shadowkat: (Default)
Been writing funky long-winded posts lately, this is not one of them. Off soon, to meet Wales for brunch or lunch. It's pretty outside. The sky crystal blue, with a glowing sun. And 40 degrees. Nice crisp Feburary morning.

Picked up the last issue of Angel: After the Fall - this week. Issue 17. Don't really see much here to analyze. The Spike/Angel interaction was by far the best part of the issue, and in some respects it reminded me of the series - or rather what I liked about the series.
I do not see myself reading Kelley Armstrong's arc, mostly because I'm not a fan of Armstrong and she's focusing mostly on Angel and Connor, and not really anyone else. Spike won't appear.
Brian Lynch is doing the Spike series, and Angel will make appearances in Lynch's comics. Lynch also is getting input here and there from Whedon, while Armstrong hasn't been in touch with Whedon at all. Armstrong's arc feels a lot like some of the fanfic I've read and I really don't see why I should pay for something that I can get for free. Seems a bit silly to me. But I may try one to two issues. Lynch's, granted, is possibly also fanfic, but I like Urru and I like Lynch's take on Spike. Plus, as you all know, Spike fan - in that I read close to anything with Spike in it.

The other points worth mentioning about After the Fall, issue 17 are:

1. One can't help but wonder if Harmony's Reality Bites, and the sudden sympathy for Vampires was not a direct result of LA's sojourn in hell caused by Angel's relationship with WRH. And if WRH got the last laugh by allowing everyone to remember it.

2. Angel and Spike appear to have come to a sort of mutual appreciation. Spike tells Angel that maybe his destiney isn't pre-ordained, if it were why would WRH have gone to all that trouble? Maybe no one's destiney is? And Angel tells Spike that the nice thing about not being in visions or history books - is no one see you coming, you are always the surprise.
Spike has definitely played that role in the comics and series - a sort of wild card, who changes the hand in which he has been dealt.

3. According to an interview - Lynch sees Spike as hunting for his place in the world and wanting to be in love and being loved. (This actually fits with some of Whedon's writing on the character, although I think he's more complicated than that or the actor and other writers portrayed him as far more complicated than that. Nice thing about tv shows, you get more angles.) Lynch sees Angel as trying to find a way to save people, to help, and to be a better man after his series. (Again, I think the character is more complicated than that.)

Most interesting thing that came out of the comics was point one. Oh and for Connor fans, there is a bit about Connor as well. Also I think Armstrong plans on using Connor in Aftermath.

Watched a few tv shows - not time to analyze or go into depth:

1. Heroes - this show really has jumped the shark, hasn't it? I read what my flist thought about it before I watched the most recent episodes and...they are absolutely right. I'm not sure if I'm going to be able to stick with it or not. I'm finding the treatment of women in the current arc to be a bit...difficult to watch. It's not misogynistic. It's patronistic and chauvinistic. And very Fruedian. At any rate, from what I've seen of the ratings? I think Heroes is dead in the water. If it doesn't pick up more viewers soon - ABC may ax it's sorry butt. And at this point? I'm thinking good riddance. Bring back Pushing Daisies instead.

Vague spoilers for BSG, Lost, Sarah Connor, but not really for Dollhouse )
shadowkat: (Default)
I'm not doing the typical "best" list and some of these shows may have been watched by people earlier than 2008 - because I don't get HBO or Showtime, and if I managed to watch it, it was via Netflix. My list is limited to those shows that aired on standard American cable or received on netflix. I'm also not including any news shows, reality shows, or sketch comedy shows - I already mentioned the election as noteworthy on another post and Tina Fey as Sarah Palin has gotten enough press. Nor am I including anything that started in December - such as Leverage.

Watched far too much tv in 2008, hence the tv slut title. One of my New Year's Resolutions is to watch less of it in 2009, we'll see if that works. Of the many many shows that I watched, here are the episodes/shows that stood out, in no particular order. [Order is by memory, not ranking, because I don't have the patience or time to do a "ranking".]

Noteworthy Shows and/or Episodes

1. Doctor Who - the episodes featuring the character of Dr. River Song and the Library. Both written by Stephen Moffat. They featured perhaps the most innovative villian that I've seen in a science fiction series - piranaha's of the air. You never saw the monster, just what it did. And the fact that it came from or was hatched from trees and books - a nifty twist. This was coupled with a heroine that was in fact a little girl inside a computer. The computer saved people by keeping them inside a virtual yet false reality created by the books in the library. I saw the episodes sometime in April, and they still resonate more than six months later.

2. Battle Star Galatica - the episodes towards the end of the season,possible spoilers )

3. Dexter - the Second Season, via Netflix. Dexter discovers his adopted father was not the man he thought he was. And fights a man who is a vigilante but shows remorse, and a woman who has none.

4. Lost - it came back after the Writer's Strike with five or six episodes which redefined the series. Playing with the concept of time and identity in the process.

5. Terminator: The Sarah Connor Chronicles - about four people struggling to prevent a nightmare future, yet, one feels at times, fatefully doomed to bring about at least a version of it no matter what. Demonstrating that one can never quite escape one's own fate, even though we have no choice but to try. It is also the flip side of Battle Star Galatica, examining what it is like to be a machine, a cyborg. And in contrast, to what degree humans differ from that.

6. Pushing Daisies - yes, it's at times a bit too stylish for its own good. Almost gratingly so. But, it is also oddly cheery about grim topics. Examining death and the loss of loved ones, with a clownish grin. A nice contrast to Terminator's bleakness. Love it or hate it, you've never seen anything remotely like it on TV. And may never again. It played with narrative structure and how a story can be told. Inserting bursts of song and bits of magic, as well as a comic voice-over narrator, who acted as if he were reading us a story from a pop-up detective book. Perhaps he was, the pop-up book just happened to be on our tv sets, and the narrator the charming voice of Jim Dale.

7. Mad Men - another show that at times feels almost too stylish for its own good. But, like Daisies, it uses the style to further its story. Mad Men is filled to the brim with anti-heroes, yet at it's center is the heroine, Peggy, who struggles to push past convention and remain true to who she is. Peggy is the opposite of Don Draper, honest almost to a fault. possible spoilers )

8. In Plain Sight - Mary McCormack plays Mary Shannon - a tough witness protection marshal, with a drunk mother and an ex-con/drug dealer sister. She's an emotional train-wreck, but steely and tough as Phillip Marlow. Flipping gender stereotypes - Mary is the tough guy in the relationships with her partner and her lover, both physically and emotionally.

9. House - the season ender last year - where we go inside House's head to figure out what happened on a bus ride. Which patient he had to save. possible spoilers )

10.Gossip Girl - at first a guilty pleasure has become a satisfying morsel. The twisty cat and cat romance, with vague allusions to Les Liasons Dangereuse, between Chuck Bass and Blair Woolworth - may be the hottest thing on the screen. And we barely see any skin or even much of a kiss. It's soapy sure, but also fun.

Honorable Mentions:

* Torchwood - the tragic romance of Owen and the Asian Scientist who I can't remember the name of. With two audacious guest-starring turns by James Marsters. Although the best episode may be the one that focused on Gwen and the young optimistic boy who got sucked into time, only to come back a monsterous wreck, half insane, and screaming from the nightmares he'd lived.

*Reaper - the poor man's Chuck, which in my opinion was actually better written and far more realistic than Chuck. It's about a Home Depot slacker, who finds out his parents sold his soul to the Devil. A tv show, where the female love interest is not hot and blond and perfect. Whoa. Must be written and created by women? Wait, it is.

*Supernatural - the best cult fantasy show on tv at the moment. Tightly written, with a clear and consistent mythology. It is at its heart a story of two brothers or siblings, with a lot of HP Lovecraft, Urbane Horror Legend, and Christian Mythology thrown in. possible spoilers )

*Smallville - surprisingly came back with some interesting kick-ass stories.
Lana and Chloe are no longer the nice girls next door. Lois has become the kick-ass, sassy heroine with heart. Clark plays god with shocking consequences. And the villian is tragically endearing.

*Desperate Housewives - the fly to five years in the future, was inspired. The glamour-puss Gabby is frumpy, the ordinarily perfect Bree - frazzled, the on top/in control Katherine - a second banana to Bree, the calm and practical Lynette - shrewish and jealous, and the fun-loving romantic Susan - world-weary. It remains an interesting satire on what we believe to be suburban bliss.

* Ugly Betty - slow and a bit loopy to start, but after the ill-conceived Lindsey Lohan arc, it got back to its roots - Betty and Mode. The silly and at times pointless romances and Betty's overly sentimental home life were pushed, finally, to the background, and her sassy relationships with Mark, Amanda, Daniel, and Wilhemmina, front and center. The heart of the show is Betty, Mark and Amanda - it's about time the writers figured it out.

*Cranford - the BBC mini-series on Masterpiece Theater, about a bunch of old spinsters in a small English town around the turn of the century. Funny and sentimental, yet not overly so. It's a quiet little story that I found comforting, about the bonds of both friendship and community.

Not so great series of 2008:

* Grey's Anatomy...sigh. It jumped the shark so many times in the last year, I've lost count. The firing of Brook Smith as Erica Hahn, was just one of many ill-concieved choices. The worst episode may have been the one where Izzy has hot sex with the ghost of Denny.
Topped by Sadie offering to let the interns practice their surgical skills by taking out her appendix. It's biggest loss was Brook Smith - who provided a snarky attitude to the show.
It's biggest gain - Kevin McKidd - who provided a new love interest for Cristina, as well as a nice counter to the boys club of McDreamy and McSteamy. Can it be fixed? We'll see.

*Heroes...yes, it did get better towards the end. The last three or four episodes were actually enjoyable and worth watching. But everything before the eclispe of the sun - made little or no sense. Jumping back and forth in time - with one too many characters. Characters flipping from villian to hero and back again with little build up. Made watching the show akin to riding in bumper cars or one of those rides that jar you. 2009 - looks like it might be better - Brian Fuller's back to lend a hand and they are moving back towards the more personal and contained stories of the first season. For those who dumped the series for fear that Sylar had become a hero or good guy, you should have stuck around for the last three episodes, because he has stayed a villian and is reported to get even worse. Looks like it will be fixed - and soon.

*My Own Worst Enemy - while I enjoyed it, it was a convoluted mess. Difficult to follow. The best thing was the acting - and you felt sorry for the actors. The writing just didn't live up to it. Sort of La Femme Nikita with a personality disorder. Or Alias, except with multiple personalities. Ambitious, but far too ambitious for TV. Deservedly cancelled.

"Nip-Tuck" - which out jumped both Greys and Heroes. It got so ridiculous, it was hard not to giggle at it. Yet, I still watch. I'm not sure why. Curiousity perhaps?


Shows to look forward to in 2009:

Leverage
Dollhouse - Whedon's latest drama about identity - a common theme in his work
Heroes: Fugitives
Lost
BattleStar Galatica
Trust Me - new drama about advertising on TNT
Damages - finally Season 2 - Jan
The Closer - Jan
Burn Notice - Jan
Doctor Who specials
Last/final episodes of recentally cancelled series: Dirty Sexy Money, Pushing Daisies, and Lipstick Jungle
And many many more...

Heroes

Nov. 23rd, 2008 02:04 pm
shadowkat: (Default)
Well, I'm procrastinating again. Just finished revising one more chapter of my book and here I am. Again.

Read through my flist - and it appears that even the die-hard Heroes fans have jumped ship now. I'm still sort of watching the series. But not live. It's still watchable. Just a bit, well, far-fetched. Reminds me a great deal of some of the bizarre comic book plots I used to read. People who despise Jeff Loeb, may not be happy to hear that I believe he's one of the writers on Whedon's Buffy S8 arc. I could be wrong about that. Speaking of Buffy S8, I'm told that long-delayed issue is due out next week. Whedon apparently got distracted with Dollhouse and as a result had troubles getting it completed. For anyone that religiously followed Whedon's Astonishing X-Men arc - this is hardly surprising. Months went by before the next issue came out. Heck at one point I forgot about the whole thing and thought he'd quit.
Whedon is not the fastest writer in the universe - which considering his occupation, is not a good thing. TV, Film, and comic books requires fast writing, being able to churn out multiple pages, revise, fix, at the click of a button. The pace just about killed Rod Serling during Twilight Zone. It's not like writing a novel - you don't get five years to get it right.
More like 24 hours. Sometimes 15.

Back to Heroes. Heroes, sigh, is another show that has jumped the shark. I like the overall concept - the idea that villians can be heroes and heroes can be villians, but apparently, this isn't as easy to pull off as it may appear. You probably should for starters make your villians a bit more complex and a little less irreedeemably nasty. That would help.
Also you should build up to the switch, not just do it willy-nilly. As [livejournal.com profile] selenak pointed out in a post - television writers have managed to accomplish this, both Farscape and Babylon 5 did.

Farscape did it with Scorpius, Crais, and that weird character who was with Crichton but took up with Scorpius and I can't remember the name of.

Bablyon 5 did - with G'Kar and Londo, two characters who at the beginning appeared utterly different than they did at the end. G'Kar in the beginning of the series was the scheming "villian" while Londo was the blustering victim, good guy diplomat. Over the seasons, it was revealed that this wasn't true. G'Kar turned out to be a true hero, self-sacrificing, and his "villianous" actions and attitude towards Londo, were revealed to be a lot more complicated that first perceived. Londo on the other hand came across as a complicated and tortured villian, weak, noble, but weak and tortured. You didn't hate him so much as pitied him. And their relationship also became fairly complicated. I bring them up - because Heroes appears to be attempting to do a similar thing with two key characters.

spoilers )

Heroes has other problems, not just that. Which is why I think it may well be dead after this season. NBC, which doesn't have much else in the pipeline at the moment, may give it a fourth season. But I doubt it will get much more.

I'm watching for the Claire storyline mostly. Which to be honest has been consistently the strongest storyline throughout the series. Not sure why this is. It's not the acting, so much as the writing - it's just tighter and more consistent in regards to Claire, Noah, Meredith,
and the Company. Less so with everyone else. Almost as if the writers know these characters, understand them and feel for them, but are grasping at straws in regards to the others.

At any rate, I won't be surprised if it dies after next year, if not before. I think any attempts to save or ressurect it, may be too late. Audiences are fickle creatures and not that forgiving regarding their time.

Enuf procrastinating, back to my book.
shadowkat: (tv)
Having a nice quiet morning, going to do an art walk tour later in the day. Around 2.
Should also look at book edits, but was dead tired from work this week, so taking a breather.

On the Television Front:

I think Heroes may be dead in the water. It's starting to bore me at any rate. I find myself caring less and less about these characters and their arcs appear to be rather meaningless - constantly reset by the writers to suit whatever theme or idea they want to talk about. In some ways, Heroes reminds me of some of the X-men comics I used to read, with story and plotlines that often felt at the expense of the characters. The characters mere pawns or tools for whatever crazy or inspired idea the writer came up with - as opposed to the story coming from the character's actions, it at times felt at their expense. This is unfortunately one of the flaws of the on-going serial format - the tendency to decide to bring character's who have died back from the dead, or forget a character's background or history, merely to do a specific story. It happens a lot with soap operas and comic books - but in their defense, it usually happens after the show or comic book has been around for about ten-twenty years. Heroes has only been on for three years - this is the third. They don't have any excuses. spoilers )

Project Runway surprised me. spoilers )
shadowkat: (Default)
Just finished watching "Sleeper" - episode 2.2 of Torchwood. (You remember the time in which it was hard to figure out the names of these episodes and you had to be an obsessed fan in order to do so? Now all you have to do is click info on your remote and there it is along with a composite summary. The information revolution really has changed things.)

Will now have to hunt through flist for all the spoilery reviews that I skipped when everyone else saw the episode, which was sometime last week. BBC America is roughly two weeks behind the UK BBC and net airings. Annoying that. Guess that's how everyone outside the US without the ability to download stuff felt about Buffy, eh? Also, by now, everyone is on to the last episode and sick of talking about it. Fun being late to the party. Not that I care all that much. Not really in the Torchwood fandom. And hardly obsessed. It's sort of nice actually. Being emotionally and cereberally invested in a tv series is exhausting not to mention incredibly time consuming. While watching it sort of casually is fun and entertaining.

on the joys of not being fannish and a shipper regarding Torchwood, or rather not a relationship 'shipper' for tv shows in general )

Anywho...have mixed feelings about this episode. It wasn't as much fun as Kiss Kiss Bang Bang. Although it does have a few funny lines - which are delivered a bit too flatly. I'm guessing that's a fault of direction not acting? The overall theme is interesting, but I think it was addressed in some ways far better in both BattleStar Galatica (version2) and Star Trek The Next Generation. Here, I found it a bit uneven and obvious.

Huge Spoilers for Sleeper, vague ones for Heroes, Lost, Battlestar Galatica S1-2 )
shadowkat: (rainboweyelock)
Haven't done too much today, cold or allergies have wiped me out. Did go grocery shopping and bought more cold meds, since whatever I bought yesterday wasn't doing the job last night. Kept up blowing my nose, coughing, and my eyes watering, plus clogged ears. Mucus in all orifices? Lovely.

Lovely day though. Wicked sunset last night - had a rainbow, shades of orange, pink, lavender, and blue with dark gray and brillant yellow. And today - crystal clear blue sky taunting me with its fabulousness. I really wanted a gray rainy day, dang it. Sometimes you just do.

Did make it through most of the tv shows/premiers I DvR'd during the week - only have "Dirty Sexy Money", "Cane", "Life", "ER", "CSI", "Doctor Who", "Torchwood", "Damages", and I think "Bones" to go. I've watched Moonlight, Bionic Woman, Grey's Anatomy, Heroes, Reaper, House, Journeyman, Chuck, Back to You, Smallville, Ugly Betty, and Without a Trace. Missed Eureka, Big Shots, Boston Legal, and the Office, because we must make choices.

Sigh. Too much bloody tv. I'm going to have to cut some of it. And I *really wish* 30 Rock and The Office were on some other night besides Thursday. Like maybe Friday? Or Monday? I can tape two shows on two channels at the same time but not three. Also is it just me or has anyone else's DVR/Tivo cut out the last minute of a show because the stupid things are all going a minute over? Missed the last minute of Grey's because of that - it flipped to ER.

So...what's my quick take on the one's I've seen so far? Well, for the first time in a long time, I agree with the reviews I've read on my flist regarding them.

New Shows:

1.Bionic Woman )

2. Chuck )

3. Reaper )

4, Moonlight )

5. Journeyman )

6.Back to You )

Returning Favorites:

(ugh should do two posts for this but don't feel like it.)

1. Grey's Anatomy - does contain a vague spoiler )

2. Ugly Betty - this feels like a cheerful and warmhearted send-up of soap operas. And is at times a bit over the top about it. I do find it amusing though. And I like the twists and turns. Plus I enjoy all the characters.

3.Heroes - plot spoilers for the episode! )

4. Smallville )

5. Without A Trace )

6. House )

Show's I'm thinking of giving the ax to? Too early to tell. Still have more to watch, when and if I find the time. Ugh. I do have a life outside of television watching...you know.
For example just finished reading Kafka on the Shore - which I highly recommend.
I may write a complete review of it in another post...until then will leave you with this quote from it:

Every one of us is losing something precious to us. Lost opportunities, lost possibilities, feelings we can never get back again. That's part of what it means to be alive. But inside our heads - at least that's where I imagine it - there's a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making reference cards. We have to dust things off every once in a while, let in fresh air, change the water in the flower vases. In other words, you'll live forever in your own private library.

Am currently reading America's Best Short Stories - 2007 edition, edited by Stephen King which is not what you'd expect and so far kick-ass. The first story blew me away.
And the second is doing much the same thing. That too, I'll save for another post.


Am tired or wiped out. Going to take medication and go to bed.
shadowkat: (againts the grain)
First off for those on my flist who like to read tv writer blogs - picked up two courtesy of [livejournal.com profile] ponygirl2000:

1. janeespension - just go to my user page and click on Janeespension's name and friend it. That's how I did it. If you want to write spec scripts for television - her blog is a must read. I read it because the tv biz fascinates me.

2. This - I can't figure out how to add to my flist but is the blog of the TV writer, Ken Levine, behind Frazier, Cheers, Mash, and Everybody Loves Raymond. He has some great posts regarding current tv shows, tv writing in general and the shows he worked on. He's snarky but careful - so do not expect any true bashing. I can't help but state that I agree with his assessment of Studio 60 which I like and rail at for the same reasons he does. Although I think I find it funnier than he does. He states and this made me giggle: "TV show writers are not *that* bright." Seriously they aren't. Which is the problem with Studio 60. Also, ahem, it takes itself a tad too seriously for a series about a sketch comedy. But if you love Studio 60, don't worry, he has other fantastic blog pieces that have zip to do with it. Including a rant about those music video montages appearing at the end of tv shows. And some great pieces about MASH and Frazier.

Go here: http://kenlevine.blogspot.com/ (And if you can figure out how to add him to your flist on lj, let me know. Does not have an RSS link that I can find.)

3. Not a writer blog, but a great TV Guide interview/Q& A with Joss Whedon posted by here and if you can't access it for any reason - the link's at whedonesque. Courtesy of [livejournal.com profile] buffyannatator and [livejournal.com profile] ponygirl2000.

In the interview, Whedon states how BSG is his favorite TV show ever (agreed - except I think I might put his two shows, BTVS and ATS above it, but BSG accomplishes in some respects what he attempted with Firefly - an outer-space character that focuses on those difficult human issues and doesn't get bogged down with aliens and bugged eyed monsters - in short, it lets the monsters be human.) And how there's only so much you can do with What if Romeo and Juliet had lived? (LOL! Yes, it does get redundant and boring after awhile. Which is why Shakespeare wisely killed them. It was either that or give them separate tv shows in separate locals.)

** Updated to add that if you go Here and scroll down, you can find out what the captions were on each of those sample pages - including one that, ahem, explains the sequence in the Angel episode "A Girl In Question" in a succinct way that NEVER occurred to any fanfic writer I've seen. (Although I think someone snarkily posted it as a possibility on a fan forum I was on at the time and it does fit with the themes I saw in that episode.) It also makes me think that Andrew really did have loads of fun with Angel and Spike in A5. LOL!! Plus, I think we may, ahem, have an answer as to whom was behind the robot invasion in that Wes episode. That is assuming of course the person reading those quote did so accurately. Makes me even more curious about the comics, but also somewhat wary. There is such a thing as going overboard and perhaps being restricted as he was on tv, was a good thing.

Regarding TV...watched: Heroes, Studio 60, the two part movie The Closer around S60 and Heroes, Boston Legal, Nip/Tuck, and Gilmore Girls. The only ones I *really* enjoyed were Boston Legal (made me laugh), Heroes, and The Closer. Found Nip/Tuck interesting. GG and Studio 60 somewhat grating.


1. Heroes - Still the best "shot" series on Television. Makes me think of a graphic novel with the colors and angles. Or a silent movie at times. There's really not that much dialogue. pointless to talk about this without serious spoilers )

2. Studio 60 - I think I'm the only person on my flist who still watches this show that was underwhelmed by it this week. Am I too cynical? Too critical? Do I watch too much TV? Probably. spoilers, of course and snarky. )

Boston Legal, The Closer, and GG, vague spoilers if any. )

Okay, off to watch 30 Rock since Grey's is a rerun.
shadowkat: (Default)
After torturing myself by watching fifteen minutes of Oprah, which reminded me of how tight my suites have gotten - one, which I bought in the spring, no longer fits, have decided to maybe try exercising (went on walk to get started), reading, and other activities in front of tube instead of *cough*eating*cough*. I blame television for my weight gain and need to eat. Stupid evil commercials. Yes, I've managed to regain the 25 pounds I lost before I got laid-off. Honestly, there are times I think it is true, TV will rot your brain.

Things learned this week:
1. Do not tell people you are writing a novel. They don't really care unless you are about to be published and they can read it.
2. Recruiters make lousey travel agents. (Found this out the hard way.)
3. Too much chocolat equals heartburn. Actually too much food period equals heartburn. Don't eat when you aren't hungry - one would think I'd have figured this out by now. But nope. Am dense.
4. Don't watch Oprah if you are feeling gloomy about yourself, it will make you want to throw things at the tv screen.

After watching Bones rip-off of The Blair Witch Project, which was actually more entertaining than it sounds - did my exercises during it, watched DayBreak which makes Lost feel like Masterpiece Theater in comparison. Daybreak just meanders and makes me miss Lost, which may be the point. (I can't watch Criminal Minds - lost interest in serial killers way back in the 90's when they were the "in" thing. Besides "Profiler" was better.) Then watched a 20/20 special entitled "Cheap in America" about charitable giving - which is more or less reaffirming what I already know. More you give more happy you are. People are greedy but also incredibly giving.

Watched following tv shows Daybreak, Bones, Studio 60, Desperate Housewives, Boston Legal, Nip/Tuck, Heroes, Veronica Mars, and Grey's Anatomy. Also bits of House. (I keep forgetting it's repeated at 11pm on USA on Fridays - so keep missing the repeats.)

Studio 60 - this show is bugging me. for spoilers )

Heroes - is a well shot series. This baby doesn't require much attention to dialogue. It's more interested in visuals. Good thing too, since its dialogue tends to be uneven. Sometimes great, sometimes lacklustre. I enjoy it. Have fairly low expectations. And like not knowing what will happen next. My spoiler policy is more lax than most people's - for example, I don't consider the teasers that the creators and writers give in TV Guide true spoilers so much as teasers. Nor do I consider previews or trailers necessarily spoilers. I just don't want to know key plot points. ie. I don't mind knowing a character will die in an upcoming episode, just don't tell me which one. I like to guess.

spoilers for Heroes )

Desperate Housewives - it's a shame, just when I start liking the show again - it will go on hiatius then come back and be opposite The Dresden Files which premieres January 21 at 9pm on Sundays. Since unlike 90% of my flist, I cannot watch two shows at once. (No DVR and no VCR). I have to choose. And Dresden wins for now. I am a Harry shipper. I feel the same way about Harry Dresden that some people seem to feel about Harry Potter. (What can I say I have a weakness for dark, wellmeaning, heroic, rumpled guys who in their late 30's early 40's - Harry Potter is just too young for me.) That said, this week's Desperate was entertaining, so entertaining I regret missing last week's, but was watching Prime Suspect instead. I'm beginning to like Susan again - which was an accomplishment, and I no longer want to slap Gabriella and Lynette upside the head with a frying pan. Yes, progress. Plus three hunks: Dougray Scott, Kyle McLachlan, and James Denton. Now if they'll only bring Susan's ex-hubby back - I adored him.

Monday is going to get hard soon too. The Closer is coming back with a two hour movie opposite Heroes and Studio 60, I think. Am hoping NBC puts a Xmas movie on that night, so can watch The Closer.

Nip/Tuck - boring me. The show seems to be meandering without much direction. The only character I'm still interested in is Christian at this point and barely. Scean mopes and whines. Julia took off (because the actress is taking care of her daughter in England - who had to have multiple surgeries for a leg problem). And the Kimber/Matt relationship is just dull. I'm missing seasons 1 and 2. The show jumped the shark I think in Season 3 and hasn't come back since.

Grey's Anatomy enjoyable fluff show. I call it my comfort show. I like the characters. I enjoy the writing. And it works for me. This past week's episode moved me and worked partly because it focused almost completely on Christina, George, and to an extent on Izzy/Alex. Less Meredith/McDreamy the better. Christina pulls me in each week. I loved her dilemma and how well and realistically it was written. Demonstrating how surgeons protect each other often to the detriment of patients. Forgetting patients are people. Becoming so self-involved and into their career paths and those of their loved ones and friends, they forget they are working on a human being not a file.

20/20 program makes me think I need to locate another volunteer project to work with soon.
shadowkat: (Default)
[Can't decide what is worse the period before the job interview or the period after? The interview itself isn't such a big deal, but before you worry if you've prepared enough and after you worry if you screwed up. Right now, I've just about convinced myself I didn't get the job and will have to go through the whole thing again soon. As a result, I find myself feeling quite bristly and depressed this morning - much like the weather outside my window. Hoping mood clears up by 4pm - have a concert that I'm going to at Lincoln Center. It's free and I'm seeing it with the NYC Movie Critics Group I recently joined.

As an aside - you ever feel as if you have been thrown into a play, you don't know the lines, you don't know what role you are supposed to play, and feel as if you are just fumbling about making a complete and utter fool of yourself?]

Warning much snark below, because this is TV and I refuse to take it seriously. Plus TV is a safe topic to snark about, right? It's not like religion or politics? Okay, yes, I realize this is a niave and stupid statement coming from an individual who started her online writing career posting television essays to fanboards.

Well, I've watched this week's premieres more or less, only one I missed was the pilot for Friday Night Lights and well anything that is on the pay cable channels, a la Showtime and HBO - because even I can't watch everything. After awhile it all starts to become one big blur anyways. Plus I do not own a DVR or Tivo, nor can I tape anything any longer. Somewhat limited here.

What I did watch:

1. Studio 60 on the Sunset Strip - already discussed in a prior post. I'm worried about it.
Only three people on correspondence list besides myself are devoted. That is not good, since currently correspondence list's reactions to new series and the Neilsen's reactions to new series appear to be in synch. Frex - everyone online that watched the show the previous week, with four exceptions (myself included) was disappointed. Half did not try it a second week. (While they all came back for Heroes). Damn. Studio 60 is the only show on tv that does not have sex or violence featured as a plot point. Which begs the question: Can we watch something that is propelled purely by dialogue and not by sex and violence? (That's meant to be a rhetorical question by the way.)

2. Heroes - seen the episode twice now - at 7pm tonight, because there was zip else on. All I'll say is: It is not an series that improves on a second viewing. But don't worry about it - according to the entertainment mags - it's the next big hit - or this year's "Lost". People adore it. And Hiro? He's apparently the break-out performance this year or "pop culture" trend. The poster child for Geekdom - at least according to the mags. Heroes according to TV Guide spoilers - is supposed to get even better as we move forward. There's even a possibility that the evil super-powered serial killer is not who I think it is, which would be cool. Heck anything with Adrian Psdar in it, I'm willing to watch. And yes, I like Hiro too. Is there anyone out there who doesn't? It would be like not liking a puppy dog or something?

4. Veronica Mars - I enjoyed it. But - it had problems and I worry about its longevity. Granted, Rob Thomas is not good at introductions or summary episodes, and the man clearly hates exposition and/or wrapping up loose ends. Because, the Keith Mars subplot that hung over from last season, you know the one with Kendall Casablancas and the suitcase? I needed the internet to explain it to me or rather numerous people sharing what they picked up. Not one person - but several different posters. The fact it took ten or fifteen people exchanging information in two discussion threads on two different lj's for me to figure out what actually did happen (and I still might have a few facts off), should tell you something right there.

Here's what I managed to get from the online crowd: ( specifically [livejournal.com profile] coffeeandink, Masq, and [livejournal.com profile] herself_nyc's lj's, thanks guys, because I was as lost as you were) : Spoilers )

The problem with the subplot - which would have been clearer if it were the only mystery we had to figure out or was at least directly linked to whatever Veronica was doing - was this subplot was threaded or cut within the VM mystery and the Logan/Dick story. The Logan/Dick - VM stories actually coincide. Keith's seemed like we were watching another show or rather it reminded me of when I was attempting to flip between VM and Lost last year and got predictably confused. Last season Thomas struggled with the transistions between Keith and Veronica's mysteries a bit as well. It's why the pacing got so slow at times and the story got muddled. It worked fine when the two stories jivved. Not when they had zip to do with each other. The first season this was not a problem - since Keith's mystery and Veronica's were more or less one and the same.

I liked the rest of VM. spoilers fairly vague for S2 VM, S3 VM. )

Enjoyable, just confusing and slow in places. VM is an odd show - it tends to pick up steam for me later in the season, the first five episodes? I tend to be ambivalent about. This worries me, since VM only got 13 this year. This show needs more than 13. [Am wondering if VM may work better on DVD as a telenovela? People who've watched the DVD's seem to react differently than those of us who watch it as it is broadcast.]

4. Lost - Not sure how long I'm going to stick with Lost for numerous reasons - the main one being that most of the social groups I've joined like to do things on Wedensdays. The other - well, see behind the spoiler cut.

Spoilers for Lost )

5. The Nine - not bad. But not something that's going to keep me home or awake on Wed nights either. And next week - watching the Project Runway finale. I skipped the reunion. I don't need to watch tv to see people cut each other into ribbons. But am very curious to see who wins out of the finale four, especially now that I've seen everyone's runway shows. Personally? I'd pick either Laura or Uli, but I'm betting the judges pick Jeffrey - who of the four seems to have the most versatile look. Sorry, I should be talking about the Nine not PR here. Which may tell you something. The Nine was interesting. It reminded me a great deal of Spike Lee's The Inside Man. Except I liked the Inside Man a bit more.

spoilers )

6. Grey's Anatomy - remains my comfort show. Watching Grey's feels a bit like drinking a glass of ice cold water on a hot sweaty day or just snuggling up with coco in front of fire while it is snowing outside. It's refreshingly simple and comforting. And one of the few shows in which I like most if not all of the characters. Okay, I do like Derek, just not when he's being McDreamy or Meredith's love interest. spoilers for S2 and vaguely S3 Greys )

I'm love Grey's for Christina (who makes me laugh), Alex, Izzy, George, Callie, the Chief, Dr. Sloan, Burke, Bailey, and Addison. That's why I watch it. And this episode was more enjoyable the last two partly because it focused more on these characters and less on Meredith.

7. BattleStar Galatica - still packs a punch. And watching the websoides did help.
I liked aspects of it. The Starbuck(kara Thrace)/Leoben storyline is going to get on my nerves soon.
spoilers for BSG )

[Updated: For a truly excellent analysis of this episode go here: http://coffeeandink.livejournal.com/636582.html?style=mine#cutid1.
Coffeeandink really points out how the episode works and why the writers chose to do what they did. Reading it changed my mind.]

8. I also watched Nip/Tuck - spoilers )
shadowkat: (Fred)
Last night caught the season premiere of the new NBC television series Heroes.

Television Biz 101 or why television dramas are making a comeback after an era of nothing but reality shows and procedurals. )

This may be the most interesting television season I've seen on air in ages. Certainly the first time I've had more than one show on literally every day of the week but Sat that I *really* wanted to make time to watch. Which means I'm going to have to invest in a DVR or Tivo soon. That said, Heroes is a seriously flawed drama. Oh, don't get me wrong, I adored it and will be watching it again next week. (*If you missed it - you can watch either on Friday at 7pm before Doctor Who on Sci-Fi or see it on NBC's site on the internet. Same place I saw the second episode of Studio 60.)

Read more of Heroes review - cut for spoilers )
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