shadowkat: (Default)
[personal profile] shadowkat
I've been irritable lately for physical reasons, mainly. And well I'm frustrated with people, and worried about the stupid mid-term elections. I don't trust my fellow citizens to do the right thing. (Gee, I wonder why?)

Did finish watching The Chilling Adventures of Sabrina -- which was more David Lynch then Tim Burton. That should probably tell you right there that Sabrina does not necessarily end well or it ends in a dark manner.

I agree with the critics -- the first five episodes are really good. But the second half of the series, or last five episodes don't quite work and are bit sluggish in pacing. The creep factor and horror factor does go up considerably, but it also falls into cliche here and there. And I've have been happier with the series if the villain had not succeeded in her goal. Mainly because ever since approximately 2008 or thereabouts, a lot of television writers/movie writers and book writers decided to do noir endings for practically everything. It's getting old. Why in the heck do you think I started reading romance novels?

We live in frustrating world, where we are bombarded with bad news on a daily basis -- I want happy endings in my entertainment choices. If you are incapable of giving me that -- I'm not going to waste any more time on you. Life is too short.

That said, I wouldn't exactly say it was unhappy ending or even an ending. I think it's just the beginning of a series. Also the ending could be interpreted from more than one perspective.



The plot is basically that Sabrina upon her sixteenth birthday must choose whether to become a full fledged witch or a full-fledged mortal. She must pick one of these two worlds. Upon her Dark Baptism, she has a vision of a burning tree, hanging witches burning, and the beast lord hanging about in the background. She discovers that to become a full-fledged witch, she must freely choose to sign her name in the book of beast, and basically sell her soul to Satan. She's not been raised to see Satan as evil. (Although he clearly is.) Or to think of it in those terms. It's not so much about good and evil as it is about power.

Anyhow, she refuses to sign the book. Refuses to give up her free will. So the Dark Lord has sent a representative or foot solider to manipulate her. The foot solider takes the form of Miss Bardwell, one of Sabrina's teachers. While the headmaster tries to force her hand...and fails miserably, although he does manage to persuade her into going to The Academy of Unseen Arts during the weekends, and her own school during the weekdays.

As time passes, weird things happen and Sabrina becomes more and more manipulated into signing over her freedom to the Dark Lord. Until finally she has no choice -- the only way she can save the town of Greenfield, and everyone she loves and cares for, is to sign the Dark Lord's book and accept his power. The price is that she will do his bidding, and in exchange, she has power. The ability to fly, to change her hair color and clothing, to be immortal, to be forever young and beautiful, etc.

That's the plot.

What does Sabrina do? Guess.


It's fun in places. Slow in others. For the most part the acting, casting, production value and direction are rather good. But the writing could be a notch or two better. I was a little disappointed in the ending, which I found to be predictable. But overall it was a good show and I don't regret seeing it. Some rather good metaphors. And a nice take on sexism and feminism, and how men attempt to control women via various societal constructs and promises of power.

I've decided to delete without watching Episode 4 of this season's Doctor Who, entitled Arachnids of Britain -- due to the fact that I'm an arachnaphobe and wouldn't be able to enjoy it.

Date: 2018-10-29 07:18 pm (UTC)
trepkos: (Default)
From: [personal profile] trepkos
You missed an episode with confusing messages. Apparently, being shut in a panic room to be cannibalised, or to cannibalise others of your kind, then die of starvation, is more humane than being shot.

Date: 2018-10-29 08:03 pm (UTC)
trepkos: (Default)
From: [personal profile] trepkos
I meant the one about the spiders ...

Date: 2018-10-30 09:42 am (UTC)
trepkos: (Default)
From: [personal profile] trepkos
Well, the daft thing was, the Doctor was apologising to the mother for the American having shot it (when it was already dying anyway) and telling him not to shoot any of them. But she was quite happy with shutting them all in a room and leaving them there with nothing to eat but each other - less humane than shooting them, IMO.

Date: 2018-10-30 08:12 pm (UTC)
trepkos: (Default)
From: [personal profile] trepkos
I get that. But they shut them in a secure panic room. They were not going to get out. It just didn't make sense to be all squeamish about giving something a quick death, rather than a slow and nasty one. The Doctor would usually find a better solution than that - re-locating them somewhere to live their spidery lives, or shrinking them back down.

Date: 2018-11-03 01:10 am (UTC)
dar_vidder: (Default)
From: [personal profile] dar_vidder
I just finished the first season of Sabrina last night and really enjoyed it. I think if I hadn't already known it'd been renewed for a 2nd season, I'd have taken issue with the relatively dark way it ended, but since I did know, I kind of loved the irreverent winky note it ended on.

One thing that does bother me a bit was that the storyline with the warlock/his iguana/his parents being killed wasn't resolved in S1. Too much time was spent on that mystery for the writers to just drop the ball at the end imo. Luke was super suspicious and I kept waiting for Ambrose to figure it out, but then the storyline just kind of trailed off. I'm guessing they'll return to it next season, but the pacing is odd. Anyway, I'm looking forward to S2 and am sad there are only 10 episodes in each season.

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