shadowkat: (brooklyn)
Saw The Kite Runner on Tuesday night courtesy of Netflix, who has now sent me the first two of the four discs in the Dexter S2 Series. They've suddenly become available. YAY!

The Kite Runner is a lot like the book, in which it was based. It's a tale of two boys and takes place mostly in Afghanistan, briefly in San Francisco, and briefly in Pakistan. The story is also told mostly in the language of Afghanistan, with English subtitles. All the actors are natives of Afghanistan. The music was created by an Afghanistan native - who currently resides in New York and is a friend of my pal Wales.

It takes place in the 1970's much like Persepolis does, then flashes forward to 2000. Showing the political upheaval of those times, when Afghanistan went from a fairly properous country to a dirt poor one. Trees mowed down by Russia, and then of course the fascist and religious fanaticism of The Taliban.

But the tale is mostly about these boys and the relationship between them and with the father, Baba - a courageous and proud man. And it is about kites - which are used as metaphor for the friendship of the two boys.

I was admittedly less than crazy about the book. It felt a bit too neat or conveinent in places. The ending especially felt a tad contrived almost to the point of being cliche.
But there was something about it that continues to haunt me - besides the fact that it is well written and has a certain poetry that one does not often find. It is the relationship between the two boys. Hassan and Amir. Hassan is Hazara - a race in Afghanistan that is considered servant class or lower. You cannot rise up from Hazara. He is the son of one of Amir's father's servants. At the age of 12, Hassan can neither read nor write. Amir is a writer. Both boys are the same age. And while very different, they are inseparable. It is clear that Hassan will do anything for Amir - including eat dirt if Amir told him to. "But you never would?" Hassan says. "No," says Amir. Amir is non-violent, considered cowardly by his father - while Hassan can stick up for both of them. Often using a sling-shot to hold off the stronger bigger boys. But Amir can tell Hassan stories and reads him tales beneath a tree. The first half of the story is about these boys, their bond. It centers on a Kite contest, where you cut as many kites as you can, and chase down the cut kites. Hassan is a Kite Runner, he chases down the kites. But he rarely has to run very far, he just knows innately where they will land. During one of these contests - something happens that changes the relationship between the two boys forever. What happens is horrific. And is an interesting study in how we handle shame, guilt and betrayal. Why the story haunts and what makes it interesting - is the pov is not on the boy who was betrayed but rather on the boy who betrayed him and how. It is a story of redeemption and it is the redeemption that feels a bit contrived but does not take away the examination of the guilt and shame that haunts someone who has made an understandable yet horrific mistake and can't quite find a way to make amends.

If you get the chance I recommend reading the book over the movie, because the book like most books is far better. But the movie works just as well.

[As an aside - they've done something interesting - regular people as in non-politicians or celebrities are getting up to speak - or rather the delegates. Just listened to a life-long Republican and Retired Nurse from North Carolina, who admitted to voting for Nixon, Regan, and both Bushes, but is now voting for Barack Obama, because she cannot afford 4 more years..of this.]
shadowkat: (Default)
Per Wales suggestion, I watched BooK TV on CSPAN this Sunday - Khaled Hosseini, the writer of The Kite Runner gave a brief talk then answered questions from the audience. The talk was mostly autobiographical - he told us how his family fled Afganistan in the early 1980s, just as the Soviet Union was invading. Which was rather interesting, I suppose - but depicted far better in his book. After all if writers could just tell you their stories, orally, what would be the point of writing fiction about them? The Kite Runner is a fictional novel, but like all the best lies, (yes, all fiction is lies told well, no one ever told you that? Course I'm equally skeptical of non-fiction, but that is another story) is based on kernals of truth. There is something to be said for writing what you know. IF you attempt to write what you know nothing about, do no research, and just whing it - people will see through you. They'll see the lie. If you don't believe in your story or your words who else will? If you don't know all the ins and out of it, the twists and turns, then the reader/listener will see through you. (Sorry tangent, plus overselling my point again. Smacks self.).

But what stuck in my head, were three things Khaled said during the Q&A period.

1. In response to a question about the meaning of a pomegrant metaphor in The Kite Runner:

I've been reading a lot of fiction lately, partly as a response to reading so many medical texts to become a doctor. It's almost a relief to be able to get back to it. At any rate, fiction is an interactive experience.
You are seeing the actions of the characters through your own point of view. And the metaphors.
Whenever I think about asking the author about a metaphor, I decide not to, hesitate, because I'm a little afraid of his answer. That he'll say something like "oh I just came up with it watching someone eat a pomegrant on the subway and thought it looked cool." Most of the time the author may not know what he meant or intended let alone remembers. So asking them, takes away from my experience with the book. I'm disappointed. So, I've learned that I really don't want to know. So to answer your question - it's what you thought it was. That's your experience - reading the novel. (Not exact, the gist - I can't transcribe worth shit but that's the kernal of what I remember)

2. In response to a question about his novel becoming a movie:

I've seen the script and it was rather good. But I was astonished how much of the book didn't and couldn't make it into the film. But as the filmmaker told me, Mr. Forrester, "The adaptation process of novel to movie is a lot like vandalism. You have to vandalize the book in order to make a movie out of it." Not all of it can go in.

Interesting...

Still fascinated by Lost - each episode is better than the last one. This week's focused on two of my favorite characters, Jin and Sun. It also introduced a couple of new characters played by actors who are long-time favorites - Cynthia Watros and Michelle Rodriquez (also seen in episodes 2 and 3). Lost was in desperate need of strong female characters and it's gotten two in the form of Watros and Rodriquez. Two actresses who are good in just about anything they pop up in. I adore the format of Lost, the flashbacks that tell me why the characters feel the way they do, and the feeling that each character is struggling to figure out who they are and how they fit in.

[livejournal.com profile] hankat said an interesting thing about the character Lock in her journal, which I identified on a personal level. She stated that Lock seemed to be convinced he was found, and wondered how many times he had to utter, but this wasn't supposed to happen this way until he realizes that he needs to find himself and it is a continuous process. I went, oh, yes, now that's interesting.

A note on my interest in Lost, I'm not interested in the plot points or metaphors so much as the characters and their journeys. I don't tape the show to rewatch and remember very little of the smaller details. I just watch enthralled with the characters and their emotional journeys - which I currently identify with. The other reason, I adore Lost is that it is an ensemble show. There is no true lead. This past week, we got no more than brief cameos from Jack, Lock and Kate. And it's clear that any character could be offed at any time. Also, I more or less enjoy all the characters.

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