shadowkat: (Default)
[personal profile] shadowkat
Which means I probably should jump genres soon?

Was speaking to mother last night, bemoaning "The Bride Test" which I could not finish.

Me: I thought I was getting a novel about a Vietnamese immigrant hunting her father with an autistic man, and they fall in love. [Note to self - read the reviews on Good Reads and the snyopsis there a bit closer. Not just the smart bitches rec on the Kindle Daily Deal.] Instead it's all about why he can't say the words I love you, and thinks for some dumb reason he can't love anyone. So she feels worthless - because he can't tell her he loves her. That's 90% of the book. THAT.
Mother: Oh god, I hear you - same problem. They can't tell anyone they love them, and feel that aren't worthy because of it, despite all the great sex, they wonderful things he's done for her, etc, but no...it's about whether or not they can say the words? I just finished a historical novel that did the same exact thing - that was the main conflict.

Neither of us can relate to this trope, and it's an on-going complaint we have. I wonder if people realize how many sociopaths, sexual predators and psychos manipulate women with those words? Heck, the horror film "FRESH" - in that the serial killer manipulates his victims by telling them how much he loves them.

Abusive husbands do this all the time. As do abusive husbands. It's abusive behavior 101, you beat your wife, then tell her how much you "love" her.

I want to throw this song at every nitwit romance writer who feels the need to bore me with this damn trope: Show Me.

So here's the list:

1. They can't say "I love you" so clearly doesn't love me, all evidence to the contrary. (See above)

2. Characters arcs are furthered by rape, either lead, sometimes both. Sometimes rape by the romantic lead.

3. Child out of wedlock. They have to get married for the baby.

4. Infantilizing either protagonist. Use of the word "Baby" throughout to refer to a woman or man in the plot, who is not a baby. (Mainly contemporary romances)

5. Much much older man and wet behind the ears younger woman (works better in historicals, very annoying in contemporaries).

6. Love triangles

7. Stockholm Syndrome (mainly New Adult contemporary romance novels)

8. The women are very girly, usually wears lots of makeup, paints her nails, wears stiletto heels (even while running and during sex), and is tiny, and the men are very burly, usually with lots of tattoos, and ride motorcycles.

9. Guy saves the woman constantly (usually from her own stupidity)

10. Guy is abusive but he's fighting his own demons, and she can save him. (Also more in the contemporary romances.)

11. Big City Heroine (usually an editor, writer, fashion mag, fashion designer, chef or interior designer) comes to small town (her home town or a friends or an ex-s) falls for local rough around the edges guy.(Featured in most Hallmark films)



My apologies if you love any of those. Please don't tell me.

Date: 2022-07-22 07:59 am (UTC)
mtbc: photograph of me (Default)
From: [personal profile] mtbc
While I don't read enough romance myself to be annoyed by some of it, I've enough exposure to enough of those tropes that I can certainly see what you mean. Socially, their prevalence definitely raises questions. Also, the question of, where one's looking for something different, how one identifies those (sounds like Good Reads can at least help). One reason I'm with my wife is that, about all kinds of things, if one of us expresses opinions like this, the other gets it right away.

Very kind of you to not include the writers who describe graphic sex without apparently ever actually having had any themselves. But, I guess that's less about the basic premise and structure, which is a deeper and more ongoing flaw. At least with the bad sex you can kind of skim and still enjoy the rest.

Now I wonder if you find yourself tempted to think how you'd write the kind of romance you wish you were reading.

I used to have a list of pet peeves about other drivers. I then found, when one of my colleagues gave me a ride somewhere, they exhibit some of them.

Date: 2022-07-23 01:14 pm (UTC)
mtbc: photograph of me (Default)
From: [personal profile] mtbc
Aha, that rings a bell, I think you mentioned you had and I'd forgotten.

I agree, you're absolutely right: you don't have to have had sex to write sex scenes! Still, I do think that some writers make it clear that they're absolutely not writing from experience.

Sorry to hear of the lack of decent review sources. Especially, anything that isn't really big can get rather little useful coverage.

Date: 2022-07-25 05:00 pm (UTC)
mtbc: photograph of me (Default)
From: [personal profile] mtbc
Very true about there being simply much bad writing out there. I am often disappointed in mainstream bookstores yet puzzled because I think there are more good writers out there than I see among what I find. Kind of like singers.

And, heh, yes, sex is very much in the eye of the beholder: especially, arousal rather changes one's perceptions! Which is perhaps not easy to write well. And, indeed, it's also a very personal thing in the sense of variability.

Your guidance about sex scenes looks actually rather good. I suppose maybe it might be well-known and it's exactly the people not reading hints about writing sex scenes who also aren't reading about sex itself.

Date: 2022-07-22 02:03 pm (UTC)
cjlasky7: (Default)
From: [personal profile] cjlasky7
7. Definitely!!!

Oh God, "Tie Me Up, Tie Me Down"--an all time great movie for about three quarters of the way--was practically ruined for me because of the Stockholm Syndrome cliche.

(Yeah, he's a young, incredibly hot Antonio Banderas, but he held you hostage for WEEKS!)
Edited Date: 2022-07-22 02:03 pm (UTC)

Date: 2022-07-23 12:21 am (UTC)
cjlasky7: (Default)
From: [personal profile] cjlasky7
"The Skin I Live In." Another Pedro Almodovar movie that's reaaaally on the edge about love and obsession.

But getting back to "Tie Me Up": I could almost, ALMOST buy into the Stockholm Syndrome plotline. But at the end, the heroine's sister--who's been insane with worry the whole movie--just accepts crazy Antonio Banderas into the family! He's going to kill your sister eventually, you idiot! CALL THE COPS!

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