shadowkat: (Default)
[personal profile] shadowkat
Writing chapter five of my novel feels a bit like I'm chipping away a huge block of marble. Chip. Chip. Chip. OR rather, word, word, word.

Bad day. Walking outside at lunch felt like walking underneath a leaking ceiling. So I sought shelter in the bookstore beneath the building where I work and hunted for the Guy Gavaerial Kay novels. Only found Vol 2 of the Finovar Tapestery series but not volumn 1. Apparently if I want to read this thing, I will have to order it off Amazon, or lug my lazy ass to the library and hunt it. No rush - I'm completely enraptured by George RR Martin's Game of Thrones at the moment. Bought Vol2 and Vol3 of the Martin series last week during lunch. I think it may be dangerous for me to have a bookstore this close by my workplace.




This morning I read the replies to my last post. Since I was at work, I did not attempt to reply to them for obvious reasons. Now? I'm not sure how to actually. Spent a good portion of my time - reacting, internally, as follows: "No, no, no, that's not what I meant. You missed the entire point of my post. ARRRGH!" or "Yeah, I agree with you but what does that have to do with what I posted?" or "Shit, I did a lousey job of making myself clear, didn't I?" Which, ahem, taught me something. Probably should have figured this out by now but - People have a crazy tendency to read whatever they want to in someone else's writing. We spend a great deal of time talking about writing carefully, but I'm not sure people always read that carefully. I know I don't -heck, that's part of the reason this was a bad work day. Something I did not take the time to read carefully - came back and bit me in the ass. So trust me, I know how important it is to read carefully.

The other thing it taught me, which I already knew, but it helps to be reminded, is this: People bring their own host of experiences to every interaction regardless of what it is. And everyone's experiences are unique.
Where conflict or debate comes in - is when people's experiences of reality conflict with each other. In other words - if you fell in love with an older man at the age of 15, married him, lived a happy life then years later came on the internet and met a person who was molested by an older man at the age of 15, suffice it to say - your experiences may be in conflict. That's an extreme example - but the best I can come up with at the moment.

Some of the posts reminded me a little of a discussion in the movie Kinsey, about the scientist who created the famous Kinsey Sex Report. The Kinsey Sex Report - was a report published in the 1950s/60s (I think) about the sexual activities of men and women. What's interesting is Kinsey had no troubles getting funding for doing a report on men, was actually congratulated for it, but got his funding yanked when he did it on women. At any rate - the discussion was as follows:

Kinsey: I want to do an in depth study on male and female sexual behaviors.
Rockfeller Research Foundation Chief: Okay. But you're focusing on their normal sexual behaviors right? I mean nothing perverse?
Kinsey looks confused.

Wales who is watching the film with me turns to me and says, quite aptly: Kinsey doesn't believe there is such as thing as "normal" sexual behavior.

Me: And he would be right.

That was what he proved with the Kinsey Report. There is no such thing as "normal" sexual behavior. Actually I don't believe there is such a thing as normal period. But that's a whole other debate.

What there is - is socially acceptable behavior and convention. The word convention, or rather my use of the word convention, should not be confused with normal, especially since I do not personally believe there is such a thing. Unless of course you define normal as socially acceptable behavior or whatever trend that society is currently into. And you'd have to be a marketing person/ad guy to keep up with them. We're in a manic phase at the moment, the damn trends are coming at us right and left like baseballs, repeating themselves. One of the big trends - is heterosexual women fantazing about heterosexual or bisexual men having sex with each other and heterosexual men fantazing about heterosexual/bisexual women having sex with one another. Note I say heterosexual/bisexual, not homosexual, if they are homosexual - they can't come back and do it with person doing the fantasizing. People are anything if not selfish. Because this is currently a "trend" and used repeatedly in fanfic, romance novels, tv shows, and movies - I don't think it's kinky. I think it's pretty ordinary. Also it's not a new trend.

Convention has numerous definitions in the dictionary. The one I'm using is (just so we're all clear) - "following accepted practice, customary". For me, customary practice - is basically anything you can find in mainstream bookstores, toy stores, and blockbuster. Stuff you do not have to hunt for. Convention? Stuff I've seen repeatedly on network TV shows, romance novels, etc.

Concerning sex - pretty much all of it is kinky depending on your point of view. When I was 18, I thought a blow-job was kinky. Now it seems sort of conventional. Same with going down on a woman. Sorry for the lingo, but sometimes it works if you're blunt. Bondage? Yeah, kinky. Man dominant, woman submissive? Not so much - unless of course you're doing the bondage thing, but I'm talking generally here not in S&M lingo, which I really can't speak to since I'm not versed in S&M. Get in enough trouble trying to discuss what I do know about. So what I mean is the old fashioned missionary position vs. the woman on top position - just to be clear. If you throw in handcuffs? Sure that's kinky. But that's kinky regardless of who's wearing them. Did read one thing where the two were handcuffed together - still have troubles envisioning it. Some fanfic writers, methinks, need a course in anatomy. Not sex. Anatomy.
Trust me - people can write quite well about sex without ever experiencing it directly. Just because you can't, does not mean someone else can't. One thing I've learned :Do not project your limitations/experiences on others - always gets one in trouble. (She says while she proceeds to do just that. What me, a hypocrite? Nooo...)

At any rate - my point, which I made badly, was: What I see less of on tv, romance novels, fantasy novels, etc right now - is a strong woman controlling things. That could just be me. But I've had to REALLY hunt for it. (And please don't quote back to me Desperate Housewives, Medium, Veronica Mars, Gilmore Girls, or Alias as examples - they aren't women in control of anything in my opinion. The closest I've come to strong women on TV lately are: Farscape, The Closer, and BattleStar Galatica and that is it.)

What unnerves me when I've read Buffy fanfic (and I'm not singling anyone out here - from 2002 -2005 I read more buffy fanfic writers than I care to list) is how many writers have felt the need to punish, degrade, or remove in some way shape or form the female heros power - making Spike the hero or Spike the one in control or the sympathetic party. I understand why some of them do it, no problems with that, really - but it is the way fanfic writers do it that unnerves me. Why for instance do so many writers feel the need to make Buffy pregnant with Spike's baby? Why do so many of them want to have her get off on him biting and drinking from her - draining her power? (As if this is kinky - it's not, somewhat conventional actually. Laurell K. Hamilton, Ann Rice, and half the romance novelists who write Vampire stories do it. ) Why does Spike take a leadership role above her? Why is she put in the domestic/traditional role? It's not kinky that women writers are doing this - because this is actually conventional romance. Most gothic and bodice-ripper romance novels I read in the 70's up until the early 80's fit this. One even had a girl desperado who gave it up to be the lady wife of a count, because she fell in love. Now, don't misunderstand me, I don't mean to say there's anything wrong with this. Heck, I have these fantasies, as a single working woman. But they are conventional ones. Not very original. What throws me is why there aren't more fantasies or stories about the gal in control - the gal becoming and staying the hero? Say what you will about Season 7 BTVS, but I give Whedon credit for doing one thing right, Buffy did not ride off in the sunset with some guy. (Yeah, I know, he ruined it in Angel S5 but let's forget that for a sec.) She did not need to be defined by him. She was perfectly happy to be single. That is rare to see on TV or in books. There've been a few - My Brilliant Career by Miles Franklin. But very few.


okay...ran out of words again. Need to eat. Want to read George RR Martin.
Maybe I should delete this? Oh well... do with it what you will. Not sure how much sense it made. Tough day, like I said. And most of this? Internal monologues and rants I had during it.

Date: 2005-06-27 05:44 pm (UTC)
From: [identity profile] arethusa2.livejournal.com
Normal is whatever you (I) do. Kinky is whatever anyone else does.

I think many people are terrified of being responsible for themselves. Look what Buffy went through--not because Whedon like to punish her, but because it's so damn hard to not have anyone to depend on but yourself. People want a Daddy to take care of them--a husband, father, president, priest, God. Anyone, it doesn't matter--and this goes for men too, who dearly love a pecking order. Buffy's kinkiness was making decisions for herself, deciding who to love and when, how to live and fight, who to fight for. How could she choose to forgive Spike? Once a not-rapist, always a not-rapist! How could she choose her work over Riley and Angel? Didn't she need someone to take care of her? Who was she to grow beyond Giles, reject Xander's unwanted attentions, fail at taking care of Dawn, be fallible and selfish? Shame, Hero Buffy! Don't you know men belong on top?







Date: 2005-06-28 07:35 am (UTC)
From: [identity profile] ponygirl2000.livejournal.com
Oh yes. And not merely bringing down the old structures. but doing the hard work of creating something entirely new.

Date: 2005-06-28 03:51 pm (UTC)
From: [identity profile] shadowkat67.livejournal.com
Normal is whatever you (I) do. Kinky is whatever anyone else does.

Actually online I think it's the reverse. Kinky is what I do, normal is what everyone else does. Which is interesting in of itself. Can't quite decide if this is a sign of insecurity or ego on the part of the individual poster? Possibly both. People are complicated.

You do an excellent job of pin-pointing what I liked about the show and the character. The fact that they let her be the hero, flawed, yet still there. Sure she wanted a Daddy to take care of her, sure she wanted to let go of responsibility, to die, to let go, but she doesn't give in - she fights her way back up. Which is empowering in a way. Rare to see.



Date: 2005-06-27 08:27 pm (UTC)
From: [identity profile] angeyja.livejournal.com
I have a fair amount of GGK if you want it.

Date: 2005-06-28 03:53 pm (UTC)
From: [identity profile] shadowkat67.livejournal.com
Thank you. Hate to take yours though. Also, I have enough books to plow through at the moment. Will take all summer to get through the George RR Martin series.

Date: 2005-06-28 04:57 pm (UTC)
From: [identity profile] angeyja.livejournal.com
No worries. And they will be here if you want them later. I am reading, finishing really Paladin of Souls tonight. I was very happy that the authoress took up Ista;s story.

Date: 2005-06-28 12:03 am (UTC)
liliaeth: (shades Buffy)
From: [personal profile] liliaeth
Was she?
Happy that is?
Cause to me s7 showed that Buffy wasn't safe with her sexuality, she was closed off, almost uncapable of love. Not daring to let go of her feelings and still broken as she was since s2 when Angel destroyed her.

It's not that Buffy didn't need a man, it's that she couldn't let herself be open to anyone. Stuck on an illusion of an Angel that never existed in the first place. A fantasy that she made up, based on a lie.

She didn't grow up, she got stuck. And it made me pity her.
The Buffy of s7 was frigid, scared of herself, of any glimmer of true sexuality, not even realizing how broken she really was. I thought for a moment that she'd get over it, when in touched she at least realized there might be something wrong with her. But then in Chosen they ruin even that moment of growing up by that stupid sacharine cookie speech that turns her back into a little kid.

Because purity is safe, it means she doesn't have to open up, that she doesn't have to think of that nasty sexuality, she can just be the ice maiden.

What Buffy was, wasn't independant, it was being too scared of her friends opinions to dare and let herself be open to her own sexuality. At this point, sex was filthy for her, it was something that had to be locked up in the darkest closet possible, to pretend that it never existed.

She ends the series as a child and for a series that was about growing up, that's a horrible way to end. I like to believe that Spike's love and getting that at the end opened her up for love again. That she did meant that "I love you". But with all the nonsense Whedon spewed about a happy ending, I don't always dare to believe it.

And it's not about making Spike the good guy, just cause he's more sympathetic, it's about looking at the pairing objectively and see that Spike has taken the clear and obvious position of the abused spouse, with Buffy in both emotional, physical and social control. She's the one who keeps him away from her friends, she's the one who stops him from bringing emotions to their joining, she's the one who beats him up and has the superior strenght. See, they're not equals (no matter what Drew or Fury might say), not emotionally (she has a soul, he doesn't), not physically (she's so much stronger than him that she can swing around a hammer with ease that he can't even begin to lift), not socially (cause he's isolated both by the chip and her refusal to let him anywhere near her friends)
She holds all the power, all the control. There's no struggle and if there is, it's Spike fighting for at least a crumb of something, anything...

Buffy needed the help of a shrink, she was severely depressed and like any abuser she took it out on someone who didn't have it in him to defend himself. Who unlike Tara doesn't have the moral and emotional realization and strenght to see that he should leave or at least say no, to his abuser for his own sake as well as hers. And because her friends never realized the powerimbalance, they all protected her as the poor little girl. And that's not a good thing.

Date: 2005-06-28 07:27 am (UTC)
From: [identity profile] ponygirl2000.livejournal.com
Cause to me s7 showed that Buffy wasn't safe with her sexuality, she was closed off, almost uncapable of love. Not daring to let go of her feelings and still broken as she was since s2 when Angel destroyed her.

Well, yes, that's kind of the point because she was still on a journey in s7, she was still making mistakes and still had to get through things - that was her emotional arc that season. I will never argue that s7's execution was clear but for me Buffy's "I love you" at the end of Chosen was her opening up, her reliving of all that trauma with Angel that had so shut her off, but amazingly instead of closing off in that moment she opens up. Not just to Spike but to all the big scary love that she had been protecting herself from for so long. That's my theory anyway and that's how I live with season 7.

Date: 2005-06-28 07:49 am (UTC)
From: [identity profile] arethusa2.livejournal.com
Buffy took ownership of her emotions at the end. In Chosen we saw her increase her power immeasurably by sharing it, increase her ability to show love, look with hope towards the future, and be confident that no matter what came, she would survive.

Regarding Spike, to whom did she give the amulet? To whom did she say "I love you."? Who did she say gave her confidence, whose bed did she share on what might be her last night on earth?

Date: 2005-06-28 08:14 am (UTC)
From: [identity profile] ponygirl2000.livejournal.com
The power that had been so hoarded, feared and protected was released and as a result increased. Likewise sharing the burden of leadership and of sacrifice did not diminish the hero but allowed her to win the day. The future once so circumscribed is now a wide open road. Yes, I do dig the themes of season 7, I just have to squint to see it onscreen.

Date: 2005-06-28 08:19 am (UTC)
From: [identity profile] arethusa2.livejournal.com
Hee. I'm fortunate. (Or oblivious.) I can easily ignore the stuff that should bother me.

Date: 2005-06-28 09:11 am (UTC)
liliaeth: (Default)
From: [personal profile] liliaeth
I just wish they'd killed off the scoobies. Maybe I'd even be able to see Chosen like you do, if only there hadn't been those cursed malljokes and the total lack of caring from the scummies for the people that they left in the rubble.
Buffy at least seemed to care a bit, the rest of them... Whedon at least managed one thing with that finale, he made sure that I never ever want to see any of the scoobs ever again.

Date: 2005-06-28 09:22 am (UTC)
From: [identity profile] ponygirl2000.livejournal.com
Well, I haven't exactly cracked open my s7 dvds! But I do think that BtVS as a whole is one of those series that I'm going to react to differently at different times in my life. I'm looking forward to seeing what I get out of it a few years down the road. Negative or positive it is a series that always gives me something to think about.

Date: 2005-06-28 03:17 pm (UTC)
From: [identity profile] shadowkat67.livejournal.com
Yes, I do dig the themes of season 7, I just have to squint to see it onscreen.

LOL! Same way. I rewatched a good portion of that season recently and find if you skip some of the episodes and certain sections, the themes come across a lot clearer.




Date: 2005-06-28 04:02 pm (UTC)
From: [identity profile] frelling-tralk.livejournal.com
in Chosen they ruin even that moment of growing up by that stupid sacharine cookie speech that turns her back into a little kid.

As it was Angel who gets the cookie dough speech, and "splainy?", "he had to split" I always see it as an intentionally silly reminder of the girl she had been with Angel. The back to the beginning theme if you will. So I've never really considered the silliness of the cookie dough speech as part of her character arc. I mean the basic point stands sure, but the girlish way she reacts around Angel felt almost like a parody.

Whereas I believe the last few episodes of season 7 have having Buffy opening up to the possibility of Spike and that's what I focus on with her character in season 7. Because while I can understand the return of Angel throwing her back to the young girl she had been, it's how she behaves around Spike that gives us an accurate reading of the place she was in for her current life. And she is mature in those scenes when she hands over the amulet, gives the "I belive in you" speech etc

The Bangel in Chosen was more a snapshot of the past to me ;p

Date: 2005-06-28 05:17 am (UTC)
ext_6283: Brush the wandering hedgehog by the fire (Default)
From: [identity profile] oursin.livejournal.com
Not fantasy, but I recall a number of novels by the 40s-50s British novelist Margery Sharp which feature strong female protags: in one case a woman artist who gets pregnant and doorsteps the infant on the father, and another one about a respectable Victorian landowner who marries an Albanian gypsy - who is the antithesis of a sultry odalisque figure. I'm trying to think of a way to describe these that means 'in a comedic vein' without suggesting that they arouse guffaws or rolling around on the floor. I think I need to return to these books at some stage.

Date: 2005-06-28 11:29 am (UTC)
From: [identity profile] ponygirl2000.livejournal.com
To get back to your original point:

I don't mean to say there's anything wrong with this. Heck, I have these fantasies, as a single working woman. But they are conventional ones. Not very original.

I can totally understand why these are appealing fantasies. Because they are about surrendering control and surrendering responsibility. One doesn't have to own up to choices or desire or anything else one might be uncomfortable acknowledging - because all of the agency is on another person. It's like Buffy in Dead Things saying, "why do I let him do those things to me" when her dream had shown her as the one wielding the handcuffs and the weapon. I feel safe in saying that any adult can relate to a fantasy of giving up control. The trouble I have is when it seems like people aren't recognizing such things as escapist fantasy and treating it as valid in a larger narrative or even life-wise sense. Can we not get stories where surrendering control does not mean subjugation to another?

Date: 2005-06-28 01:45 pm (UTC)
From: [identity profile] shadowkat67.livejournal.com
Can we not get stories where surrendering control does not mean subjugation to another?

Thank you - for nailing my point. And what has been unnerving me.

The trouble I have is when it seems like people aren't recognizing such things as escapist fantasy and treating it as valid in a larger narrative or even life-wise sense.

Exactly. It's what disturbed me in reading some of the reponses to my post below and the responses to some of the fanfics posted online recently. This desire for the woman to settle down, have a baby, work part time, but devote herself to her family. To let the guy hold the reins.

Why don't we see the woman in charge more? And why is the romantic fan-fiction surrounding one of the very few TV shows about a woman in charge - placing her in a subservient role?

Date: 2005-06-28 02:17 pm (UTC)
From: [identity profile] ponygirl2000.livejournal.com
What drives me mental is comments where all this surrender is hailed as a partnership of "equals" - if you had a problem with Buffy's treatment of Spike why is the acceptable solution for him to treat her in a similar way? Tit for tat doesn't make for a clean slate IMHO.

Reversing the dynamics of Buffy and Spike's relationship doesn't make it queer or subversive - it makes it a typical old skool romance cliche. I think there's a lot ambiguity to mined in their relationship as presented onscreen - Dead Things alone has tonnes of interesting things to say about the blurry lines of submission and dominances - but casting it in black and white helps no one. It's never easy to challenge our assumptions about roles and desires but it would make for more interesting fiction.

Date: 2005-06-28 02:48 pm (UTC)
From: [identity profile] swsa.livejournal.com
And sort of related, for me, is this need to teach Buffy what it's like to be the one who feels more, to be the more vulnerable one...as if she hadn't been that one for *years*. Part of what I loved about Spike and Buffy was that Buffy was really allowed control of a relationship for the first time ever. She got to end it. She got to make the decision to forgive Spike. She got to decide that she didn't want him to leave her for her own good. I loved that Joss was willing to subvert so much of the B/A relationship, allowing Buffy control of her own life this time around. And so when I see fanfic where she has this awakening, this realization of what it's like to be the powerless one, it just pulls me completely out of the story...I've seen the love story where Buffy is the more vulnerable and submissive one. I don't need to read it with a different vampire in the Angel role.

Date: 2005-06-28 03:33 pm (UTC)
From: [identity profile] shadowkat67.livejournal.com
You've hit on the reasons I preferred the B/S relationship to the B/A one. I liked the fact that the tables were turned. That the one who left a note was the gal. That she wasn't the vulnerable one.

What made it even more interesting - is if you watch closely, you'll see that up until he met Buffy, Spike was the bite-em and leave them type. The only gal he stuck with was Dru, and they weren't always together. Dru was the mother he returned home to more or less. Everyone else? He treated very much like Parker treats Buffy in Harsh Light of Day. A clear parallel is made between Spike and Parker in that episode. The irony is Spike is thrust in the vulnerable role. Suddenly the tables are turned.
Look closer? We discover he always was in that role, more or less. Complete role reversial. We rarely see this type of role reversial onscreen. Usually the vulnerable party is the woman. She's the one whining about the guy calling her, to flip it - is rather interesting.

Date: 2005-06-28 02:51 pm (UTC)
From: [identity profile] aycheb.livejournal.com
What drives me mental is comments where all this surrender is hailed as a partnership of "equals"

Oh god yes. And to the black and whiting of the relationship. Especially around Dead Things it wasn’t so much that the genders were reversed as the lines between them had completely blurred. Buffy had power over Spike, Spike had power over her. Neither of them had the power to leave and both of them blamed it on the other. It wasn’t healthy but it sure as hell wasn’t conventional.

Date: 2005-06-28 03:12 pm (UTC)
From: [identity profile] shadowkat67.livejournal.com
Agreed.

It wasn’t healthy but it sure as hell wasn’t conventional.

Which may be why Dead Things is one of my favorite episodes. IT is about a power struggle between the two of them. The back and forth pull. The adversarial relationship taken on to the sexual plane. And all the complicated emotions inherent within that.



Date: 2005-06-28 03:08 pm (UTC)
From: [identity profile] shadowkat67.livejournal.com
What drives me mental is comments where all this surrender is hailed as a partnership of "equals" - if you had a problem with Buffy's treatment of Spike why is the acceptable solution for him to treat her in a similar way? Tit for tat doesn't make for a clean slate IMHO.

Word. Exactly. It drove me to write the post below.
I do not understand why these writers think that the way to deal with their discomfort over Buffy's treatment of Spike is to write fanfic where Buffy is being abused by Spike or Angel? It feels at times as if they are almost writing revenge fic. What disturbs me about it - is I see the larger societial influences at work here. Whenever a woman takes charge, or wins over a guy, our society runs roughshod over her. Hillary Clinton is despised next to nice Laura Bush. It's disturbing.

Reversing the dynamics of Buffy and Spike's relationship doesn't make it queer or subversive - it makes it a typical old skool romance cliche.

Exactly. Why do people think this? Not only is it a romantic cliche, it is also an accepted one. It's in all our advertising. If you flip on the TV, about five commercials will be telling the woman how to please her man, how to serve her man. If you flip through the romance novels in a bookstore - the plots are all the same - the girl is changing herself for him. She's giving up part of herself for him. What bugs me about many of the fics out there is how we have Buffy give up something - but Spike should stay the same? He doesn't have to give up anything? Except well killing people...but that's no biggie, since he can drink her blood instead?
I remember reading a Vampire Romance Novel one of the women in my father's writing group had published. It was about Dracula - he was the romantic lead - and the girl pretty much did everything I've read in fanfic - let him drink from her, catered to his needs, was his sidekick.

Why are all these novels about that? Why do people keep re-writing Jane Eyre, Anna Karenia, Pride and Prejudice...etc. Instead of writing about a woman who is in control and on top?

It makes me wonder how large a part women themselves play in making our world a partriachial one. Are we partially responsible for the treatement we receive as a gender? Are these romances and stories evidence of why that is?

Date: 2005-06-28 04:09 pm (UTC)
From: [identity profile] ailleurs.livejournal.com
It feels at times as if they are almost writing revenge fic. What disturbs me about it - is I see the larger societal influences at work here. Whenever a woman takes charge, or wins over a guy, our society runs roughshod over her.

Exactly. I admit to being thoroughly bewildered by what was going on in your earlier post. My original comment was just a riff off of your thoughts and I guess I found myself wondering aloud in your journal. Nevertheless, I really didn't intend to trigger a meltdown and I attempted to remain as neutral and non-specific as possible. My dislike of conflict and confrontation kept me out of the fray, but reading on the sidelines. Yet these ideas were running through my head when I started typing and to a certain degree, I think women are often far more effective at policing their own gender than some instances of institutional discrimination. For a woman to be tough, she's seen as heartless; for a woman to be ambitious, she's seen to be deceitful and conniving. Maybe it's the tall-poppy syndrome, but there is no doubt that qualities which are associated with masculinity are less tolerated in women and the backlash is not uniquely male in origin.

In fairness, I really haven't read too much fic in the last year, but the humiliation and punishment themes that are prevalent in a lot of Spuffy fic (that I've read) make me tear my hair out. Buffy often finds herself squeezed into a domestic situation that is clearly ill-suited to her. And to make matters worse, she may even be depicted as being a piss-poor domestic goddess (adulterous, bad mother, bad housekeeper, can't cook etc...), which humiliates the character even more.

And to end on a completely different idea, I can't understand how the Buffy/Spike Mutually Assured Destruction was seen as a one-way street. They both gave as good as they got and I think that it's important to realize that first, sex between the two was only initiated once Spike was back on equal terms with her (i.e. chip didn't fire when he would strike her) and second, in order to make the AR even remotely credible, ME had to weaken Buffy with a trumped up injury, rendering her more as the damsel in distress. Finally, I believe that things only began improving between the two once Buffy decided to walk away and once Spike decided that he should leave for her own safety in Season 7. Season 7 may have been a morass of bad execution, but fundamentally free will was restored to both characters.
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