I'd meant to DVR
HIMYM's finale, but forgot. And it's no big deal, that show frustrates me. Hence the forgetting. It likes to tease. That's my problem with a lot of tv show-runners/writers they like to subscribe to the Tom Anderson (Cheers Show-runner) school of thought - endlessly tease the audience about couplings because if you put two characters with sexual tension together in a romantic relationship - it will become boring and there will be no storyline. [The only thing worse than this is the "we won't solve the case or show you the killer or let the people off the island or back home until the series is completed" otherwise known as the proverbial carrot. Because if we do that there won't be any more stories to tell.] No, this is not true as various recent television writers, film scribes and novelists have proven over time. All you are doing is frustrating the heck out of your audience. And well, demonstrating that you are ahem, a tad limited as a writer. And the problem with frustrating your audience in today's world, as opposed to the 1980s and 1990s, is you audience has a lot more choices. As
HIMYM may be discovering, not to mention
Revenge - both shows have lost viewers.
Revenge had a frustrating season finale. To the point that I'm considering giving up on it. The series started out with a great concept. We'll do one revenge story arc a year. Then next year it will be a different character and a different arc. Then they paid attention to the audience and shippers, and decided to do something entirely different and dumped that initial concept altogether. Turns out many tv showrunners do plan out the story ahead of time, they just change it based on audience reaction. It also started out as more episodic - Emily Thorne would take out one person a week - and we'd see how she did it. There'd be a A plot line and a B plot line. The B was the revenge of the week, the A was the why and the end-game against the Grayson's, with the promise that she would get them by the end of the season, which would in turn shoot off a new Revenge storyline. That unfortunately is not the direction they went in, this thread got dropped. And instead we had a convoluted conspiracy thread that made no sense - with the evil "Initiative" (everybody uses that word in these series for some reason) and Emily's illogical mentor aiding her against it.
( spoilers )Vampire Diaries right now is competing with
The Good Wife for the best season finale. Although it's not fair to pit them against each other - two vastly different tv shows. Same with OUAT. Although I liked Good Wife and Vamp Diaries finales better. Vamp Diaries was so satisfying that I re-watched it. In part because it gave me the Spuffy speech and resolution that I wanted from Buffy but knew I'd never get. It also gave me a far more satisfying Angel/Angelus storyline in the characters of Nikklaus and Stefan.
I'll never be obsessed with Vamp Diaries. I think my days of being obsessed with tv shows are over - there's too many of them for one thing. And I've no time for it, for another. But I will give Vamp Diaries credit for giving me satisfying story arcs, that are well-plotted and move quickly. And are ultimately fun and entertaining. Also surprising. I never can quite predict what TVD will do.
( spoilers )Once Upon a Time - did two posts on this, took both down. So..this will be brief.
Liked the episode. Had satisfying arcs. Surprised me. I did not see the finale twist coming at all. The twist on the Peter Pan legend was a stroke of genius. This series is doing interesting things with Disneyfied fairy tales - it's sort of de-disneyfying them? OR going in the opposite direction? I'd say it's taking the tale back to its roots, but I seriously doubt that this was what JM Barrie had in mind when he wrote Peter Pan.
Which is ironic, considering they are owned by Disney and financed by Disney. Disney is an evil corporation, no doubt in my mind about that, but they are like Fox in that they sort of leave their writers alone. Make us money and we don't care.
( spoilers )See brief.