(no subject)
Apr. 26th, 2026 09:33 pmI binged the first two seasons of From this weekend and am quarter of the way into the third. It's been renewed for two more seasons, with the fifth as the final season. S4 is currently airing on MGM+ in the US.
Damn thing is good. Each episode ends on a creepy cliff-hanger. I'd classify it as psychological/supernatural folk horror.
M: I thought you didn't like horror?
Me: Depends on the horror. (I'm not a fan of torture porn, gore, or body horror for example? Also slasher and rape horror tropes - I steer clear of. Most of the teen horror flicks - I'm not interested in, and I can't watch 98% of the stuff directed by Wes Craven.)
M: So as long as it doesn't have spiders right?
Me: well among other things. But yes, definitely not spiders.
I need characters that are interesting figuring out a problem, with some modicum of success.
From - does have some issues? It has a couple of annoying characters that I keep wishing they'd kill off - but nooo...instead they keep killing off minor supporting characters that I kind of liked? They can kill off that kid at any time - but alas, I don't see it happening. There's a lot of characters who have temper tantrums, almost every other episode, while other characters attempt to calm them down.
That said, right around the time I start wishing they'd kill someone off - the show makes them likable?
It's the folks lost in a nightmare/Twilight Zone style town, unable to find the way out, and the town keeps playing mind-games with them, and trying to kill them - trope. (See Lost, a lot of Stephen King stories, and there was a sci-fi horror series in the 1970s starring Ike Eisenman and Roddy Dowel about folks who end up on this island in the Bermuda Triangle and are kind of lost, and have nightmarish adventures. I've seen this done a lot - it was popular in the 1960s and 70s.)
The writing for the most part, is rather clever. Blending elements of folk horror with psychological and supernatural horror. Also rather innovative.
Also, for the most part, the main or lead characters are likable. Boyd, Donna, Kristi, and Kenny are among my favorites.
***
Mother called to let me know that her friend loved the book I self-published. The friend loved the cover, the title, and the writing. And wants to know when I'm going to finish writing and will publish another one.
When I manage to write one that I think is publishable? The last three weren't.
****
Damn thing is good. Each episode ends on a creepy cliff-hanger. I'd classify it as psychological/supernatural folk horror.
M: I thought you didn't like horror?
Me: Depends on the horror. (I'm not a fan of torture porn, gore, or body horror for example? Also slasher and rape horror tropes - I steer clear of. Most of the teen horror flicks - I'm not interested in, and I can't watch 98% of the stuff directed by Wes Craven.)
M: So as long as it doesn't have spiders right?
Me: well among other things. But yes, definitely not spiders.
I need characters that are interesting figuring out a problem, with some modicum of success.
From - does have some issues? It has a couple of annoying characters that I keep wishing they'd kill off - but nooo...instead they keep killing off minor supporting characters that I kind of liked? They can kill off that kid at any time - but alas, I don't see it happening. There's a lot of characters who have temper tantrums, almost every other episode, while other characters attempt to calm them down.
That said, right around the time I start wishing they'd kill someone off - the show makes them likable?
It's the folks lost in a nightmare/Twilight Zone style town, unable to find the way out, and the town keeps playing mind-games with them, and trying to kill them - trope. (See Lost, a lot of Stephen King stories, and there was a sci-fi horror series in the 1970s starring Ike Eisenman and Roddy Dowel about folks who end up on this island in the Bermuda Triangle and are kind of lost, and have nightmarish adventures. I've seen this done a lot - it was popular in the 1960s and 70s.)
The writing for the most part, is rather clever. Blending elements of folk horror with psychological and supernatural horror. Also rather innovative.
Also, for the most part, the main or lead characters are likable. Boyd, Donna, Kristi, and Kenny are among my favorites.
***
Mother called to let me know that her friend loved the book I self-published. The friend loved the cover, the title, and the writing. And wants to know when I'm going to finish writing and will publish another one.
When I manage to write one that I think is publishable? The last three weren't.
****
no subject
Date: 2026-04-29 12:48 am (UTC)Disney is actually better at this sort of thing, as is Hulu and HBO Max. Prime and Netflix both have this problem, but among the streaming services? Netflix is the worst.
Regarding From's characters? I love Donna. Also Boyd, Kristi, Kenny, and Ellis and Fatima. And Elgin.
I began to worry about them? So decided to look up each and see when and if they get killed off.
Pesky television writers like to kill off my favorite characters and often on a whim - although From's usually propel plot and character. (I was very annoyed with Lost for killing off Juliet.)
I'm annoyed with From for killing off Tai-Nyun (I think that's her name) and Tom the Bartender.
They couldn't have killed off Jade or Dale or Raymond?
I've just finished watching the section in which Tai-Nyun dies, and Tabby has met Victor's Dad.
Midway through S3.
It's really good. Flawed in places, but tighter than Lost was (I liked LOST a lot and in some respects more than From).
no subject
Date: 2026-04-29 09:02 pm (UTC)All I will say on that one is, if you're not quite there yet by the time you read this (you weren't far off at the time of writing) keep watching...But yes, there was no need to kill Tian-Chen (that's how her name is spelled) and Tom felt particularly futile considering Tabitha wasn't actually trapped.
That one annoyed me at the time although the one that really got me was Sun and Jin (smoke monster is still dead to me). But there were a few on Lost that I wasn't happy about. Seen the story about Harold Perrineau getting blanked for 20 years by one of the actresses (he wouldn't name and shame) after the episode where Michael shot Ana Lucia and Libby? If that was Cynthia Watros (which I'm kind of leaning towards, since the story at the time was that Michelle Rodriguez had only ever signed up to a year anyway so it wouldn't have come as the same shock) then yes, I get why she was upset at being killed off so abruptly (and it bugged me that she never really got her story explained - I have a pet peeve about the same characters getting too much attention and others not at all) but I think blanking Harold Perrineau over it is petty considering he didn't make that call and didn't write the script.
Honestly, I'm starting to get worried for Ellis, because if Smiley, Granny, Cowboy and friends are determined to break Boyd, killing him is most likely what would do it. I will be happy to be proved wrong on that one.
no subject
Date: 2026-04-30 10:57 pm (UTC)I'm almost positive it was Rodriquez. Although Perrineau's real problems were with the show-runners and writers. Lost had sexist/racist writers - who mistreated female and POC writers on the staff. (This is chronicled in "Burn it all Down - Power, Complicity and a Call for Change in Hollywood" (https://www.amazon.com/Burn-Down-Complicity-Change-Hollywood/dp/0063269279). ). Perrineau's problem was with them, but Rodriquez had a rep for being a problem. (Shame, I love watching the actress.) But she doesn't get along with cast mates. Had issues on every set apparently. And really ran into issues with Harold.
I agree - I did not like what they did with Watros, Sun, Jin, HP's character, or Juliette. Lost unfortunately went off the rails a bit - when it chose to focus too much on a handful of white male anti-hero characters. (Did I mention the sexual harrassment and racist bullying going on in the writer's room? That was a toxic set.)
Honestly, I'm starting to get worried for Ellis, because if Smiley, Granny, Cowboy and friends are determined to break Boyd, killing him is most likely what would do it. I will be happy to be proved wrong on that one.
Yeah, I looked him up to see if they killed him off in S1-3, because I thought he was an obvious target. But, then Elgin had those dreams about a wraith thin woman - who he thinks is connected to Fatima getting pregnant, and a wraith thin Fatima is eating rotten or poisoned fruit, because that's appealing to her. Add to that the creepy kids that both Jaden and Tabby see. So...I think "From" is going after Boyd through that angle? Which is honestly far worse. I'd rather they just kill off Ellis. I'm now worried about Fatima and that baby. (Sigh - horror writers and the dreaded demon baby trope - this has been done so many times, it's almost predictable.)