Spontaneous Musings

Now, I just have to decide if I want to keep the ENT appointment on Monday. I'm thinking it's probably a good idea, since I've had the vertigo twice this fall - and both times associated with severe sinus congestion and weather fluctuations.

But, it's nice that it is blessedly gone now. The pills I was taking for it - really did help. Along with the nasal spray.

Already decided to switch the Personal Day from Friday to Monday. Works better all around.

Buffy S4/Angel S1 Rewatch

It's worth keeping in mind that the two shows have definitively different tones and are different genres. Angel is paranormal horror noir, while Buffy is paranormal horror romance (well, romantic horror at any rate).
Angel S1 makes it a lot clearer than I thought, mainly because the Angel fandom kept insisting it was the Classical Hero's Journey (all evidence to the contrary). I can kind of see why they thought that? And Whedon didn't help. But if anything they are undercutting that trope in Angel.

Blind Date, the 21st episode of Angel S1 - is another WRH episode, which are by far the best episodes in the season. And it is an arc episode.
The episode has all the main arc players except for Kate (who I think the writers were re-thinking as a potential romance at this point, Angel isn't really a romance? Nor does Angel really need one?). Gunn is there instead of Kate, in the thankless role of distraction - playing up the stereotypes.

What is interesting about the episode is how cleverly the writers manage to hoodwink their audience. I didn't realize they did it - when I first watched ages ago, when it aired live. I wished I had, I would have kept watching, instead of jumping in and out of it like I did - skipping episodes. When I first saw it live, and even the second time I saw it prior to seeing Season 4, I didn't see the twist. They completely fooled me along with the fandom. I thought the episode was lame and it annoyed me. Now that I see the twist. It's kind of hilarious and rather clever. And perfectly foils the characters. I see it now, of course. After having seen S5 several times, it's pretty obvious - but it wasn't then.
( how they fool their audience )

Buffy S4: New Moon Rising - there's several things the writers need to accomplish in this episode. In a way, Blind Date is easier? I liked it a lot better, because it's nice and twisty, and they hoodwink the lead characters and audience. And once you see it - it's hilarious. I love episodes like that. With hidden twists. Even if I don't see it until years later and I was also hoodwinked. I think I would have enjoyed the series more the first go-around, if I'd seen the twist and not been hoodwinked.

In New Moon Rising - they need to somehow get Adam and Spike together. Also firmly shut the door on the Willow/Oz romance, and open it on the Willow/Tara (also firmly state that this is a romantic relationship and have Willow come out of the closet to Buffy). And, get Riley to cut ties with the Initiative. (Not to worry, he returns in S5. Take the boy out of the military, but you can't take the military out of the boy - which is kind of clear in this episode.)

It's a very plotty episode, so not the best. Much like S3 - the arc episodes aren't as good. The problem here is Riley/Adam and the Initiative, while in S3 it was the Mayor/Faith (although I liked the Mayor/Faith better than Riley/Adam - I like S4 better than S3, mainly due to the characters, and the situation).

That said - this episode is among the better arc episodes, and works better than a lot of the previous ones did in hitting all the crucial points. Not sure who wrote it? Ah, Marti Noxon. (Jeannine Renishaw wrote Blind Date Angel s1). Explains a lot. Noxon wrote Willow/Tara the best.
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