Unrolled Twitter Thread (for people who aren't on Twitter and can't follow it) that Elsi posted about in her journal.
Thread by
dsilverman on what is going on with Game of Thrones Or if you are on Twitter and can follow it - HERE on Twitter
I despise Twitter. But alas, I have to read it occasionally. It never fails to amuse me how writers have found ways around the 15 characters or less rule of tweeting. It used to be five characters or less.
Here's an excerpt -- it's actually a good read even if you don't read or watch Game of Thrones.
Want to know why Game of Thrones *feels* so different now? I think I can explain. Without spoilers. /1
#GameofThrones #GoT #WritingCommunity
It has to do with the behind-the-scenes process of plotters vs. pantsers. If you’re not familiar with the distinction, plotters create a fairly detailed outline before they commit a single word to the page. /2
Pantsers discover the story as they write it, often treating the first draft like one big elaborate outline. Neither approach is ‘right’ - it’s just a way to characterize the writing process. But the two approaches do tend to have different advantages. /3
Because they have the whole story in mind, it’s usually easier for plotters to deliver tighter stories and stick the landing when it comes to endings, but their characters can sometimes feel stiff, like they’re just plot devices. /4
Pantsers have an easier time writing realistic characters, because they generate the plot by asking themselves what this fully-realized person would do or think next in the dramatic situation the writer has dropped them in. /5
But because pantsers are making it up as they go along (hence the name: they’re flying by the seat of their pants), they’re prone to meandering plots and can struggle to bring everything together in a satisfying conclusion. /6
That’s why a lot of writers plot their stories but pants their characters, and use the second draft to reconcile conflicts between the two.
This is what I've been trying to explain in my own journal entries on GoT and other things. Except I use the terms -- plot-driven vs. character-driven. When anything is character driven -- the plot can't be worked out ahead of time, it is impossible.
The characters will do things that don't lead to the plot you had in mind. Mainly because you haven't totally figured out who the characters are as of yet, not until you start playing with them and having them interact and do stuff. Consider it the character version of free-will. A plot driven novel more often than not tends to have stiff characterization or characters relying heavily on tropes -- why? Because there are no new or original plots (sorry, there aren't), but there are new characters and everyone gets there differently, but to have your plot work as intended -- you may have to strip away a lot of characterization. That's not to say character-driven is better -- more often than not character driven novels tend to meander, they don't have tight plots, and often seem to never end, sort of like life. There's no neat satisfying ending.
Silverman uses the terms plotters and pantsers...but I think a better term is plotters vs. characters.
It is however possible to do a hybrid -- plot and character, but to do that, you sort of have to limit it in scale and point of view. Tolkien did this -- he limited it to a specific number of points of view and he limited the scope. The Hobbit is an example of a book that is both character driven and plot driven, by a writer who was more into characters than plot.
Thread by
![[profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
I despise Twitter. But alas, I have to read it occasionally. It never fails to amuse me how writers have found ways around the 15 characters or less rule of tweeting. It used to be five characters or less.
Here's an excerpt -- it's actually a good read even if you don't read or watch Game of Thrones.
Want to know why Game of Thrones *feels* so different now? I think I can explain. Without spoilers. /1
#GameofThrones #GoT #WritingCommunity
It has to do with the behind-the-scenes process of plotters vs. pantsers. If you’re not familiar with the distinction, plotters create a fairly detailed outline before they commit a single word to the page. /2
Pantsers discover the story as they write it, often treating the first draft like one big elaborate outline. Neither approach is ‘right’ - it’s just a way to characterize the writing process. But the two approaches do tend to have different advantages. /3
Because they have the whole story in mind, it’s usually easier for plotters to deliver tighter stories and stick the landing when it comes to endings, but their characters can sometimes feel stiff, like they’re just plot devices. /4
Pantsers have an easier time writing realistic characters, because they generate the plot by asking themselves what this fully-realized person would do or think next in the dramatic situation the writer has dropped them in. /5
But because pantsers are making it up as they go along (hence the name: they’re flying by the seat of their pants), they’re prone to meandering plots and can struggle to bring everything together in a satisfying conclusion. /6
That’s why a lot of writers plot their stories but pants their characters, and use the second draft to reconcile conflicts between the two.
This is what I've been trying to explain in my own journal entries on GoT and other things. Except I use the terms -- plot-driven vs. character-driven. When anything is character driven -- the plot can't be worked out ahead of time, it is impossible.
The characters will do things that don't lead to the plot you had in mind. Mainly because you haven't totally figured out who the characters are as of yet, not until you start playing with them and having them interact and do stuff. Consider it the character version of free-will. A plot driven novel more often than not tends to have stiff characterization or characters relying heavily on tropes -- why? Because there are no new or original plots (sorry, there aren't), but there are new characters and everyone gets there differently, but to have your plot work as intended -- you may have to strip away a lot of characterization. That's not to say character-driven is better -- more often than not character driven novels tend to meander, they don't have tight plots, and often seem to never end, sort of like life. There's no neat satisfying ending.
Silverman uses the terms plotters and pantsers...but I think a better term is plotters vs. characters.
It is however possible to do a hybrid -- plot and character, but to do that, you sort of have to limit it in scale and point of view. Tolkien did this -- he limited it to a specific number of points of view and he limited the scope. The Hobbit is an example of a book that is both character driven and plot driven, by a writer who was more into characters than plot.