil - because hello? That was NOT really them. A nice alternative? The EVIL Twin - where we think the evil twin is the good character turned evil, but in reality it's just their twin separated at birth! OR a look-a-like.
4. There's usually a moralistic message about some big political trend topic of the moment - a whole series of episodes is focused on this message or theme - from abortion to cancer to homosexuality to addiction (addiction is a hot topic). And the show gets all sorts of awards for talking about them. We also have theme episodes: musicals, silent episodes, dream sequences, all based on the emotional conflicts of the characters.
5. Bad characters turn good often due to falling hopelessly in love with one of the really good characters, getting sick of always losing, suddenly getting a cool back story that makes them incredibly complex, or a near death experience or the near death experience of a loved one. Notably, their change in character makes more sense than the good character turned evil.
6. There's sexual violence. The good heroic female character either gets raped or someone attempts to rape her. Then the rapist or would be rapist is redeemed and often will become her one true love or love interest. Sometimes the rapist or would-be rapist is already her boyfriend or spouse, but years later they redeem him and the couple reunite, not to worry though, it won't last - see number #1.
7. A child mystically appears out of nowhere, in their teens, that is connected to the lead character - who didn't know such a child existed. This child is either a sister, brother, or their own kid.
8. If there's a kid in the story - they will disappear for a bit and come back much older, with barely any explanation.
9. There's usually a pregnancy storyline where the heroine has no idea who the Daddy is. It's can be because of a black-out drunken night at a party (this is the usual candidate), being drugged, and many other possibilities (the wildest was by turkey baster).
10. You cannot predict the story because the plot depends on the emotional arcs of the characters and often changes depending on actor availability, casting, and budget - as well as network approval and fan reaction. Spoiler boards are rampant. If a spoiler board, particularly more than one, exists...and the boards get fooled? Soap Opera.
If all 10 of these items appear in your favorite series? You are watching a soap opera.;-0
Buffy the Vampire Slayer - TV Series was in many ways a self-mocking parody/satire of the soap opera genre. It made fun of each of the points listed above and did not take itself or the genre too seriously.
![[identity profile]](https://www.dreamwidth.org/img/silk/identity/openid.png){kind=small}
no subject
Date: 2012-01-19 03:14 am (UTC)(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:(no subject)
From:no subject
Date: 2012-01-19 03:33 am (UTC)(no subject)
From:no subject
Date: 2012-01-19 03:06 pm (UTC)11. The whole idea is to jerk the audience around emotionally.
Which was often the case with Buffy.
Commentary
1. Despite fervent protestations of undying love, all romantic attachments are fluid in SO. The audience sometimes can rant enough in some cases to make some couples go back together. But it never lasts.
2. Oh, yeah. Death often lasts only as long as the contract for the actress/actor to be somewhere else. Bit parts often get played by different people over time. So if they come back from the dead it's amazing everyone recognizes them.
7. If this generally isn't a problem for you then "jumping the shark" really should never be an issue for you. It always will be for me. I accepted Dawn as a character, but the ending of Season 5, will always ring false for me, because of the way she was introduced.
8. It's amazing to me that an eight-year-old girl can leave for 2 years and come back 19, and start competing with mom for boyfriends. I cannot express just how idiotic the Connor-Cordelia story was for me. Bad as that was, the sight of Angel standing out in the rain, moping while watching them go at it was enough for me to swear off the show.
(no subject)
From: