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Hmmm...Chicago Code might actually be a good series - it's the latest by Shawn Murphy. But the
narrative style and writing are quite innovative. There's a sort of scattered narrative style, with a cheeky dialogue, that is reminiscent of Guy Ritchie films and rapid fire dialogue on Spike Lee's cop films and some others of recent years. May stick with this. Was expecting something dull like Blue Bloods - which bored me after two episodes and I gave up on. But this one is grabbing me a bit.

Also, has a female as the top cop, and main character. Rare that. I'm sorry folks but I'm getting burned out on the man-pain shows and the girly I can't find a guy shows, seen too many of them lately. Need to even out the works a bit.

Off to watch House, I think.

Work is making me crazy, as if you could not already tell. Also cranky. VERY cranky. Sorry about that.
When I get cranky - I get snarky.

Saw Glee - which I managed to convert Momster to, she's watching it now along with Aunt K, so no longer need to discuss it online, when I can on the phone. (This is also the case with The Good Wife, Brothers and Sisters, Grey's Anatomy, and Merlin.)


I'm guessing to fully appreciate Glee - you'd have to a)gone to a midwestern high school, b)enjoy satire, c)love musical numbers, d)have an absurd sense of humor. (I can't imagine folks overseas like it all that much or anyone who doesn't like satire. Satire can be wickedly cruel at times.)

Glee is pure satire (lighter than most, but still satire). And it hones in on Ryan Murphy's favorite theme - image and how obsessed we are with it in this culture, particularly American culture, - often to our detriment. This is especially true in high school. Particularly American high school - where everyone is labeled, and what you wear, look like, and do is held against you. But Murphy takes it up a level - he critiques how we perceive gender, and how adults handle image, sexuality and the kids issues - Will Shuster's own high school issues, along with Biest's and Sue Sylvestre's are equally examined. In short everything is satirized, nothing is sacred to Murphy and Falchuck. Even the songs are satirized, although they are also paid homage to. Sometimes the satire is laid on a bit thick, like last night's episode - they went a bit overboard on the Football (probably because it was directly after the Superbowl). They even made fun of the commercials. I don't think there was a moment in last night's episode that wasn't satire. But I did miss the last ten minutes due to the fact that the Superbowl ran late and cut into the DVR programming.

Date: 2011-02-08 02:47 am (UTC)
From: [identity profile] embers-log.livejournal.com
This time you ended up with a triple post, but this is the one where you edited the word 'Glee' to be bold... so I figure it is the keeper.

I'm kind of burnt out on cop shows, but Jennifer Beal looks good and Tim Minear is involved (which usually improves a show). So it might be a keeper.

Why is everything always on Mondays?

Date: 2011-02-08 04:37 am (UTC)
From: [identity profile] shipperx.livejournal.com
I think my main problem with Glee is that it doesn't really try to hold its story together. The story arcs are so disconnected and halting, and the continuity is at times kind of crazy. I get that this has some to do with the Musical format, but generally, it bothers me the way it leaps to story points without much connective tissue tying them together. (Except the gay storyline which Ryan Murphy crafts better than most of the rest of the plot. I think at least part of my wariness is Nip/Tuck. Ryan Murphy pushed that one into unlikable absurdity. He has a tendency toward excess.

(The football thing amused the hell out of me because it had absolutely nothing to do with reality. Beginning with... a high school football playoff in February. But that I just wrote down as TV is timeless/timelineless. :)
Edited Date: 2011-02-08 04:38 am (UTC)

Date: 2011-02-11 06:48 pm (UTC)
From: [identity profile] kwritten.livejournal.com
my biggest issue is that there are moments when there really needs to be more time for *acting* ... esp the moment in the Superbowl epi when Finn encourages the fb player to join gleeclub. There should have been time for an emotional response (or five) from the characters. There wasn't. It was just two guys saying lines in a hallway.

At which point I became convinced that Corey Montieth can niether sing NOR act... so why the hell is he on this show, anyway?

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