Finished watching the BBC series Broadchurch - which was quite good. Better than most of the mystery serials that I've seen, and far better than either The Bridge or The Killing.
David Tennant once again blew me away - with his performance. An extremely good and versatile actor. Actually the whole cast is quite good.
It's a quiet murder mystery about a boy who gets killed in a small British sea-side town. The story is about how the murder affects everyone in the town, depicting how media and the police can disrupt things. Deftly showing how malicious gossip can destroy lives.
At the heart of it is the simplest of messages...stated by the lead, a DCI with a heart condition. "We never truly know what lies inside another's heart."
The story never preaches, it never shouts or yells or manipulates...it just gently unwinds, showing the viewer facets of each character and different points of view. It is about family, and pedophilia, but not quite in the way one might think. It's weirdly compassionate towards all its characters, peeling back the layers and showing that people are never just one thing.
Possibly one of the best things I've seen on television this year, and amongst the most touching and hopeful - which is odd to say about a murder mystery.
I also saw The Michael J Fox Show which was much better than I expected. And far better than it's competition, The Crazy Ones. It does borrow heavily from Modern Family - copying the same narrative style of documentary style interviews. Also the comedy is somewhat similar in tone. Fox is as usual, charming, and witty. He makes fun not of his disease so much as the situations having Parkinsen's places him within.
For example?
The plumbers show up with a new washing-machine part that plugs in somewhere. But he can't remember where or what they were supposed to plug it into. So he calls his wife to ask, but ends up fumbling the phone and dialing 911 instead of 917. He tries to tell the computerized voice that it isn't an emergency and he dialed the wrong number by mistake. Then in frustration hangs up. Forty-Five minutes later, while he's under the sink attempting to show the plumbers which part to fix - the cops show up, and think something bad is happening. He frantically explains how he dialed by mistake and besides, that was over forty-five minutes ago. They are late. If it were a true emergency - he'd be dead by now or it would be over.
The cops state it's the damn new system, it logs it in and doesn't tell them until 45 minutes have passed.
Another joke? Michael is in a network news van which is a bit bumpy with his producer, the producer is struggling. She looks at Michael - how are you doing?
Michael - for me this is still. See, charming, and dry-wit.
In addition, it's extremely well cast. The cast is appealing and multifaceted. Michael's boss - is played by the same actor that played Detective Jimmy Mcnulty's partner in The Wire - whose name I can't remember. But he's the big man. His wife? Betsy Brandt from Breaking Bad. Everyone is well-cast in this show.
I've come to the conclusion that casting is extremely important and they should hand out Emmy's to casting directors. Casting can break or make a tv show. See Crazy Ones and Marvel Agents of Shield for examples on how NOT to cast a tv series, and see Michael J Fox Show and Sleepy Hollow for examples on how to cast a tv series. You wouldn't think this was that difficult, but apparently it is.
You can also dive in and out of it whenever. In short it is an episodic series, not a serial.
So I'll just watch it when the dramas I'm watching are in reruns or off air. (I'm right now watching Glee, Grey's Anatomy and the Originals - one on On-Demand.)
David Tennant once again blew me away - with his performance. An extremely good and versatile actor. Actually the whole cast is quite good.
It's a quiet murder mystery about a boy who gets killed in a small British sea-side town. The story is about how the murder affects everyone in the town, depicting how media and the police can disrupt things. Deftly showing how malicious gossip can destroy lives.
At the heart of it is the simplest of messages...stated by the lead, a DCI with a heart condition. "We never truly know what lies inside another's heart."
The story never preaches, it never shouts or yells or manipulates...it just gently unwinds, showing the viewer facets of each character and different points of view. It is about family, and pedophilia, but not quite in the way one might think. It's weirdly compassionate towards all its characters, peeling back the layers and showing that people are never just one thing.
Possibly one of the best things I've seen on television this year, and amongst the most touching and hopeful - which is odd to say about a murder mystery.
I also saw The Michael J Fox Show which was much better than I expected. And far better than it's competition, The Crazy Ones. It does borrow heavily from Modern Family - copying the same narrative style of documentary style interviews. Also the comedy is somewhat similar in tone. Fox is as usual, charming, and witty. He makes fun not of his disease so much as the situations having Parkinsen's places him within.
For example?
The plumbers show up with a new washing-machine part that plugs in somewhere. But he can't remember where or what they were supposed to plug it into. So he calls his wife to ask, but ends up fumbling the phone and dialing 911 instead of 917. He tries to tell the computerized voice that it isn't an emergency and he dialed the wrong number by mistake. Then in frustration hangs up. Forty-Five minutes later, while he's under the sink attempting to show the plumbers which part to fix - the cops show up, and think something bad is happening. He frantically explains how he dialed by mistake and besides, that was over forty-five minutes ago. They are late. If it were a true emergency - he'd be dead by now or it would be over.
The cops state it's the damn new system, it logs it in and doesn't tell them until 45 minutes have passed.
Another joke? Michael is in a network news van which is a bit bumpy with his producer, the producer is struggling. She looks at Michael - how are you doing?
Michael - for me this is still. See, charming, and dry-wit.
In addition, it's extremely well cast. The cast is appealing and multifaceted. Michael's boss - is played by the same actor that played Detective Jimmy Mcnulty's partner in The Wire - whose name I can't remember. But he's the big man. His wife? Betsy Brandt from Breaking Bad. Everyone is well-cast in this show.
I've come to the conclusion that casting is extremely important and they should hand out Emmy's to casting directors. Casting can break or make a tv show. See Crazy Ones and Marvel Agents of Shield for examples on how NOT to cast a tv series, and see Michael J Fox Show and Sleepy Hollow for examples on how to cast a tv series. You wouldn't think this was that difficult, but apparently it is.
You can also dive in and out of it whenever. In short it is an episodic series, not a serial.
So I'll just watch it when the dramas I'm watching are in reruns or off air. (I'm right now watching Glee, Grey's Anatomy and the Originals - one on On-Demand.)