shadowkat: (Default)
For Buffy and Angel fans...or rather Tara, Anya, Spike, Cordelia, Dru and Giles fans, and fans of the actors who portrayed them?

Buffy Cast Reunion on Audible - Slayers by Amber Bensen and Christopher Golden

It's basically an interview with Golden, Benson, Marsters, and Chase.

Extensive Interview with Marsters about Spike for the 20th Anniversary with Radio Times

excerpt )

And..
Inside Joss Whedon’s ‘Cutting’ and ‘Toxic’ World of ‘Buffy’ and ‘Angel’ (EXCLUSIVE)


"Interviews that Variety conducted with 11 individuals who worked directly on “Buffy” or “Angel,” or were closely familiar with the productions during their runs on The WB and UPN, painted a portrait of Whedon as a talented, collaborative writer-producer with a pattern of inappropriate, imperious and disparaging behavior toward those who worked for him. Whedon created a “cult of personality” around himself, according to these sources. Those on the inside of Whedon’s circle basked in his attention, praise and friendship; those on the outside got the opposite: scorn, derision and callousness. (Everyone Variety spoke with did so on condition of anonymity, either so they could speak freely or out of concern for their careers.)

Variety also reached out to 40 other actors, writers, producers and directors from “Buffy” and “Angel” — including Sarah Michelle Gellar, Michelle Trachtenberg, Amber Benson, Eliza Dushku, David Boreanaz and Alyson Hannigan — all of whom declined to participate in this story."

Which is interesting - the actors declined to participate, but the crew and writers did on the condition of anonymity. Making it difficult to know how much of what they state is true? Except this happens a lot - most of Burn it Down - about similar allegations on various television and film sets in Hollywood - were all done with anonymity. However - if you listened to any of the Q&A's at the cons - the actors did verify most of it over the years.

***

I've only been an obsessed or huge fan of a few things in my lifetime, and not in the same way. And it's often fleeting.

We all have something that just jives with us. Don't we? But it also at some point disappoints - when we find out a touch too much about it. Which is too often the case in this day and age.

I find it interesting how fans and folks who worked on Buffy have reclaimed it as their own. They did it by writing their own fanfic.
shadowkat: (work/reading)
There's an article about fanfiction, fandom and shipping in the new romance magazine Blush, that's just been launched. (Got it via Smartbitches. )

1. Critiques?
tiny print and what is cult not cult )
2. Wrong-headed shipping or shipping bad guys with heroes...such as Kylo Ren and Rei, or Draco Malfoy and Hermonine, or Angelus and Buffy.

Quibbles aside..I don't ship the way the person being interviewed does. I don't really do or tend to do "wrong-headed" shipping. With a few rare exceptions -- and usually those are one's that fit the story thread and are canon. I don't tend to ship counter to the canon.
Read more... )

3. Canon vs. non-canonical shipping (not to be confused with m/m or f/f slash - which can be canonical or non-canonical depending on the series.).

Per the above, I ship with the canon or with the story-thread. And don't have a lot of patience for shipping against the story-thread. It's rare that I'll ship characters that aren't going to end up together, aren't written to be romantic love interests, and aren't written to be friends. And if they are friends or lovers or married and the story-thread leads to their inevitable separation and the demise of their relationship in a convincing manner that tracks -- and shows why, doesn't tell, I'll go along with it. (See Buffy/Angel above as an example. The writers successfully broke that ship up for me in S1 Angel.)
Read more... )

4. Where the line should be drawn regarding shipping...

shippers who try to influence the writing of the show )

5. My ships or the one's that I have shipped the hardest in recent years and still do to an extent?

Canonical Ships:
Read more... )

Nothing new though. I don't ship much any longer. Shipping for television shows is ridiculously painful.

Non-canonical?
Read more... )
But I can't say I was passionate about any of them.
shadowkat: (Default)
So, I've been binge-watching Angel S5 on Hulu, with no commercials. I splurged and at 11.95 a month, I can watch any television show that airs on it, with no commercials. It has a lot of old television series. Sort of the TV Land of streaming services.

Anyhow...realized a few things upon re-watching:

* In "You're Welcome" -- seriously can they give Cordy a more revealing shirt? It's unbuttoned to the degree in which her boobs appear to be popping out of it. I swear I saw a nipple in one shot.

Also, Cordy doesn't really do much in the episode, except give Angel a pep talk and say the PTB are still behind him, he still has a destiny, he's still the chosen one. To such an extent -- that I couldn't help but wonder if the Senior Partners of WRH had woken her up to get their gig back on track. Lindsey had successfully begun to push it off the rails. And they needed someone to come in there and expose Lindsey, so they can grab him.

The reason I don't think she was working for the PTB upon re-watch (outside of the fact that I know what the writers had planned down the road, and have read the comics) is two-fold, Read more... )

* An interesting pattern has emerged from each and every episode...in every single one, someone in the lead cast is being manipulated or is manipulating someone else -- pulling their strings. And usually the manipulation is being done through the character's desire to be a hero, to be great at something, to have a destiny, to be important. It's all about their egos and insecurities. Every single episode. And in Destiny, Damage, and Why We Fight -- we are reminded at what a master manipulator Angel is, and was -- he enjoyed breaking people down, using their weaknesses against them, and pulling their strings. As he tells Spike in Damage -- "He was in it for the EVIL."

Hmmm.

* The episode after Whedon's "Hole in the World" by Stephen Denight, is actually the better episode.
It has better lines here and there, and is a little less over the top. Whedon goes overboard in Hole in telling the audience how important Fred is to everyone. And then we get the longest death sequence on record...spoilers )

[This brings up a few difficulties with the series -- spoilers )
shadowkat: (tv slut)
[Again, read for the first time. Caveat? I don't tend to re-read things. I remember what I read fairly well, particularly if it is a graphic novel -- because I have a visual memory that is rather accurate.]

Review of Buffy Comics Season 11

Good news is there aren't that many issues. Only two volumes as opposed to five or seven. So my pocketbook thanks Dark Horse for this. I'm guessing comic sales were waning? Apparently, since the Spike/Willow series they'd announced never came to fruitation. Shame. I'd have read that. Those are my two favorite characters in the series. But whatever.

You'd think having only two volumes would have made for a tighter plot. But no. Or a better plot? Again no. This plot sort of suffers from the same problems as Dollhouse, Season 7 Buffy, Firefly, Season 9 Buffy, and Season 8 Buffy.

In a nutshell? It's Buffy meets the X-men's Genosha/Days of Future Past storylines. Except the X-men did a much better job with these themes and plot arcs than the Buffy writers did.

For those unfamiliar with the X-men...basically the plot of the Buffy S11 arc is this:Spoilers )


So, I'm done with the comics for now. And have to find something else. Thinking of reading Fun Home which a co-worker highly rec'd. And the Resurrection of Phoenix. Downloaded both from comicxology. One I bought some time ago -- Fun Home. Also downloaded first volume of Saga, which I'm on the fence about because not a huge fan of Warren Ellis/Grant Morrison.

Tried to read another contemporary romance novel Managed and got annoyed. So..that's not happening.
shadowkat: (Default)
[Note -- this is my first read of the comics. I'm not re-reading them. I know I'm behind everyone else. But I despised the last five issues of Season 8 Comics, and the first six issues of the Season 9 comics. So gave up. Then accidentally hit upon some excellent panels from Season 10, and thought okay, will give them a second shot. So word to the wise, if you want to read these? Skip Season 9 Vol. 1 Freefall, Season 9 Vol. 3 - Guarded, the Last Six Comics of S8, and go from there. Also grab the last two volumes of Angel & Faith S10 -- which are a great character back-study of Giles, and also provide much fodder for the Angel/Spike and Spike/Faith relationships. Since Angel doesn't evolve at all in the comics, he remains the least interesting character in them. I get why they did that, but, it's a tired trope and the writers really need to shake the character up a bit.]

Review of Buffy Season 10 Comics.

With a few weak spots here and there, these are by far the best comics of the series. They do a marvelous job of building two key relationships, Dawn and Xander, and Spike and Buffy. Also a rather good job of continuing to evolve Giles, Andrew, and Willow. Andrew FINALLY is established as gay.
We also get some closure with Jonathan and Anya.


The weak spots are mostly in regards to art. Meghan does a good job with pretty much everyone but Spike, who has the same nose as my Dad. I found this odd. And her art is heavier lined, more cartoonish in character and not quite as smooth as Rebecca Isaacs. I wish Rebecca could have done all of it. I agree with Whedon that changing artists can be jarring.

Xander -- if you are a Xander fan this season is a must. His character is by far the most developed that it has been in the series. And the writers have apparently infused his character with some of Nick Brendan's actual issues. Various issues delve into Xander's anger management issues -- and how his issues with anger have caused problems in his relationships. He also spends a lot of time discussing these issues with Anya's Ghost (which admittedly got repetitive after a bit), and Spike.
The Xander/Spike scenes are by far the best.

Spike -- for the most part is well-utilized in this season. While he spends most of his time with Buffy, working out their issues and building their relationship, we do get bits with Harmony, Xander, and Dawn.

[Also Angel, who makes an appearance, and would be a heck of a lot more interesting if the character had evolved. The writer's justification is that Angel is immortal and his status really hasn't changed all the much. He's either cursed with a soul, or not. I actually think one of the weaknesses here is that the Angel character can't evolve or change -- for both the television series and the comics. I think something major has to happen to motivate Angel to do something -- instead of letting forces around him manipulate him, or manipulating those around him to appease those forces and obtain their approval. He's also so self-centered, he honestly sees everyone's behavior as a reflection of his own, and is somewhat deluded regarding his own. Shame he can't see his own reflection.Anyhow, he's barely in it, and his purposes seems to be to shake up Willow, Buffy and Spike a bit.]

The writers do a marvelous job of building Spike/Buffy as a relationship here -- they address what happened in Season 6 and 7 pretty much in depth between the two characters. Along with all of their issues and the fans issues regarding them. Finally we get a discussion of both the BDSM sexual relationship and the attempted sexual assault. It's well-handled. Kudos. We also have Buffy address with Spike her prior involvements with Angel and Riley and why neither worked. Along with Spike addressing his with Harmony and Drusilla -- and why they didn't work, and how bad he felt about Harmony. (Although Harmony doesn't care -- being a soulless vampire, she's moved on to using Clem like a whipping dog.)


Buffy -- is also well-done. It really delves into Buffy taking responsibility for her role in the verse, as the holder of the magic book. Also responsibility for her inter-personal relationships, instead of just running away from them.

Dawn -- the powers of the key are finally explored. And Dawn is given a chance to grow up a bit more.

The plot is okay, it gets a little convoluted in places -- and the main villain appears to be D'Hoffryn, which is an interesting choice. The most frightening villain is the Soul Glutton, who also appears to be a social commentary on well vegetarianism? There's a lot of social commentary in here, although not as blatant as in the previous series.

Overall, a good read. I highly recommend.

I skipped Angel&Faith, mainly because I'm not interested in any of the characters. It's not worth the money. These cost between nothing (if you can borrow) to $16.99. The Angel & Faith are pricier actually.
shadowkat: (tv slut)
[Note to Buffy fandom folks -- if you wish to link to my Buffy centric posts, you may. Just not the ones with personal content intermixed. A couple of caveats though, I'm not interested in fighting with shippers. No tolerance for it. The following is my perception of the comics. I'm sure others vary. I won't fight with fellow fans on it. No patience for it. If you hate the comics, think comics are beneath you, or hate any of the characters? Go away. Shoo. No patience for that either. Been feeling crappy lately. Please be respectful of my blood pressure. Thank you muchly. ;-)]

So I've been making my way through the Season 9, Buffy and Angel comics. Not reading all of them.
Skipped over a couple. But, the ones I read were surprisingly good. Exceeded expectations. After the disappointment of S8, I had left the comics far behind. But found a few panels online by accident a week or so ago, and got sucked back in.

The writing and art has improved.

1. Buffy S9 - Welcome to the Team - Vol. #4 focuses on Buffy being approached by Illyria and Koh along with the Magic Council guarding the Deeper Well, to fight Severin, and more importantly protect the Well from Severin.

spoilers )

2. Buffy S9 - The Core -- focuses on Buffy and Willow trying to save Dawn, while Xander attempts it as well with Severin and Simone, resulting in a potential apocalypse. There are some interesting sight gags in here and metaphors. spoilers )


3. Angel and Faith Season 9, Vol. 4 and Vol 5 address the same ideas but in a different way. I actually liked these two stories better, the writing is more on target, as is the art. (Chris Gage and Rebekka Issacs. Note the actors get to approve their likenesses in the comics. Isaacs notes how she had to provide a sketch for Marsters approval. And in one of the Q&A's someone asked that and yes, they do, if they were contract players and it is a clause in the contract. They also get a percentage of the royalties on anything carrying their likeness. Which is why you got to be a bit careful about making money off of fanart.)

Anyhow, this story focuses on two things, similar in a way to the Buffy comics. It focuses on resurrecting Giles, as Buffy is trying to save Dawn, and in preventing someone from unleashing a magical plague using the magic they are trying to use to save Giles.
Spoilers )

The over-arching them of the Angel series is the same as the Buffy one, it's our connections to each other that matter. It is also the them of the Spike Limited Series. The families we build, the friends we make, the people we care for and about, this matters.

A comforting sentiment in troubling times.

Anyhow as you can see from the above, I was pleasantly surprised by these books and devoured them in one or two sittings. Loved them to pieces. Highly recommend.

Although it does help if you like all the characters and like the Spuffy ship.
shadowkat: (Default)
Well, I flipped from Romance Novels (finally got burned out and sort of fed up to be honest), to comics -- this round the Buffy Comics. Last round it was the X-men comics. Thinking of reading "The Book of Dust by Philip Pullman" at night, because I'm not supposed to looking at blue screens prior to bed. I'm reading the comics on my spanking brand new Amazon HD Fire. It's perfect for reading them, although I get annoyed at times with the guided method -- have to do it, the print is too small for the regular. And really annoyed by all the frigging ads. Amazon - really? You're motivating me to buy another ipad, and I don't want to.

1. What I just finished reading?

Buffy S9 Freefall Vol #1 and Buffy S9 - Apart of Me".

Apart of Me is better than Freefall, which has a lot of meandering about and expository stuff.
Both focus on Buffy struggling with the events of S8, and the end of magic. Also, once again she's trying for a normal life -- you'd think she'd realize by now that having a witch, a vampire, a magical sister, as friends and family would sort of contradict that possibility. But no.

My difficulty with this bit of storyline is it feels repetitive like Whedon is treading over old ground. A problem I've had with Whedon's writing of late -- he keeps going over the same territory.
The first issue of Freefall is written by Whedon, and the second one is co-written by him. Jeanty's art, to be fair, has improved, or they've hired a better inker and colorist? I'm thinking the later.
Comics is a collaborative art form for the most part (unless you are Frank Miller or Kate Bechdel and do both the art and the writing yourself, and don't color anything in). I like the more collaborative works to be honest.

I could tell when the artist changed, and I liked the new artist a bit better. What can I say? I have my preferences.

"Freefall" is the set up of "Apart of Me". And the story syncs rather well with the Spike series that immediately follows it. Buffy and Spike much like Angel and Faith, their counterparts, are struggling with the same things. Spike wants a home and family, connection. Now that he has a soul -- he desires it more than ever. I can't help but think he yearned for it without one. Buffy also wants this in her own way. Buffy also is struggling with what she did -- she feels ending magic was the right thing to do, but it hasn't made the world better, exactly, just different. The problems are different ones. This is a nifty commentary on the theme -- that no matter what you do or where you go there you are..or rather, you can't fix the world or save it, you can only fix a few issues at time. No one can play god. And when you use power -- in this manner, it will blow up in your face, because you can't see the bigger picture. All you see is this one spot or one thread in the tapestry -- so how will you know that pulling a strand may unravel it or change it into a way you never intended. People who think there is no pattern to the universe are rather arrogant in a way, believing that what they see or perceive is all there is. It's not. There's more. I think the writers here are intuitive ones, in that they write to figure things out, not because they know it. They try this and they try that..and think whoa...didn't know that., alrighty then. Which may be why I find there stories appealing?

Anyhow from a plot standpoint? spoilers )

2. What I'm reading now?

Spike - Into the Dark -- Season 9 miniseries. (I have a feeling the spin-offs and miniseries didn't do as well as expected, so they brought everyone back to home base and gave up on it? You don't see as much of it in the later two seasons.)

This isn't bad. It's about Spike finding out about the shards of the seed that everyone is hunting, and returning to the Hellmouth in Sunnydale again. Also realizing he needs to be connected to someone.

3. What I'm reading next?

Probably Buffy S9 - Core. Then S10 again, because I'm not crazy about S9. There's more volumes in 10. Nine was a shorter season and struggled apparently.

Whedon is apparently coming back along with Jeanty (oh joy - not) to write S12, which I may skip. Since he wants to hook it up with Fray. I don't know why. I disliked Fray. Keep the two separate please and let Buffy have her happy ending.
shadowkat: (tv slut)
So, I read Volume 1 of the Buffy Comics Season 10 by Chris Gage, Nicholas Brendan, and Rebekka Issacs -- this was the arc involving Dracula, reintroducing Giles, who apparently was resurrected by Angel and Faith but as an adolescent, and the idea that the Rules of Magic are being rewritten.

I found the story compelling enough to well...not only continue, but by some back issues to figure out how we got here. Sigh. Down the comic rabbit hole again. I can't focus right now, stressed out and frustrated, also exhausted due to lack of sleep, and beating myself up over it. There are people far worse off than I am, why can't I step up to the plate? I'm extremely good at beating myself up over shit. I have multiple trophies.

So, since I'm back on a Paeolo Diet, which is highly restrictive, and off sugar and chocolate for the most part. Along with dairy, soy, legumes, and grains. I need comfort food. Preferably food that requires little focus -- hence comics. I like Buffy. It's among the few franchises that I liked all the characters in. The only character I'm not crazy about is Andrew, but alas, he's there -- at least he's more tolerable in the comics -- mainly because I can apparently tolerate Andrew more than the actor who portrayed him. (I know there are people reading this that adore Andrew, and that's okay. I like characters you hate, such as Spike and Xander and Willow and Dawn.)

It's become character centric again -- even better, it's addressing unresolved issues from the television series. Which I need to be resolved, and fanfic wasn't doing it for me. Now I'm getting sucked in again -- this means I may actually read people's fanfic on Buffy/Spike/Angel etc again.

somewhat spoilery review of Buffy Season 10 - Volume I )
shadowkat: (Default)
1. Saw Lucifer -- while Tom Ellis was extremely hot in it and the story for the most part was really interesting, particularly in regards to Lucifer and his relationships, and motivation.

I find Welling's Pierce extremely vomit worthy and unwatchable. I don't know why. And fast-forwarded through most of his scenes. I don't know why he makes my skin crawl but he does, he didn't when he was playing Superman in Smallville, but he does now. I can't watch him. It's not as if I'm a Chloe/Lucifer shipper -- I'm not. Frankly, Chloe has been annoying me lately -- she's extremely dense. Also, I've realized I don't like Pierce with anyone and his scenes with Chloe make me cringe. This is a problem or will be a problem if the series doesn't kill him off and soon. We only have two episodes left, I think? So not a lot of time. Shame, I like everyone else, except when they have scenes with him.

On the other hand, it's possible ...Spoilers and continued rant on dislike of Pierce/Welling )


2. Tired. Have been sleeping poorly. Averaging about 5-6 hours of sleep a night, which is making me cranky. Culprit? Dreaded heat flashes and nightsweates which either keep me awake or wake me up in the middle of the night. Also allergies.

Climate changes haven't helped. Since arthritis is acting up, I think. My right knee is bothering me and my lower back. So, I'm irritable.

Also buried at work. But doing one thing at a time. It's actually better when I'm busy, when I'm not I get antsy and anxious. I don't handle boredom or down-time at work well. I'd rather have a lot to do. None of it is overly stressful, since none of the projects are political. Which means management leaves me alone for the most part. Management doesn't handle stress or politically sensitive projects well.

I've come to the conclusion that most human beings do not handle the following well: fame, excessive wealth, and power. Seems to be toxic to the human consciousness.

3. What is in a name?

Not a hell of a lot. Read more... )

4. Resisting the urge to do a Buffy/Angel rewatch. When in reality, I just want to watch certain episodes featuring Spike and ignoring others. Like all television series, Buffy and Angel had episodes I loved, and episodes that made me want to run from the room screaming or with an odd desire to hunt down the writers and either strangle them or shake them, asking repeatedly "what were you thinking??"

In the case of Buffy, I remember getting annoyed and a tad disappointed half-way through S6, when I figured out where they were going and had really hoped they'd do something else. Read more... )

The other shows I'm resisting the urge to watch are Gilmore Girls and Dawson's Creek (which I didn't really watch when it aired, because it irritated me). Also it's not like I don't have enough television to watch. Barely getting through the shows saved to my DVR, and haven't made it to the one's on Netflix.
shadowkat: (tv slut)
1. Hmmm...I knew some of this, but not all of it: Dark Secrets of Buffy the Vampire Slayer and Angel.

And.. 15 examples of behind the scenes drama from Buffy


2. I need to write a bit about this, but I am aware you may not want to read it. So behind a cut it goeth...

But first a few links:

* Buffy and Consent Issues - the Episode Seeing Red

* James Marsters Tells The Story Behind that Buffy Scene that Made You Hate Spike - The Mary Sue

* The Buffy Episode that Changed the Way we talk about television

And in another post I already, provided the Dragon Con bit where James Marsters explains how filming the episode drove him into therapy and almost made him want to commit suicide by concrete. Along with a Q&A clip where Marsters visibly shudders when another actor discusses playing a rapist. [It's about two or three posts prior to this one.]

My difficulty with how rape is depicted in film and television and the consequences of how it is filmed. )
shadowkat: (Calm)
1. Weekend Television )
2. The whole bit about a Soul and Spike has come up on LJ again via [livejournal.com profile] rahirah, who has some interesting things to say about it, and I sort of agree with. (For example, it's pretty clear I think that any theory expressed by the Watcher's Council or Giles can be summarily discounted as hogwash, mainly because the writers go out of their way to either make fun of Giles/Watcher's Council, contradict them, or demonstrate how silly it is. [Consider how many times Giles was knocked unconscious prior to providing information, and how often his information backfired on him. Similarly, Wesely's information was often wrong or back-fired on him.] This is a standard theme in Whedon's writing - any rule provided by an authority figure is circumspect and should not be trusted. Whedon has serious issues with authority.) That said, I looked at it a little differently than a lot of folks appear to or examined it differently.

Below is the essay that I wrote examining the meaning of a soul and the writer's intent regarding it in Buffy The Vampire Slayer/Angel the Series.

Soul Metaphors in Buffy the Vampire Slayer and Angel the Series )

3. Distinction between Sympathy and Empathy. [I'm wondering if the writer's intended unsouled vampires to express sympathy, and souled to express empathy?]

Go here: https://www.youtube.com/watch?v=1Evwgu369Jw
shadowkat: (warrior emma)
1. Empire Magazine's 500 Greatest Films of All Time - is a fun little quiz to take - check to see how many you've seen. I've 370 of them or 75%. I also don't agree with a lot of the choices on the list.

Honestly, as much as I enjoyed the Star Wars and Indiana Jones films, the only ones that belong on that list are Star Wars - New Hope, Star Wars - The Empire Strikes Back, Raiders of the Lost Arc, and Indiana Jones and the Last Crusade. All the others? Not so much. And seriously, "The Transformers" , "Grease", "Superman Returns" and "Batman Returns"??

Also where are "Peggy Sue Got Married", "Body Heat", "Beckett", "A Lion in Winter", "Guys and Dolls",
"West Side Story" (yes, Grease made the list but not West Side Story), The Good, the Bad, and the Ugly, Red River (which is actually a better film than The Searchers), Strangers on a Train, Shadow of a Doubt, and they ranked Howls Moving Castle above Spirited Away???

2.) Hmmm, was reading [livejournal.com profile] londonkds's posts on songs that fits Buffy villains, and he chose a rather good one for Spike S2 -Till the Following Night" (properly titled "Big Black Coffin", until the record label objected) by Screaming Lord Sutch and the Savages. .

So I was thinking, in regards to Spike, who seemed to become a different character for each season of the series, what songs would fit him for each season?

* S2 - Till the Following Night by Such and The Savages is perfect. (or I can't come up with a better choice.)

* S3? (Lover's Walk) -- I'm thinking a ragged breakup song -- going with Billy Idol's White Wedding.

Vid of Spike with White Wedding )

S4 Buffy and S1 Angel? Dancing with Myself by Billy Idol

Spike Dancing with Himself - S4 )

S5? The Ramones - I Wanna Be Sedated

S6? Two possibilities:

* Florence and the Machine's "A Kiss with a Fist"

video of Buffy/Spike with the song for S6 - a Kiss with a Fist )

or

* Bad Romance by Lady Gaga -- but sung by someone else.
Spike Buffy vid with an interesting rendition of Bad Romance )

Personally, I'm swinging towards Kiss with a Fist.

S7? - Pavlov's Bell by Aimee Mann

Pavlov's Bell

Angel S5? -- My Way by the Sex Pistols

see vid )

or maybe...

Carry on My Wayward Son by Kansas

What do you think?
shadowkat: (warrior emma)
This is part of the January Talking Meme - which I decided to do on a whim back in December. There's still a lot of dates available, if there's something you want to ask and have me write about - or you want to see if you can "stump" me (ie, ask something I can't write about)...now's the time.

January 20: [livejournal.com profile] rahirah asks What inspires you to write meta about a book/movie/show?

This is a hard one.

Short answer? I honestly don't know.

Long answer: If I'd have to hazard a guess, which I sort of do, usually it's something that hits a chord inside me or resonates on some weird deep internal and indescribable level. It's more emotional than mental. I have to be passionate about whatever it is.

But this gets back to a much broader question -" why I'm driven to write to begin with"? Which actually lies at the heart of it. What inspires me to write about things that I do not have to write about or am not assigned to write about? my somewhat rambling attempt to answer this question and more or less figure out the answer for myself )
shadowkat: (Tv shows)
As you already know, I have stepped away a bit from the Buffy fandom, but I did read this essay by the writer Foz Meadows - Buffy and the men in her life. Which to be truthful is actually more of a comparison piece of Spuffy vs. all of Buffy's other romantically inclined relationships. I read it mainly because I'm stuck in my apartment with a broken foot and don't feel like getting up and fixing breakfast, which I know I should do. Maybe I'll just combine lunch and breakfast - and that way I only have to get up once.

What is interesting about this meta, although I prefer the word essay for various reasons, is the following paragraph:

[Eh, prior to this paragraph, foz meadows establishes how Riley, Xander, and other characters that are considered good are never really taken to task for their actions nor shown to redeem themselves. In particular Xander. And it occurs to me that this essay should come with an advisory to Xander fans - Foz Meadows clearly doesn't like the character that much. I don't know why this is...but it is rare to find Xander fans who like Spike and vice versa. You will find Xander fans that are ambivalent about Spike or found him interesting on a certain level, and well vice versa. I'm in that category. But fans who "love" both? Or consider both favorite male characters? No.]


There is, I suspect, a rather awful reason for this – and, indeed, for why Spike alone of all Buffy’s lovers and love interests accepts responsibility for his actions. It’s all down to narrative impetus: we, the viewers, are meant to sympathise with Xander, just as we’re meant to sympathise with Angel and Riley. At base, we “know” they’re all good guys, and as such, their contrition is implied. We don’t need to see them apologise, because the surrounding story is structured to suggest that they’ve already been forgiven off-camera. But Spike, by contrast, begins as a villain. His developmental arc is the most dramatic and varied in the whole show, culminating in a radical heel face turn at the end of S6. We need to see his redemption, because otherwise, there’s no reason to believe that it’s taken place – and to an extent, this makes sense: if the audience can reasonably infer that something has happened, then it’s a waste of script and wordage to insert it. The problem is that, if the good guys never apologise on screen, then their goodness is called into question – which is why the most fucked up relationship in the whole show is simultaneously the most equitable. Neither Buffy nor the audience can assume anything about Spike’s intentions that we aren’t actually shown, and as a result, he has to work the hardest out of anyone to be seen as good.


This fascinates me as both a writer myself, and a critique of a narrative structure or style quite common with television and comic book writers of my generation. The next generation of writers, I've noticed, is sort of breaking with this pattern. And it is admittedly not all of them. It also underlines something that has been needling me about Mutant Enemy's writing in all of their series, in particular Whedon. This tendency to take it on faith that if a character is "good" - they can do horrible things, but the audience forgives them without requiring the audience to necessarily witness apologies or redemptive acts. Or you can just blame it on the drugs, the booze, or they just weren't themselves. The writer's seem to stop just short of examining why the character did it and the character's actions.
Read more... )
shadowkat: (Calm)
I was going to entitle this entry shipping the bad boy, but when I thought about it, I realized I don't really see Spike that way, even though most people do. Regrettably. And while it is true that most of the characters on Buffy or any well-written television serial are controversial...my experiences shipping a controversial character that split the online fandom associated with the show he was in, begun and ended largely with Spike. Unlike many people on lj, I'm not a cereal fan - I don't jump fandoms. And I've only really been in one. One from my perspective was more than enough.

This should go without saying, but I'll say it anyway just in case, everything I post within this entry is opinion, none of it is factual and it is based solely on my perspective. I can't speak for others, only myself. I've done polls on shipping Spike, recently in fact, and yet, I feel they are largely inaccurate. Can I really state with any certainty that the majority of Spike Shippers are female and over the age 40? Just because one poll provided that result? No. Polls, all polls, specifically those on the internet provide little truth. Just conjecture.

I can't remember when I started shipping Spike to be honest. At the moment it feels like frigging forever. The character is so ingrained in my psyche. Even before the show aired, I had character tropes similar to him in a book that I'd written. Ambiguous snarky male characters that stepped out of the dark shadows of a noir gothic novel or mystery.
Edgy. Reluctant heroes. Male hookers with hearts of gold.

I do know that when I ventured online to join the Buffy fandom and discuss the show on fan boards - I was shipping the character pretty hard. And back then, as cliquish as fandom was and still is, it was easier to join the public spoiler boards. The character specific boards that were more tightly monitored required networking to get in. I know I remember investigating a few. If you didn't know the posters, you were ignored or pushed to the curb. BAPS and Sunnydale U were definitely like that. The public forums were easier in that regard. But they weren't in another.

Shipping Spike - long post on shipping a controversial character in a fandom )
shadowkat: (work/reading)
Yes, I know, I'm boring everyone with my weird obsession with the 50 Shades of Grey popularity. Which I wouldn't have known about if it weren't for livejournal, so you only have yourselves to blame. (Over 200 people showed up for the book signing in Miami.) But there's a reason for this obsession. a) I'm a frustrated writer trying to get published, and like my father, I like to figure out what works - why people go nuts over one book and not another (my father literally read every best-selling mystery novel out there - binge reading runs in our family), and b) frustrated social psychology major. (hello).

Have figured a few things out, now that I'm a third of the way through the second book.
Read more... )
shadowkat: (chesire cat)
This is a Spike Shipper centric Poll. So if you consider yourself a shipper of Spike, the vampire, in Buffy the Vampire Slayer and Angel the Series, along with the comics, please take the poll. I'm trying to get a feel for the Spike shippers in fandom. Granted, there's a sampling error of 10% or higher, since not everyone will take this poll.

I'm curious to see how people who love the character of Spike, ship the character and view him. Do you read fanfic? Do you write it? What fanfic do you read and/or write? Do you see him as a glorious evil badass or the romantic poet? Soulful or Soulless (albeit I didn't put Soulless - I put Ambiguous). What are your views? I know mine. I want to know yours.
Hopefully more than one person will comment. Be awfully embarrassing if no one does.
Polls are tricky that way. They are only interesting if people take them.

Spike Shipper Poll - 15 Questions in All )
shadowkat: (work/reading)
[This thing is chock-ful of typos and I'm too bloody tired to proof or edit it, so...I hope you'll forgive me. I'll try and edit it tomorrow. Okay it is tomorrow, later tomorrow. ]

I am irrationally attached to your characters. There. I said it. I’ve reached a point where even if I don’t like everything a work of fiction does, I believe the characters enough to the point where I almost react to them as if they are real people. Do you know this feeling? It’s where a show or a book can fuck up and do some ridiculous plot you hate and you don’t care about but you still watch or read along because their faces and I just want to hold them all so tightly. - Mark Watches regarding Buffy the Vampire Slayer TV Series third season episode "Lovers' Walk".

http://markwatches.net/reviews/2012/02/mark-watches-buffy-the-vampire-slayer-s03e08-lovers-walk/

I don't know if this is true of anyone else. But every so often I will run across something said in a book, a post online, a blog, an email, or a tv show that sort of states clearly and succinctly what I've felt, but didn't quite realize it. It's obvious of course when I read it. And I think...yes, THIS, exactly.

Today, I came home and scan read this week's Entertainment Weekly, which had a lengthy article entitled Shippers. And it talked about how people become obsessed with relationships or characters in a television series - specifically in relation to the Twilight books (which turned shipping mainstream even if it existed long before that) and television series such Castle, Bones, Supernatural and The Vampire Diaries (four shows that I don't really ship anyone in and of the four, only one that I'm still watching.) Apparently David Boreanze (ex Angel, now Booth on Bones) has become a "mainstream" shipper icon thanks to Buffy, Angel, Bones, and the fact that he is 6 foot with chiseled model good-looks. (Which probably means James Marsters is the icon for the cult underground shippers like myself...I never did like the popular boys. Geek may have gone mainstream, but I haven't.)

And of course...there's my past history with tv shows and books or stories in general where I've fallen head over heels in love with the characters. I could care less about the writer - some nasty god or goddess who takes the characters in directions that do not always meet with my approval. I've been known to write better and more interesting outcomes for my beloved characters inside my own head.

Breaking the Fourth Wall or Die Writer Die, When Characters Become More Important than the Writer, contains spoilers for Sherlock Holmes novels, Star Trek Next Generation, Buffy, Angel, and the first version of Battle Star Galatica, also mentions Star Wars. )

Off to bed. I've got a headache. I think I've been writing too much this week. None of it creative writing. I miss that. And it boggles my mind when people tell me that they need internet programs to get themselves to write daily - at least 750 words a day. I think - if you need someone or something to make you write, maybe you shouldn't be writing? Life is to short to make yourself do things in your spare time that you don't enjoy. I love writing. I write better than I breath, unfortunately this is very true. Be better health wise and spirit wise, not to mention for sleeping and singing, if I breathed better. I don't need writing courses, I need breathing courses and singing courses...I've decided I'm going to try to learn how to sing. It's never too late for that? Right?

[This post was edited this morning. I added a few bits and corrected things. Such as Rechenbach Falls.]
shadowkat: (chesire cat)
1. Well...they turned the air on at work, so it's no longer 81 degrees and I no longer have to run the small desk fan (although I think I inadvertently left it running on Friday). Also my allergies have cleared up - combo of changing allergy meds from zyrtec to allegra, and spending three days away from the work environment. So no bronchitis and no longer sick.

2. Out of curiousity, checked out Mark Watches...I do that from time to time...
and the problem with it, is, I feel this overwhelming desire to drop evil snarky misleads. Anyone else feel this odd compulsion? Just me then. Felt it with Game of Thrones and Hunger Games too. All his predictions are so far off the chart - it's hilarious. I'm tempted to pop back in and read his two-part review of Becoming - it's going to blow this poor boy's mind! OTOH...admittedly, it was impossible to predict Spike's arc in S2 or any season for that matter. Actually Spike was guaranteed to throw everyone off - mainly because the character simply refused to do what the writer planned, so the writer often had no idea going into any season what his arc would actually be or how it would play out. It got very hard to accurately spoil that series because of well, Spike. Talk about your Trickster characters. Spike was the ultimate Trickster - he actually played a number on the writers. The perfect metaphor for free will vs. determinism.

Whedon's discussions with his Trickster character Spike )
I love it when a character plays havoc with a writer's brain to the extent that he or she almost takes over, it's pure magic. It also makes a story highly unpredictable and sort of realistic. One character can change an entire story, throw it into all sorts of wonderful directions. One tricky character that the writer didn't see coming. That's why when I read Mark Watches review of School Hard - I burst out laughing. Dude. Game-changer?? Talk about understatement. You've really got no idea!
shadowkat: (River  Song - Smiling)
Sometimes I wonder if it is safer to ship in private? To love a specific romantic relationship between two decidedly fictional characters without a soul knowing. Used to be that way up until...roughly 2001/2002. And I wonder sometimes if that makes more sense. Over time, I've found that it is easier somehow to defend explain why I love the fictional characters that I do without too much sturm and drang, but discussing fictional relationships specifically "romantic" ones is another matter entirely. One thing is clear, it's best if you do not care what others think or can shrug off their opinions - something I've found is a lot easier said than done.

And people do have such strong opinions on fictional character's romantic relationships (short-hand? Ships) particularly regarding thos romantic relationships that make them see "red" or that they despise, although often they usually aren't that straightforward regarding it. It's usually a barrage of moral out-rage or turpitude that anyone could possibly think XYZ and ABC could be happy together.
Read more... )

Why do I like the fictional romantic relationships that I do? I'm not sure I know or that it is necessarily important that I do. Some things are unknowable after all or should be. I know that my tastes change like the wind.

But I do know... that there is a pattern in the "fictional" relationships that appeal to me...and the is the gender power-play. Two people struggling to come to a common place. Equals. In power. In view. The push-pull. The banter. But mostly? It's the feeling of two people who are equally matched. They've met their match, their equal. No not soul mate. Not that. More someone who gets you, who understands your values, not your interests, but what means the most to you, what you would die for, what is the most important thing to you. Who knows your weaknesses, your triggers, and what
makes you tick...yet is your shadow self, the other side. The complement. The yang to your ying. I look for those relationships in fiction. The other bits whatever they might be are just gravy, sometimes lumpy and unappetizing, and sometimes perfect and rich.

Favorite Romantic Ships include.

*Buffy and Spike aka the all too controversial Spuffy )

*Starbuck and Lee Adama )

*Aeryn Sun and John Crichton )

*Doctor Who and Doctor Song )

* Mr. Darcy and Miss Elizabeth Bennet )

*Lymond and Phillipa in the Chronicles of Lymond, last three books of the series. )

Romantic relationships...are in the eye of the beholder I think. For me...they are brilliant dances either in words or bodies across the screen or page. Carey Grant forever bickering with Rosalind Russell and Kate Hepburn, or John Wayne fighting with Maureen O'Hara...or the frenetic dancing of Bernado and Anita in their playful song America. Filled with color and contrast, not simple, not clear, and always surprising. The conflicts more internal than externalized, no Romeo and Juliets...more Helena's and Demetrios or better yet? The lovely lead in Twelth Night who dresses as a boy and romances her erstwhile Lord, while wooing his lady-love. Or Benedict to his Beatrice.
The words matter. The ability to converse. To speak. To banter. To talk forever and a day. I can't imagine a relationship lasting longer than a few moments without the ability to talk and converse. To meld minds. As Spock might say. The physical after all is fleeting, we all grow old, our bodies all wither, vampires we aren't, gods nor zombies neither...just frail bits of flesh and bone..and if we can't speak, banter, converse, meet on the mental level and the level of the heart...where are we?

For me...it's always about the words. The dance of quips. Spike and Buffy who start their relationship exchanging quips and insults. Dancing with words, then dancing with bodies. Aeryn and John who argue philosophy. Eliza Doolittle says don't speak, show me, yet...if she didn't love words, she'd love Freddy not Henry Higgins, ass that he is. Even Starbuck and Lee with all their physicality, are about their words...their hearts on their sleeves as they scream them to the universe.
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