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Is a very oddly told tale. And an incredibly beautiful piece of animation - considering no computers and all the cells were individually drawn, a feat.

But it is told mainly through the points of view of mice, birds, and the Prince's father. Cinderella and her Prince are sort of on the periphery. In fact 60% of the film is the mice trying to avoid the evil Stepmother's nasty fat cat Lucifer. The animals don't really talk though, well except for the mice.

The romance is dreamlike...told through lullaby like songs. But the main focus is on the comedic characters of the Prince's father, the King who wants grandchildren and his aide de camp, and the
Cinderella's pet mice who will do anything to help her.

It's so odd.

A clip:




An aside on Aladdin...Jonathan Freeman's voice is bit similar to Jeremy Irons in the Lion King...and Irons apparently has made a career of playing slinky voiced villains.

LOL

Date: 2013-01-20 05:53 pm (UTC)
From: [identity profile] embers-log.livejournal.com
Oh poor [livejournal.com profile] shadowkat67! You should not have to do so many disclaimers, but what kills me is that even after doing all the disclaimers you are still having to discuss the 'message' of Cinderella in the comments! I sympathize!

First of all this film is a classic, it is a treasure. The music is good, the art is great, and no one should miss out on seeing this. I love this film (but I was really young and really scared when the Stepmother drank the potion and turned into the old Crone!).

Second it is based on an old tradition fairy tale that everyone should be familiar with. You can hardly even discuss a lot of literary tropes if you are ignorant of most Fairy tales.

Third if someone is THAT politically correct that they cannot accept something which is from a different era (so I guess they are throwing out all the literary and film classics?) then they should use these things as teaching moments for their own kids. Of course it wouldn't work because the kids will see where the fun and beauty is, and know that Mom is really a Debbie downer.
Edited Date: 2013-01-20 05:54 pm (UTC)

Re: LOL

Date: 2013-01-20 10:15 pm (UTC)
From: [identity profile] shadowkat67.livejournal.com
You should not have to do so many disclaimers, but what kills me is that even after doing all the disclaimers you are still having to discuss the 'message' of Cinderella in the comments! I sympathize!

Yes, although to be fair, I idiotically waited to add the disclaimer until after I got comment.

I just wanted to discuss the cool animation and narrative structure of the film, sigh. ;-) People can be frustratingly uncooperative at times, can't they? Sometimes You just want to smack them. I'm restraining myself at the moment - because no good can come of smacking - even of the verbal variety.
Learned that the hard way.

Although honestly, where are the cat's right's enthusiasts?

but I was really young and really scared when the Stepmother drank the potion and turned into the old Crone!).

Eh...that's Snow White. I think you blurred the two films in your head? Understandable. They have similar animation styles and were released around the same time. Cinderella, Snow White, Lady and the Tramp, Alice in Wonderland, Pinnochio, and Fantasia, all have that similar soft cell animation and classical music - or music that has a symphonic sound, which was of true of the 1940s.

Then...all of a sudden the animation changed, and we got sharper lines - like in Sleeping Beauty, Robin Hood, the Jungle Book, Sword in the Stone,
The Aristocrats, The Rescuers...and the songs were catchier tunes, more pop style, less symphonic, and the lines less blurred.

Re: LOL

Date: 2013-01-20 10:32 pm (UTC)
From: [identity profile] embers-log.livejournal.com
oops... sorry, I had a senior moment there... I had already edited once to fix your lj name, so I didn't want to edit again when I noticed that the scene I described was from Snow White (as Emily Litella says "never mind...").

Personally I am all about those early Disney films: the painterly artwork, the music, the stories they picked (scarier and more interesting IMO) were all awesome, and I never get tired of seeing them. In fact I just DVRed Alice in Wonderland today.

I was too old to enjoy the later ones: I didn't like the artwork or the songs...
And although we could say that that was because I was older, but in fact my parents were as impressed with those earlier ones as I was. The later ones just seemed too cartoony and aimed at children, instead of being more universal and cinematic like the earlier ones. Of course that is just my opinion.

Re: LOL

Date: 2013-01-20 11:06 pm (UTC)
From: [identity profile] shadowkat67.livejournal.com
No, I'd agree with you. With the possible exception of the Pixar and Haruki Manga films (Spirited Away/Howl's Moving Castle) which belong in whole different category and didn't pop up until the late 1990s/early 21st century anyway.

As a child I loved the Robin Hood film. As an adult, I prefer the films prior to it - as did my mother, who loved Cinderella (it's her favorite), and she loved it for the same reasons you do - the painterly artwork (which were all individually painted as one might paint an actual painting), the classical music and the stories.

It's startling how much better the earlier films are from a purely "technical" perspective. Even the never seen "Song of the South" due to its racial overtones...has that feel to it. (Song of the South has not been seen since the 1970s and was controversial - due to its portrayal of race in the old South, and the brewer rabbit tar baby stories. You think people get upset over Cinderella, from a politically correct angle - just let them see Song of the South. Disney was not know for his..well, let's just say he was anti-semitic and racist, and leave it at that. He was a creator that I didn't really want to know all that much about.)

Of the newer stuff - Brave blows me away the most in how it is animated. Beautiful beyond belief.

Re: LOL

Date: 2013-01-21 12:07 am (UTC)
From: [identity profile] embers-log.livejournal.com
I did see 'Song of the South' in the 1950s, my parents considered themselves liberals, and were pro-integration, but they didn't see the Tar Baby stories as being so terrible (in fact we had the record album). We also read the children's book 'Little Black Sambo'... and watched 'Amos and Andy' on TV.... (it was a different time).

Even during the 1960s people didn't reject those things as prejudiced (you actually had to be prejudiced/discriminating against 'Negros' to be labeled prejudiced in those days). Now days people have to be more careful... where even a movie like 'the Help' can seem racially insensitive while it is trying to act all liberal and stuff!

I think you're right, it was probably in the 1970s that these things were rejected. I think that even Dumbo was considered in questionable taste because the Crows were a little too 'black' in style & song.

Like you I also adore Haruki Mange films (Spirited Away remains my very favorite), and a lot of the Pixar movies have been brilliant. Did you see 'How To Train A Dragon'? It was huge fun and had some very creative artwork. I am glad so much creative/beautiful/interesting animation is being done now.

Re: LOL

Date: 2013-01-21 05:59 pm (UTC)
From: [identity profile] shadowkat67.livejournal.com
Did you see 'How To Train A Dragon'? It was huge fun and had some very creative artwork. I am glad so much creative/beautiful/interesting animation is being done now.

Oh yes, enjoyed it as well.

I think you're right, it was probably in the 1970s that these things were rejected. I think that even Dumbo was considered in questionable taste because the Crows were a little too 'black' in style & song.

I'd say the 80's. I saw Song of the South in the movie theater in 1975 or thereabouts, and my parents had no problems with it - found it actually fairly progressive at the time. But in the 1970s, we were still dealing with segregation issues back then. Dumbo I also saw in the movie theater around 1971. Those films didn't make it to television until the 1980s.

Political Correctness and media criticism started coming into vogue in the late 80s, when I was college. It's not a bad thing - because of that increased trend and the awareness - the television and film landscape changed, we have more colorblind casting choices, more gender blind casting choices and less institutionalized and systematic discrimination.

A film like BRAVE would never have been made when I was a kid or when you were a kid. But How to Train Your Dragon would have. The fact Pixar, owned by Disney, did BRAVE - when 68 years ago they would only have done Cinderella - is proof attitudes can change.

Media criticism has in a way paved the way for that. And the fact that young women and men in college courses are questioning what they watch, and not taking it face value - demonstrates that change will continue - they will go on to create art reflecting that increased awareness and understanding. It's rather inspiring in a way.

I think I'm more interested in seeing how the artwork has changed than in condemning what occurred before or wiping it off the slate. Because it's not that simplistic. There's good and bad within it.

Without it - you can't see where we came from, how we have changed, and why. Media after all is a reflection of the society we are living in, and our cultural values of the time period we are in. I think often media critics shy away from criticizing the source of the reflection, instead they just critique the reflection. Cinderella for example is an expression of a time period - where men were going to war, dying in war, and women were nurses, widows, domestics, factory workers. Is it flawed, yes. Are the messages warped, yes. But so is Buffy. So is Jane Austen's novels.

Re: LOL

Date: 2013-01-21 06:24 pm (UTC)
From: [identity profile] embers-log.livejournal.com
I didn't mean to sound like I think racial sensitivity is a bad thing; on the contrary, I think people should be aware of what they say in order to reflect on what they really mean by what they say.

But back in the 1960s it was simpler in that you were either for or against integration. And hiring African American performers on TV shows or movies was just better than never hiring them and pretending they don't exist. I think (I could be wrong) that Disney felt that Song of the South was celebrating African American history and culture... at least that is how my parents took it, back in the day.

Times and attitudes change, but I would never throw away the art even if it reflects a more prejudiced time... Just as I don't reject poetry/opera/painting etc done by artists who were themselves prejudiced/faulty people.

Re: LOL

Date: 2013-01-22 01:34 am (UTC)
From: [identity profile] shadowkat67.livejournal.com
Oh, you didn't. I was mainly trying to couch my own response so that any lurkers out there would not misread. ;-)

I think so much is based on the context of the time period. In the 1960s and 1970s...colorblind casting was sort of rare. If persons of color were cast - their race was constantly referred to.

Song of the South...could be read more than one way, depending on your point of view - much like Huckleberry Finn. At the time...it was actually fairly progressive. Now, it comes across as racist as it may well have to various people back then.

The story was about an old man, Uncle Remus, who told morality tales to a bunch of children black and white. It wasn't until I read social criticism of it years later that I saw the racial undertones. As a six-seven year old child, I merely saw an old man telling morality stories or parables about animals. It's not all that different than Cinderella. I saw it as a tale about a bunch of animals who help a poor girl obtain her dreams, by working together - it wasn't until years later that I saw the other message - my focus was on the mice defeating Lucifier the cat - when I saw it as a child.

I think people forget that they bring their own perception to the work.
We interact with it.

Gone with the Wind - same deal, it is quite racist actually. But as a child I just saw a romance. As an adult I saw the racism.

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