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[personal profile] shadowkat
Well I downloaded Firefox and it still didn't block the pop-up ads. I also don't like how Firefox is setup. Too use to Windows Internet Explorer...evil, but comforting.

Curious about something - it's a general question, well sort of - to all who read this:

How much importance do you place on awards? By that I mean - not how much you place on getting them yourself, but how much you place on choosing to see a film, watching a tv show, or reading a story or book or something on the internet based on awards it has received?

For example:

Do you choose to watch a tv show because it won an Emmy? Or do you care?

How about a movie - would you go see a movie just because it won a bunch of awards? Would you decide to go see AVATAR if it won best picture?

What about books? Would you be more likely to read or buy a book if it won the Booker, Pulitzer, National, Hugo or Nebula book awards?

Do you choose fanfiction or metas based on the rewards they get? Or just recs?

How about music? If an album wins a Grammy - would you be more likely to listen to it?

Or does it matter? Really?

I'm curious. I know if a film, book, tv show, or piece of music wins an award it is more likely to get distributors and have a bigger marketing campaign, also the creator is more likely to get a second deal or get it extended in print or if a tv show, another season.Mad Men for example got reknewed based purely on it's critical acclaim and awards at the Emmy's and Golden Globes. It was not based on ratings, which are below most tv shows. Few people actually watch Mad Man. It has a nitch audience.

So, my question is - what is the importance to you, personally, regarding awards?

I have mixed feelings myself. I want them of course, only human. But time and experience have taught me that taste is subjective and often fickel. And most things put in competition against each other, are well, a bit like holding a competition with fruit - which is best: the apple, the grape, the orange, the banana, or the nectarine? Personally? I'd say the apple, but it depends on my mood. Can you really compare films like Avatar, Up in the Air,
Precious, Broken Embraces, Nine, Up, Inglorius Bastards, and Coraline? They are vastly different films. Or what about Lawrence of Arabia vs. To Kill a Mockingbird? In music - Taylor Swift vs. Lady Gaga??? I mean, come on, that's like comparing Kris Allen's folk/country to Adam Lambert Glam/Soul/Rock - waite they did that. Or how about Catherine Valente's Girl Who Circumvented Fairyland ( a web book) vs. Joss Whedon's video musical Doctor Horrible's Sing a Long Blog? (I can't imagine a contest that actually pitted those two vastly different creations against each other, but it happened.)

In sports - it makes more sense. We pit athelets of similar skills against each other. Skiers against Skiers, figure skaters against figure skaters. Even break it down into specific categories...so that downhill skiers aren't competing agains mogules. Or figure skaters aren't competing against speed skaters. But the arts for some reason...tends to be harder.

I don't know. I know that I will often pick a book or piece of writing that has won an award over one that hasn't. I read Bone People because it won the Booker Prize. And I've seen films that I knew were nominated for an Oscar, because they were nominated. (Since grown out of that practice, Titantic and Ghandi sort of killed it - both won, and both bored me.)
So, I guess in a way I do pay attention - out of curiousity. And like all creative people, all people, I like the recognition. Having won few awards in my lifetime - it does make me happy when I do. But I still wonder...how much importance do we place on it?



On an entirely different topic...rewatched last year's Lost season finale last night. Whoa.
That is one amazing episode. I may have to write a meta on it yet. I particularly love this exchange:

After much pain and suffering, and bad deeds, anti-hero and tragic figure, Bejamin Linus,
comes face to face with his maker or god, if you will, Jacob...who he's followed, been devoted to, and yet never seen or gotten an audience with until now...and Jacob is still more interested in someone else, or so he appears to be.

Ben to Jacob: What about me? What about me, Jacob!
Jacob: What about you?

It's so perfect. Man rails at the heavens in a narcissitic yell...and the heavens look down and wonder, seeing man as but one thread in an every expanding tapestry filled with many inter-connecting threads, all equally important, and all railing, and smiles...yes, I see you, but if you'd stop whining for a moment, you might see everyone and everything else, which lies around you.

Brilliant episode. Possibly helped by the fact that it focused primarily on Ben/Lock and Sawyer/Juliet - my two favorite pairings, and my four favorite characters on the series.
I adore those four.

This sync's nicely into a rather marvelous series of fanfiction I've been reading. Rarihah's (sp?) or the Barbverse series: Raising in the Sun, Necessary Evils, and Parilament of Monsters surprised me. I had avoided it, because I thought it was babyfic (which I can't abide - seems OOC to me in BTVS). But these three tales aren't. They aren't really Spuffy either, although Spuffy is definitely a component and if Spuffy squicks you like Bangle currently squicks me for some reason (didn't use to, does now - my rewatch last year, including I Will Always Remember You...and the Twilight series via Stephanie Meyer may have something to do with that), you probably want to avoid big time, but...if it doesn't and you are a Willow fan or a Willow/Tara or Willow/Kennedy fan - you want to read this. She explores Willow from just about every angle imaginable, and in a way I don't see very often. As well as the Willow/Tara relationship. Her other characters, with the possible exception of Angel, are handled quite well. She nails Xander and Xander is very likable and caring in this fic.
Not evil or romanticized. (a lot of Spike fic writers have grudges against Xander, she doesn't. I don't like grudge fic , it annoys me.) She also handles Giles well and allows Giles to be a scholar, with an academic interest in vampires. Each character is interesting.
The weakness so far is Angel - who I'm guessing the writer doesn't like and is struggling with. Angel is a hard character to write - because he is so dark and broody and angsty. People either write him like a straight-up hero with black cape billowing a la Edward in Twilight meets Nick Knight in Forever Knight (if those two had a kid and sigh, eww) or they write him as a whiny, egotistical, domineering, ass. Either makes me cringe. Here he falls more into the whiny side of the fence. Luckily he doesn't show up that much, so you can ignore it. That said, this fic is brilliant in how it discusses what vampires are, morality,
and the meaning of souls - I may not necessarily agree, but I am fascinated by the layers.
Highly recommend that you check this out, if you have not already.

As a caveat should state that while I have read quite a bit of fanfiction outside of Buffy and outside of Spuffy, stories that feature Spike and specifically Spuffy tend to be my preference. Mostly because the stupid series did not resolve the relationship in my opinion, or that character's arc to my satisfaction, so I'm still sort of hunting a resolution. See they resolved all her other ones, although they don't appear to think they did or that they audience thinks they did because they keep revisiting these relationships to the point in which I want to grab them and scream I get it! I get it! Now can you tell me what you meant at the end of Chosen, because I want to know if I interpreted that scene correctly and if the relationship is truly over because both characters have moved on, or Buffy didn't really love him in that way and just cared deeply for him as a friend and he's moved on to Illyria, or just over because Buffy thinks he's dead, but if he wasn't.... Thank you.

Date: 2010-02-03 09:17 pm (UTC)
shapinglight: (Default)
From: [personal profile] shapinglight
Well, of course I hope you're right. I'd much rather you and all the optimists were right than that I was.

I just want Spike to matter.

Date: 2010-02-04 02:34 am (UTC)
From: [identity profile] shadowkat67.livejournal.com
I think he matters to the writer whether or not he appears or does much in the comics. ;-) How can you watch the last twenty minutes of Beneath You, which Whedon went out of his way to redirect and rewrite, keeping people late, and with exhausted actors...when he could have just gone with Petrie's original version - and think the character didn't matter? I mean, you're a writer, would you go to all that work for a character that didn't matter? Have you?

The comics feel more like an exploration of Buffy's current emotional state as it relates to female empowerment - or another version of what he just did in Dollhouse. The role Spike plays here has a lot to do with the themes at play here.

That's the other reason I know Spike will play a role here - I just saw all of Dollhouse. Whedon tends to well...follow the same writing road map. ;-)

Date: 2010-02-08 08:06 pm (UTC)
shapinglight: (Default)
From: [personal profile] shapinglight
That's the other reason I know Spike will play a role here - I just saw all of Dollhouse. Whedon tends to well...follow the same writing road map. ;-)

This is something I had noticed. We'll see anyway. In the autumn.

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