shadowkat: (Nikita)
Not a bad day. Got a lot done. And saw The Bourne Ultimatitum, which I enjoyed more than I expected. Will you? Depends on what you like. It's a spy caper - about a black ops operative who has lost his memory and is trying to unravel who he is while being tracked down by the intelligence organization that turned him into what he is. Based on Robert Ludlum's best-selling series - the Bourne films closely follow the gist of the novels, but change a lot in the translation. The film contains some of the best chase sequences I've seen including one - that can best be described as a four-way chase sequence. We have a girl being chased by a bad guy, Bourne chasing the bad guy, and the police chasing Bourne. It's gripping, scarey, and suspenseful. Possibly the best chase sequence I've seen in a while. I'm usually bored by chase sequences - because most of them don't tell me anything new about the character or move the plot forward. This one did both.

It always annoys me when people say - that film was deeply stupid or deeply boring or dumb, (yes, I've done it too) - but don't state why. They don't get to the root of why they didn't like it. Making it impossible for someone who's never seen the film to know whether or not they'd like it or want to see it. Something that bores person A, might thrill person B after all.

An example - V for Vendetta - know of three women who really did not like this film. While numerous people online including myself found it not only memorable but haunting. The three who hated it never explained why they hated it. They just said it was dumb. They couldn't get into it. Found it silly. Stupid. Boring. I remember trying to talk to Wales about it and not getting anywhere. The ones who enjoyed it on the other hand? Explained why and made others want to see it.

Of course the reason for this may be that you don't always know. I tried Mad Men and Saving Grace recently - found both incredibly dull and ended up deleting them from DVR. The characters just didn't interest me. They were too self-involved. And the dialogue just did not pull me into the story. It was style over substance in my opinion. But mostly? I just couldn't get into them. Mad MEn? I couldn't hear most of the dialogue, we kept rewinding and finally gave up. But I Felt basically the same way about both shows. Yet, critics love both. And they are doing well - they are POPULAR. (Shrugs). Maybe I gave up too soon?? Or maybe it was my mood.

I wonder if it is harder to explain why you dislike something or don't enjoy it than it is why you love it? No. I think it's harder to explain ambivalence.

One quibble about the movie I just saw - a woman in the audience actually brought her child to it in a stroller. Oookay. The kid chortled, talked, squealed and laughed throughout. Luckily the film was loud enough to blot out most of it. I agree with Ken Levine who recently posted a great list of Movie Theater Don't's on his blog.

The two I remember - I'll repost here, because they bare repeating.

1. Children under the age of 6 should not be permitted in a movie theater unless Care Bears or a clearly age appropriate film is being shown. Children under the age of 10 should not be permitted into an R-rated, NC-rated, or PG-13 rated film regardless of whether or not parents are with them. Parents who bring their kids to these films need to be slapped.(That said, I think my parents accidently brought my brother and me to Excaliber when we were 10 and 13 respectively - but we were at least over the age of 10!) If you can't find a babysitter? Stay home. The audience does not deserve to suffer your screaming kids. Proof positive that having children does not make people less selfish. Also proof that some people should not have children.

2.Do not check your cell phone in a movie theater. Turn it off and leave it in your bag. If you are expecting an important call or are worried about your kids? Stay home or somewhere else. Netflix is a great way to watch movies! Turning it on is like turning on a flashlight. People who do this should be banned from going to movie theaters, they don't know how to behave.

Finally - I just read a really cool bit about John Barrowman from Torchwood that I want to share - it's from TV Guide interview with Benji Wilson, this week's issue:"I know a lot of gay leading men in Hollywood. I'm not one for outing people- they might have personal issues they need to overcome - but if they are not speaking up because they're afraid it's going to affect their careers, that pisses me off. Take the risk! I took that risk and the public rewarded me. I still play straight leading characters in theater, TV and film, so it doesn't matter." Very true. Anyone with half a brain knows the actor is acting and that whatever is shown on screen is not what the actor truly feels or desires. That's why they call it ACTING. Heck some of the best romantic chemistry onscreen is between two actors who despise one another and would rather kill one another than kiss. And some of the worste? Between married couples who adore each other.

He is openly gay and just married his partner - British architect Scott Grill last year.
Apparently he was turned down for the Will part in Will & Grace, - because producers felt he was "too straight". (Ugh - when will people stop stereotyping each other?? I repeat you can't tell who is gay, straight, bisexual, black, white, etc just by looking at them or watching them. I've known men who acted "the gay stereotype" who are "straight" and women who acted the "lesbian butch" stereotype who are "straight" - just as I've known men and women who act like the "straight stereotype" who are *very* gay. You can't tell unless they tell you. It's as silly as the old saying if you have just one earring in your left ear that means you are gay. Gimme a break.)
shadowkat: (Default)
[The problem with reading reviews, whether they are book, movie, music, or television is you have to figure out if you and the reviewer share the same tastes, attitudes, or interests. If you don't, chances are you will not agree with the reviewer. A good reviewer gives you enough information about the movie, book, what-have-you without giving away the story and enough to let you know whether or not you will agree with the reviewer's opinion on the work. Many professional reviewers, I've discovered, make the mistake of coming across too arrogant and appear to think their opinion matters far more than it does, much like the critic, M. Night Shyalaman successfully skewers in Lady in the Water. This review is no more or less than my perception of V for Vendetta and in some respects is more of an analysis than a critique. Take from it what you will.]

V for Vendetta is based on a graphic novel by Alan Moore and is directed/produced by the Wachwoski Brothers, the same guys who did the Matrix films. If you are familar with either creator and do not like their works, chances are you won't like this film. Moore's comics, including The Swamp Thing, The Killing Joke, Promethea, Watchman, and The League of Extraordinary Gentleman tend to be like most comics and fantasy novels written by men, a tad like a male romance novel - violent, the woman controlled or subordinated by the male (Swamp Thing/Watchman), or taught by him to be what she can be as if she were a child and he the adult (Promothea/League), or if she is an educated, powerful female in her own right, crippled (The Killing Joke) or seen as only powerful because she is "beautiful" (the beautiful but not overly intelligent woman with ugly man is a trend in the male centric romance novel). It's not necessarily misogynistic, no more so than most Westerns were and are, or for that matter Raymond Chandler detective novels. Frank Miller's novels do the same thing - violent, male centric novels, where the women are fantasy figures little more.

I tend to be more tolerant of these type of stories than many women are, since I adore Westerns and noir films -two genres that are not necessarily favorable in their depictions of women or depict strong women. In college, more than one female student or professor berated me for my love of the art form. How can you stand something that depicts women, people of your own sex, in such a derogatory fashion? Where women have almost no roles and are treated as merely sidekicks or romanticized objects? Aren't you ashamed of yourself? Ah, but I've read romance novels written by women and they are guilty of the same things, sometimes in reverse. I'm interested in the story, the evolution of the characters, the mythology or thematic meaning - I tend to not care that much about, since there are times that it is less clear and often up to the viewer/reader to interpret based on their own background and experience. That is not to say, I don't see it nor are not disturbed by it at times. Just that it doesn't always bother me. It depends. An example is Sin City, a film that can best be described as a hyper-realized male romance novel. I liked it for what it was. I did not bother reading the disturbing metaphors, but let it rest as just a fun cinematic ride. Did the same thing with the tv show M*A*SH*, which got better regarding the female roles as it moved forward, but much less fun and snarky. At any rate, I knew when I rented the film V for Vendetta that I would be disturbed by how Evie was handled, that comes with the territory when you read or see films based on noirish graphic novels written by Frank Miller or Alan Moore.

As mentioned above V for Vendetta is a film based on Alan Moore's complex political/noir/science fiction graphic novel that takes place during the Margret Thatcher/Regan era, which has been condensed and abridged for the screen as well as updated. It now takes place in the not too distance future, a future that could be a possible outcome of the Bush/Tony Blair era. The film pays homage to three works: The Counte of Monte Cristo, which it even refers to, 1984 (John Hurt who plays the dictator in V, plays the political prisoner in 1984), and Pgymallion.

review for V for Vendetta cut for plot spoilers, since this film is impossible to analyse or discuss without them. )
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