Read a rather interesting review of Whedon and Goddard's Cabin in the Woods by Lisa Schwarzbaum in Entertainment Weekly. Normally not a huge fan of this reviewer...who went ga-ga over Fifty Shades of Grey. But, she does say a couple of insightful non-spoilery things about this particular horror trope:
1. As the stakes become greater, storytellers Whedon and Goddard creep right up to the lip of a really interesting chasm of hell. They cha-cha around the abyss. And then they ...Nah, preferring to play with the symbols of scary movies rather than sincerely provoke and explore fear itself. And so, as countless squibs of fake blood explode and chaos reigns, this viewer is left to wonder: What does it take these days to really, seriously horrify the target audience for Cabin in the Woods?
2) Where are the intrepid genre filmmakers willing to be unironic, challenging viewers comfortable with game-style plot twists and the digitized world of mash-ups and re-tweets in which the amused head is more familar than the aroused heart? In production notes, Whedon reports with pride that ' Goddard is a true horror aficionado. He's the kind of horror director who'll spend a day watching different blood splatters to find the right one.' The scary truth is, the right blood splatters don't mean splat in a movie that feels like a game.
Her third point...
There's a lot of buzz around this movie, but it means little without the power to stir our actual blood. "The movie's biggest surprise may be that the story we think we know from modern scary cinema - that horror is a fun, comic game, not much else - here turns out to be pretty much the whole enchilda."[ETA: Further down under top ten horror films, I discuss Texas Chainsaw Massacre II - which makes me think more of Cabin in the Woods - both are black comedies about the horror genre, which became cult hits.]
( Hunger Games vs. Cabin in the Woods and other films in the horror as a game trope. )
Anyhow..the reviewer's comment: "Where are the intrepid genre filmmakers willing to be unironic, challenging viewers comfortable with game-style plot twists and the digitized world of mash-ups and re-tweets in which the amused head is more familar than the aroused heart?" This.. got me to thinking about what horror films touched my heart and stepped outside of the game-style plot. What are the "A" horror flicks opposed to the "B" pulp ones. What are the horror films that truly scared me, kept me awake at night, and I remember now with a weird sort of love that borders on the purely masochistic? [And as an aside - What are yours? What films truly scared you? What horror films moved you? What films did you love with masochistic abandon, often watching many many times? What do you look for in a horror flick, assuming you like the genre at all? For me? It's character, a sense of wit or humor that comes from the characters, and a pull at the heart. Mix of humor and heart, and surprise.]
I like the horror genre far more than I'm willing to admit. I'm curious about horror films. Find myself seeking out the reviews, and wanting to watch the films. And horror like all things is a personal. What scares us...is a unique thing. When universal, magical.
( Cut mainly for length. This is a very long meta on the horror genre, starting with ten great horror films that I find memorable and the tropes they are a part of. Also commentary on the horror genre in general and on why I see horror films and why they are made or even told. )
1. As the stakes become greater, storytellers Whedon and Goddard creep right up to the lip of a really interesting chasm of hell. They cha-cha around the abyss. And then they ...Nah, preferring to play with the symbols of scary movies rather than sincerely provoke and explore fear itself. And so, as countless squibs of fake blood explode and chaos reigns, this viewer is left to wonder: What does it take these days to really, seriously horrify the target audience for Cabin in the Woods?
2) Where are the intrepid genre filmmakers willing to be unironic, challenging viewers comfortable with game-style plot twists and the digitized world of mash-ups and re-tweets in which the amused head is more familar than the aroused heart? In production notes, Whedon reports with pride that ' Goddard is a true horror aficionado. He's the kind of horror director who'll spend a day watching different blood splatters to find the right one.' The scary truth is, the right blood splatters don't mean splat in a movie that feels like a game.
Her third point...
There's a lot of buzz around this movie, but it means little without the power to stir our actual blood. "The movie's biggest surprise may be that the story we think we know from modern scary cinema - that horror is a fun, comic game, not much else - here turns out to be pretty much the whole enchilda."[ETA: Further down under top ten horror films, I discuss Texas Chainsaw Massacre II - which makes me think more of Cabin in the Woods - both are black comedies about the horror genre, which became cult hits.]
( Hunger Games vs. Cabin in the Woods and other films in the horror as a game trope. )
Anyhow..the reviewer's comment: "Where are the intrepid genre filmmakers willing to be unironic, challenging viewers comfortable with game-style plot twists and the digitized world of mash-ups and re-tweets in which the amused head is more familar than the aroused heart?" This.. got me to thinking about what horror films touched my heart and stepped outside of the game-style plot. What are the "A" horror flicks opposed to the "B" pulp ones. What are the horror films that truly scared me, kept me awake at night, and I remember now with a weird sort of love that borders on the purely masochistic? [And as an aside - What are yours? What films truly scared you? What horror films moved you? What films did you love with masochistic abandon, often watching many many times? What do you look for in a horror flick, assuming you like the genre at all? For me? It's character, a sense of wit or humor that comes from the characters, and a pull at the heart. Mix of humor and heart, and surprise.]
I like the horror genre far more than I'm willing to admit. I'm curious about horror films. Find myself seeking out the reviews, and wanting to watch the films. And horror like all things is a personal. What scares us...is a unique thing. When universal, magical.
( Cut mainly for length. This is a very long meta on the horror genre, starting with ten great horror films that I find memorable and the tropes they are a part of. Also commentary on the horror genre in general and on why I see horror films and why they are made or even told. )