Finally saw Joss Whedon's Much Ado About Nothing - which was all the rage online this summer, or at least amongst the Shakespeare/Whedon fans.
First, off, this was clearly a vanity project (and in more ways than one). But to be fair, it was also a vanity project for Kenneth Brannagh, who had a bigger budget and more support, plus had to include box office stars to obtain the support. Some of which did not quite know what to do with Shakespeare. I'm wondering if Brannah shouldn't have starred in it and directed it? Because Keanu Reeves and Michael Keaton butchered Shakespeare.
Not sure what it is about Much Ado About Nothing and rich Hollywood directors...why that play in particular? May be because it is easier than some of the other ones...
I watched the Making Of - hoping to get an answer to that question - I didn't. Did get an answer to why they filmed it in black and white - to date it and as a homage to the noir films of the Jazz age. It also hid the big orange lawn-mower. Note to filmmakers who do commentaries and "Making Of" - the viewer doesn't want to know how great you all are or how much fun you had or how often you partied or what bosom buddies you've become, we don't know you and do not care...that's boring. We want to know why you chose to do certain things, like why push-ups in that scene? Why that era?
Overall? The movie is actually pretty good. The acting is better than expected. I'd have to say that in some respects, I think it worked better than Kenneth Brannagh's version (although haven't seen that one in 18 years). Nathan Fillion surprised me - his Dogberry was not only funny, but I could understand what he was saying. And Amy Acker and Alexis Denisof - not only have chemistry, but both appear to be comfortable with Shakespeare, so too was Reed Diamond and Clark Gregson, who apparently can act. Who knew? ( Read more... )
First, off, this was clearly a vanity project (and in more ways than one). But to be fair, it was also a vanity project for Kenneth Brannagh, who had a bigger budget and more support, plus had to include box office stars to obtain the support. Some of which did not quite know what to do with Shakespeare. I'm wondering if Brannah shouldn't have starred in it and directed it? Because Keanu Reeves and Michael Keaton butchered Shakespeare.
Not sure what it is about Much Ado About Nothing and rich Hollywood directors...why that play in particular? May be because it is easier than some of the other ones...
I watched the Making Of - hoping to get an answer to that question - I didn't. Did get an answer to why they filmed it in black and white - to date it and as a homage to the noir films of the Jazz age. It also hid the big orange lawn-mower. Note to filmmakers who do commentaries and "Making Of" - the viewer doesn't want to know how great you all are or how much fun you had or how often you partied or what bosom buddies you've become, we don't know you and do not care...that's boring. We want to know why you chose to do certain things, like why push-ups in that scene? Why that era?
Overall? The movie is actually pretty good. The acting is better than expected. I'd have to say that in some respects, I think it worked better than Kenneth Brannagh's version (although haven't seen that one in 18 years). Nathan Fillion surprised me - his Dogberry was not only funny, but I could understand what he was saying. And Amy Acker and Alexis Denisof - not only have chemistry, but both appear to be comfortable with Shakespeare, so too was Reed Diamond and Clark Gregson, who apparently can act. Who knew? ( Read more... )